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Pre-raphaelites & Neo-classical Collection (page 7)

863 items

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)

The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)
PNH356988 The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)

The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)
PNH356987 The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)

The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)
PNH356985 The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)

The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)
PNH356967 The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Portrait of a Girl, 1857 (oil on paper laid over panel)

Portrait of a Girl, 1857 (oil on paper laid over panel)
PNH356378 Portrait of a Girl, 1857 (oil on paper laid over panel) by Millais, John Everett (1829-96); 30x23 cm; Private Collection; (add.info.: The model is Sophie Gray)

Background imagePre-raphaelites & Neo-classical Collection: The Laurel Wreath, 1902 (coloured chalks on pale blue paper)

The Laurel Wreath, 1902 (coloured chalks on pale blue paper)
PNH368208 The Laurel Wreath, 1902 (coloured chalks on pale blue paper) by Sandys, Anthony Frederick Augustus (1829-1904); 77.5x56 cm; Private Collection; (add.info.: A portrait of Gertrude)

Background imagePre-raphaelites & Neo-classical Collection: The Laurel (pencil on paper)

The Laurel (pencil on paper)
869263 The Laurel (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 35.6x27.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The King and the Court, illustration from The Legend of the Briar Rose

The King and the Court, illustration from The Legend of the Briar Rose
704068 The King and the Court, illustration from The Legend of the Briar Rose 1871-72 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Museo de Arte de Ponce

Background imagePre-raphaelites & Neo-classical Collection: Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving)

Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving)
695574 Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving) by Kauffmann, Angelica (1741-1807) (after); The Geffrye Museum of the Home, London

Background imagePre-raphaelites & Neo-classical Collection: Priestess offering Poppies, 1864 (w / c heightened with white on paper)

Priestess offering Poppies, 1864 (w / c heightened with white on paper)
692932 Priestess offering Poppies, 1864 (w/c heightened with white on paper) by Solomon, Simeon (1840-1905); 42.5x32 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

Background imagePre-raphaelites & Neo-classical Collection: Sketch of a Young Girl, 1863 (pencil on paper)

Sketch of a Young Girl, 1863 (pencil on paper)
619255 Sketch of a Young Girl, 1863 (pencil on paper) by Millais, John Everett (1829-96); 15.2x5.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Pond of William Morris Works at Merton Abbey (w / c and gouache on paper)

The Pond of William Morris Works at Merton Abbey (w / c and gouache on paper)
STC156427 The Pond of William Morris Works at Merton Abbey (w/c and gouache on paper) by Pocock, Lexden L. (1850-1919); Victoria & Albert Museum, London, UK; The Stapleton Collection; English

Background imagePre-raphaelites & Neo-classical Collection: Study for Boreas (red chalk on tinted paper)

Study for Boreas (red chalk on tinted paper)
Ma120457 Study for Boreas (red chalk on tinted paper) by Waterhouse, John William (1849-1917); 50.8x41.9 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study of a kneeling girl for The Mirror of Venus, c

Study of a kneeling girl for The Mirror of Venus, c
FIT113921 Study of a kneeling girl for The Mirror of Venus, c.1873 (pencil on paper) (see 15161) by Burne-Jones, Edward Coley (1833-98); 21.8x17.9 cm; Fitzwilliam Museum, University of Cambridge

Background imagePre-raphaelites & Neo-classical Collection: Shuttlecock (oil on canvas) (see also 198291)

Shuttlecock (oil on canvas) (see also 198291)
Ma198299 Shuttlecock (oil on canvas) (see also 198291) by Moore, Albert Joseph (1841-93); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Gilded Fan (oil on canvas)

The Gilded Fan (oil on canvas)
Ma199001 The Gilded Fan (oil on canvas) by Moore, Albert Joseph (1841-93); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Augustus Howell, 1867 (red chalk on paper)

Augustus Howell, 1867 (red chalk on paper)
Ma201320 Augustus Howell, 1867 (red chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Briar Rose Series, 1: The Prince Enters the Briar Wood

