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Pre-raphaelites & Neo-classical Collection (page 6)

863 items

Background imagePre-raphaelites & Neo-classical Collection: The Light of the Harem, c. 1880 (oil on canvas)

The Light of the Harem, c. 1880 (oil on canvas)
HTL45843 The Light of the Harem, c.1880 (oil on canvas) by Leighton, Frederic (1830-96); 152.4x83.8 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Last of England, 1860 (oil on canvas)

The Last of England, 1860 (oil on canvas)
FIT58804 The Last of England, 1860 (oil on canvas) by Brown, Ford Madox (1821-93); 47.7x43.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: How They Met Themselves, c. 1850/60 (gouache) (see also 63160)

How They Met Themselves, c. 1850/60 (gouache) (see also 63160)
FIT63161 How They Met Themselves, c.1850/60 (gouache) (see also 63160) by Rossetti, Dante Gabriel Charles (1828-82); 33.9x27.3 cm; Fitzwilliam Museum, University of Cambridge

Background imagePre-raphaelites & Neo-classical Collection: Phoenicians Trading with Early Britons, copy of a painting in the Royal Exchange

Phoenicians Trading with Early Britons, copy of a painting in the Royal Exchange
GHL6114 Phoenicians Trading with Early Britons, copy of a painting in the Royal Exchange, published in 1895 (photomechanical process) by Leighton

Background imagePre-raphaelites & Neo-classical Collection: The Last of England, 1852-55 (oil on panel)

The Last of England, 1852-55 (oil on panel)
BIR3819 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); 82.5x75 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Lament, 1866 (gouache)

The Lament, 1866 (gouache)
MH11878 The Lament, 1866 (gouache) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow, UK; eMartin Harrison; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Pretty Baa-Lambs, 1851-59 (oil on panel)

The Pretty Baa-Lambs, 1851-59 (oil on panel)
BIR7866 The Pretty Baa-Lambs, 1851-59 (oil on panel) by Brown, Ford Madox (1821-93); 61x76.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Heart Desires, from the Pygmalion and the Image series

The Heart Desires, from the Pygmalion and the Image series
HTL11909 The Heart Desires, from the Pygmalion and the Image series, 1868 (oil on canvas) by Burne-Jones, Edward Coley (1833-98)

Background imagePre-raphaelites & Neo-classical Collection: Neaera Reading a Letter from Catullus, c. 1894 (oil on canvas)

Neaera Reading a Letter from Catullus, c. 1894 (oil on canvas)
BRA33289 Neaera Reading a Letter from Catullus, c.1894 (oil on canvas) by Hudson, Henry John (fl.1881-1910); 155.5x104. cm; Bradford Art Galleries and Museums, West Yorkshire

Background imagePre-raphaelites & Neo-classical Collection: Hope in the Prison of Despair (oil on canvas)

Hope in the Prison of Despair (oil on canvas)
RA15142 Hope in the Prison of Despair (oil on canvas) by Morgan, Evelyn De (1855-1919); 58.4x64.8 cm; Private Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Poor Man who Saved the City, 1901 (oil on canvas)

The Poor Man who Saved the City, 1901 (oil on canvas)
WDM27978 The Poor Man who Saved the City, 1901 (oil on canvas) by Morgan, Evelyn De (1855-1919); 116x52.7 cm; De Morgan Collection

Background imagePre-raphaelites & Neo-classical Collection: Lux in Tenebris, 1895 (oil on canvas)

Lux in Tenebris, 1895 (oil on canvas)
WDM27976 Lux in Tenebris, 1895 (oil on canvas) by Morgan, Evelyn De (1855-1919); 125.7x74.9 cm; De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English

Background imagePre-raphaelites & Neo-classical Collection: The Knights Esquire (l Ecuyer)

The Knights Esquire (l Ecuyer)
BAL25646 The Knights Esquire (l Ecuyer) by Burton, Frederick William (1816-1900); 44.45x33.6 cm; Victoria & Albert Museum, London, UK; Irish, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Work, 1863 (oil on canvas)

Work, 1863 (oil on canvas)
BIR100701 Work, 1863 (oil on canvas) by Brown, Ford Madox (1821-93); 68.4x99 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Winnowing (pencil & w / c on paper)

Winnowing (pencil & w / c on paper)
1763750 Winnowing (pencil & w/c on paper) by Stanhope, John Roddam Spencer (1829-1908); 40.6x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Wonders of the Deep: an Idyll (oil on canvas)