The Briar Rose Series, 1: The Prince Enters the Briar Wood
MH11916 The Briar Rose Series, 1: The Prince Enters the Briar Wood, 1870-90 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 122x250 cm; Faringdon Collection, Buscot, Oxon

Background imagePre-raphaelites & Neo-classical Collection: The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas)

The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas)
HTL11912 The Soul Attains, from the Pygmalion and the Image series, 1870 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Background imagePre-raphaelites & Neo-classical Collection: The Hand Refrains, from the Pygmalion and the Image series

The Hand Refrains, from the Pygmalion and the Image series
HTL11910 The Hand Refrains, from the Pygmalion and the Image series, 1868-70 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Background imagePre-raphaelites & Neo-classical Collection: The Evening Star, 1870 (gouache)

The Evening Star, 1870 (gouache)
MH11891 The Evening Star, 1870 (gouache) by Burne-Jones, Edward Coley (1833-98); 78.7x55.9 cm; Private Collection; eMartin Harrison; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Shrine (oil on canvas)

The Shrine (oil on canvas)
CW10913 The Shrine (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Artists sister, Mrs Sarah Wilson and her child (oil on canvas)

The Artists sister, Mrs Sarah Wilson and her child (oil on canvas)
FC68082 The Artists sister, Mrs Sarah Wilson and her child (oil on canvas) by Hunt, William Holman (1827-1910); 35.6x45.7 cm; The FORBES Magazine Collection

Background imagePre-raphaelites & Neo-classical Collection: The Hours, 1870-82 (oil on canvas)

The Hours, 1870-82 (oil on canvas)
SAG67748 The Hours, 1870-82 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 77.5x183.4 cm; Sheffield Galleries and Museums Trust

Background imagePre-raphaelites & Neo-classical Collection: Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas)

Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas)
HTL59287 Venus Epithalamia, copy of the painting by Sir Edward Burne-Jones (oil on canvas) by Murray, Charles Fairfax (1849-1919)

Background imagePre-raphaelites & Neo-classical Collection: The Lovers

The Lovers
Ma55308 The Lovers by Solomon, Simeon (1840-1905); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: A Roman Boat Race

A Roman Boat Race
Ma55303 A Roman Boat Race by Poynter, Edward John (1836-1919); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: In the Temple of Venus, 1863 (oil on canvas)

In the Temple of Venus, 1863 (oil on canvas)
REY77718 In the Temple of Venus, 1863 (oil on canvas) by Solomon, Simeon (1840-1905); 24x17 cm; Private Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Death of a Butterfly, c. 1905-10 (oil on canvas)

Death of a Butterfly, c. 1905-10 (oil on canvas)
WDM77263 Death of a Butterfly, c.1905-10 (oil on canvas) by Morgan, Evelyn De (1855-1919); 31.8x38.1 cm; De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English

Background imagePre-raphaelites & Neo-classical Collection: Finished study for Queen Eleanor and Fair Rosamund, c. 1900-5 (chalk) (see 27988)

Finished study for Queen Eleanor and Fair Rosamund, c. 1900-5 (chalk) (see 27988)
WDM77259 Finished study for Queen Eleanor and Fair Rosamund, c.1900-5 (chalk) (see 27988) by Morgan, Evelyn De (1855-1919); De Morgan Collection

Background imagePre-raphaelites & Neo-classical Collection: In Memoriam, 1898 (oil on canvas)

In Memoriam, 1898 (oil on canvas)
WDM75665 In Memoriam, 1898 (oil on canvas) by Morgan, Evelyn De (1855-1919); 76.2x44.5 cm; De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: No. 1148 Morning music, 1864 (w / c & gouache)

No. 1148 Morning music, 1864 (w / c & gouache)
FIT74968 No.1148 Morning music, 1864 (w/c & gouache) by Rossetti, Dante Gabriel Charles (1828-82); 30.4x27.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imagePre-raphaelites & Neo-classical Collection: The Bridesmaid, 1851 (oil on panel)

The Bridesmaid, 1851 (oil on panel)
FIT69664 The Bridesmaid, 1851 (oil on panel) by Millais, John Everett (1829-96); 27.9x20.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Vision of Ezekiel

The Vision of Ezekiel
WDM65099 The Vision of Ezekiel by Stanhope, John Roddam Spencer (1829-1908); 151.1x98.4 cm; De Morgan Collection, courtesy of the De Morgan Foundation; (add.info.: " Can these dry bones live)

Background imagePre-raphaelites & Neo-classical Collection: Beata Beatrix, 1862 (oil on canvas)

Beata Beatrix, 1862 (oil on canvas)
BIR103741 Beata Beatrix, 1862 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 86.8x68.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Legend of the Briar Rose: The Council Room, pub. by Thomas Agnew & Sons

The Legend of the Briar Rose: The Council Room, pub. by Thomas Agnew & Sons
Ma103963 The Legend of the Briar Rose: The Council Room, pub. by Thomas Agnew & Sons, 1890 (photogravure) by Burne-Jones, Edward Coley (1833-98) (after)

Background imagePre-raphaelites & Neo-classical Collection: Portrait of Sir John Everett Millais (1829-96) (albumen print)

Portrait of Sir John Everett Millais (1829-96) (albumen print)
STC101811 Portrait of Sir John Everett Millais (1829-96) (albumen print) by Watkins, J.C. (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Return of the Dove to the Ark, 1851 (oil on canvas)

The Return of the Dove to the Ark, 1851 (oil on canvas)
AMO99101 The Return of the Dove to the Ark, 1851 (oil on canvas) by Millais, John Everett (1829-96); 87.6x54.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imagePre-raphaelites & Neo-classical Collection: Spes (ink and gold on paper)

Spes (ink and gold on paper)
NCO98533 Spes (ink and gold on paper) by Burne-Jones, Edward Coley (1833-98); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Italian Girl (w / c on paper)

Italian Girl (w / c on paper)
HTL94074 Italian Girl (w/c on paper) by Waterhouse, John William (1849-1917); 33x17.8 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Baleful Head, c. 1876 (gouache) (see also 70777)

The Baleful Head, c. 1876 (gouache) (see also 70777)
SOU80772 The Baleful Head, c.1876 (gouache) (see also 70777) by Burne-Jones, Edward Coley (1833-98); 153.7x129 cm; Southampton City Art Gallery, Hampshire

Background imagePre-raphaelites & Neo-classical Collection: Atlas Turned to Stone, c. 1876 (gouache)

Atlas Turned to Stone, c. 1876 (gouache)
SOU80769 Atlas Turned to Stone, c.1876 (gouache) by Burne-Jones, Edward Coley (1833-98); 152.5x190 cm; Southampton City Art Gallery, Hampshire

Background imagePre-raphaelites & Neo-classical Collection: The Order of Release, 1853 (oil on canvas)

The Order of Release, 1853 (oil on canvas)
MAK87462 The Order of Release, 1853 (oil on canvas) by Millais, John Everett (1829-96); 26x20.2 cm; The Makins Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Dreamland, 1884 (w / c)

Dreamland, 1884 (w / c)
MAL85762 Dreamland, 1884 (w/c) by Anderson, Percy (1850-1928); 99.1x132.1 cm; Mallett Gallery, London, UK; eMallett Gallery, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Jennys Toilet, 1859 (panel)

Jennys Toilet, 1859 (panel)
Ma88180 Jennys Toilet, 1859 (panel) by Watson, John Dawson (1832-92); 30.5x22.5 cm; Private Collection; (add.info.: portrait of the artists wife; ); Photo eThe Ms Gallery, London; English

Background imagePre-raphaelites & Neo-classical Collection: Ophelia, 1910 (oil on canvas)

Ophelia, 1910 (oil on canvas)
HTL94075 Ophelia, 1910 (oil on canvas) by Waterhouse, John William (1849-1917); 100.3x62.2 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Drying Nets (w / c on paper)

Drying Nets (w / c on paper)
HTL94064 Drying Nets (w/c on paper) by Millais, William Henry (1828-99); 22.9x33 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Door of a Wardrobe (w / c on paper)

Door of a Wardrobe (w / c on paper)
HTL93684 Door of a Wardrobe (w/c on paper) by Moore, Albert Joseph (1841-93); 35.6x15.2 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright



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