The Wonders of the Deep: an Idyll (oil on canvas)
1763732 The Wonders of the Deep: an Idyll (oil on canvas) by Poynter, Edward John (1836-1919); 97.8x138.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Golden Stairs, after Sir Edward Coley Burne-Jones (1833-98)

The Golden Stairs, after Sir Edward Coley Burne-Jones (1833-98)
2640740 The Golden Stairs, after Sir Edward Coley Burne-Jones (1833-98), 1894 (engraving on vellum) by Jasinski, Felix (1862-1901); 83.2x43.2 cm; Private Collection; (add.info.: Published by A)

Background imagePre-raphaelites & Neo-classical Collection: Rosa Triplex: A triple portrait of May Morris, 1874 (pencil, w / c

Rosa Triplex: A triple portrait of May Morris, 1874 (pencil, w / c
3080865 Rosa Triplex: A triple portrait of May Morris, 1874 (pencil, w/c, bodycolour & gum arabic on paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imagePre-raphaelites & Neo-classical Collection: They Sat Down and Cried (w / c & bodycolour heightened with white)

They Sat Down and Cried (w / c & bodycolour heightened with white)
CH401347 They Sat Down and Cried (w/c & bodycolour heightened with white) by Shaw, John Byam Liston (1872-1919); 34.3x24.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Princess Tied to a Tree (oil on canvas)

The Princess Tied to a Tree (oil on canvas)
884217 The Princess Tied to a Tree (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 106.4x92.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Fair Rosamund, 1916 (oil on canvas)

Fair Rosamund, 1916 (oil on canvas)
876438 Fair Rosamund, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x72.5 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Weighing Cupid (oil on canvas)

Weighing Cupid (oil on canvas)
744772 Weighing Cupid (oil on canvas) by Picou, Henri Pierre (1824-95); Private Collection; Photo eChristies Images; French, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Weighing Cupid Against a Butterfly (oil on canvas)

Weighing Cupid Against a Butterfly (oil on canvas)
744771 Weighing Cupid Against a Butterfly (oil on canvas) by Picou, Henri Pierre (1824-95); 81.7x61.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Toilet, 1900 (oil on canvas)

The Toilet, 1900 (oil on canvas)
CH368181 The Toilet, 1900 (oil on canvas) by Godward, John William (1861-1922); 160.3x76.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Fortitude: design for a stained glass window at St. Cuthberts Church, Newcastle, c

Fortitude: design for a stained glass window at St. Cuthberts Church, Newcastle, c
CH368165 Fortitude: design for a stained glass window at St. Cuthberts Church, Newcastle, c.1896 (coloured chalks on light brown paper) by Burne-Jones

Background imagePre-raphaelites & Neo-classical Collection: Delphike, 1896 (w / c with scratching out)

Delphike, 1896 (w / c with scratching out)
CH378653 Delphike, 1896 (w/c with scratching out) by Solomon, Simeon (1840-1905); 37.5x24.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study for a pall bearer in Dantes Dream, 1873

Study for a pall bearer in Dantes Dream, 1873
CH378270 Study for a pall bearer in Dantes Dream, 1873 (pencil with red & brown chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imagePre-raphaelites & Neo-classical Collection: Study of a Girls Head (pencil & red chalk on buff paper)

Study of a Girls Head (pencil & red chalk on buff paper)
CH378150 Study of a Girls Head (pencil & red chalk on buff paper) by Burne-Jones, Edward Coley (1833-98); 37.2x25.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Pomona, Morris & Co. Merton Abbey, 1884 (tapestry)

Pomona, Morris & Co. Merton Abbey, 1884 (tapestry)
CH378147 Pomona, Morris & Co. Merton Abbey, 1884 (tapestry) by Burne-Jones, Edward Coley (1833-98); 156x87 cm; Private Collection; (add.info.: woven in 1937; ); Photo eChristies Images; English

Background imagePre-raphaelites & Neo-classical Collection: The Nativity, cartoons for the stained glass window at St

The Nativity, cartoons for the stained glass window at St
CH378142 The Nativity, cartoons for the stained glass window at St. Deiniol, Hawarden, 1897 (coloured chalk on brown paper) by Burne-Jones

Background imagePre-raphaelites & Neo-classical Collection: Sleeping, c. 1865 (oil on canvas)

Sleeping, c. 1865 (oil on canvas)
CH377720 Sleeping, c.1865 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Study for Music, c. 1865 (pencil on paper)

Study for Music, c. 1865 (pencil on paper)
CH427405 Study for Music, c.1865 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 37.5x42.5 cm; Private Collection; (add.info.: inscribed to owl)

Background imagePre-raphaelites & Neo-classical Collection: St. Cecilia (oil on canvas)

St. Cecilia (oil on canvas)
CH423799 St. Cecilia (oil on canvas) by Waterhouse, John William (1849-1917); 123.2x200.7 cm; Private Collection; (add.info.: Saint Cecilia)

Background imagePre-raphaelites & Neo-classical Collection: Reverie, 1868 (coloured chalks)

Reverie, 1868 (coloured chalks)
CH20823 Reverie, 1868 (coloured chalks) by Rossetti, Dante Gabriel Charles (1828-82); 83.8x70.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Temperantia, 1872 (w / c on paper)

Temperantia, 1872 (w / c on paper)
CH8175 Temperantia, 1872 (w/c on paper) by Burne-Jones, Edward Coley (1833-98); 152.4x58.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Escape of a Heretic, 1559, 1857 (oil on canvas)

The Escape of a Heretic, 1559, 1857 (oil on canvas)
NUL121293 The Escape of a Heretic, 1559, 1857 (oil on canvas) by Millais, John Everett (1829-96); 106.2x76.2 cm; Museo de Arte de Ponce, Puerto Rico; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Elizabeth Siddal: Study for Ophelia, 1852 (pencil on paper)

Elizabeth Siddal: Study for Ophelia, 1852 (pencil on paper)
BIR108300 Elizabeth Siddal: Study for Ophelia, 1852 (pencil on paper) by Millais, John Everett (1829-96); 23.2x30.7 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Tristram and Isolde Drinking the Love Potion, 1867 (mixed media)

Tristram and Isolde Drinking the Love Potion, 1867 (mixed media)
CEC128164 Tristram and Isolde Drinking the Love Potion, 1867 (mixed media) by Rossetti, Dante Gabriel Charles (1828-82); 62.3x59.1 cm; The Higgins Art Gallery & Museum, Bedford

Background imagePre-raphaelites & Neo-classical Collection: Penelope, 1878 (coloured chalk on paper)

Penelope, 1878 (coloured chalk on paper)
CEC128134 Penelope, 1878 (coloured chalk on paper) by Sandys, Anthony Frederick Augustus (1829-1904); 42.4x32.8 cm; The Higgins Art Gallery & Museum, Bedford

Background imagePre-raphaelites & Neo-classical Collection: Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash)

Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash)
CEC128122 Childe Roland to the Dark Tower Came, 1861 (pen, ink and grey wash) by Burne-Jones, Edward Coley (1833-98); 31.6x23.4 cm; The Higgins Art Gallery & Museum, Bedford

Background imagePre-raphaelites & Neo-classical Collection: Fanny Cornforth, Study for Fair Rosamund, 1861 (coloured chalks on paper)

Fanny Cornforth, Study for Fair Rosamund, 1861 (coloured chalks on paper)
CEC128114 Fanny Cornforth, Study for Fair Rosamund, 1861 (coloured chalks on paper) by Rossetti, Dante Gabriel Charles (1828-82); 31.6x25.9 cm; The Higgins Art Gallery & Museum, Bedford

Background imagePre-raphaelites & Neo-classical Collection: Astrologia, 1893 (pastel on paper)

Astrologia, 1893 (pastel on paper)
Ma388923 Astrologia, 1893 (pastel on paper) by Burne-Jones, Edward Coley (1833-98); 33x28 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Grecian Reverie, 1889 (oil on canvas)

Grecian Reverie, 1889 (oil on canvas)
PNH353113 Grecian Reverie, 1889 (oil on canvas) by Godward, John William (1861-1922); 61x35.6 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Heart of Snow, 1907 (w / c & bodycolour on paper)

Heart of Snow, 1907 (w / c & bodycolour on paper)
PNH353919 Heart of Snow, 1907 (w/c & bodycolour on paper) by Hughes, Edward Robert (1851-1914); 57x113 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)

The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper)
PNH356988 The Flower Book: XVI. Grave of the Sea, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)

The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper)
PNH356987 The Flower Book: XVII. Golden Greeting, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)

The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper)
PNH356985 The Flower Book: WW. Star of Bethlehem, 1905 (litho with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 31x25 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)

The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper)
PNH356967 The Flower Book: XXV. Helens Tears, 1905 (collotype with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 25x31 cm; Private Collection; (add.info)



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