Fraud Blocker Skip to main content

Home > Fine Art Finder > London Up To 19th Century

London Up To 19th Century Collection

Choose a picture from our London Up To 19th Century Collection for your Wall Art and Photo Gifts

276 items

Background imageLondon Up To 19th Century Collection: Old St Paul s, 1616 (oil on panel)

Old St Paul s, 1616 (oil on panel)
SOA235452 Old St Paul s, 1616 (oil on panel) by Gipkyn, John (fl.1594-1629); 113x87.6 cm; Society of Antiquaries of London

Background imageLondon Up To 19th Century Collection: View of London, 1616 (oil on panel)

View of London, 1616 (oil on panel)
SOA235454 View of London, 1616 (oil on panel) by Gipkyn, John (fl.1594-1629); Society of Antiquaries of London, UK; (add.info)

Background imageLondon Up To 19th Century Collection: View of Westminster Bridge from the North (etching)

View of Westminster Bridge from the North (etching)
BAL5645 View of Westminster Bridge from the North (etching) by French School, (18th century); Polesden Lacey, Great Bookham, Surrey, UK; French, out of copyright

Background imageLondon Up To 19th Century Collection: A Perspective View of the Building for the Fireworks in the Green Park, London

A Perspective View of the Building for the Fireworks in the Green Park, London
3525762 A Perspective View of the Building for the Fireworks in the Green Park, London, 1749 (etching, hand-colored) by English School, (18th century); Metropolitan Museum of Art, New York

Background imageLondon Up To 19th Century Collection: The Tea Gardens, north side Bayswater Road, c. 1780 (litho)

The Tea Gardens, north side Bayswater Road, c. 1780 (litho)
GHL434070 The Tea Gardens, north side Bayswater Road, c.1780 (litho) by Sandby, Paul (1730/1-1809) (after); Guildhall Art Gallery, City of London; eLondon Metropolitan Archives; English

Background imageLondon Up To 19th Century Collection: Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)

Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)
NGW405363 Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper) by Rowlandson, Thomas (1756-1827); 41.7x72.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageLondon Up To 19th Century Collection: Heath Street, Hampstead, 1852-55 (oil on canvas)

Heath Street, Hampstead, 1852-55 (oil on canvas)
MAN62931 Heath Street, Hampstead, 1852-55 (oil on canvas) by Brown, Ford Madox (1821-93); 22.8x30.8 cm; Manchester Art Gallery, UK; (add.info.: study for Work';); © Manchester Art Gallery

Background imageLondon Up To 19th Century Collection: Hyde Park in the Snow, 1796 (pencil & w/c on paper)

Hyde Park in the Snow, 1796 (pencil & w/c on paper)
MAN63018 Hyde Park in the Snow, 1796 (pencil & w/c on paper) by Dayes, Edward (1763-1804); 11.2x16.6 cm; Manchester Art Gallery, UK; (add.info.: by Edward Dayes); © Manchester Art Gallery

Background imageLondon Up To 19th Century Collection: St. Georges Hospital, 1746

St. Georges Hospital, 1746
CF3613 St. Georges Hospital, 1746 by Wilson, Richard (1713/14-82); 53.3 diam. cm; Coram in the care of the Foundling Museum, London; © Coram in the care of the Foundling Museum; Welsh

Background imageLondon Up To 19th Century Collection: Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)

Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)
XJF425354 Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving) by Smith, Charles John (1803-38); Private Collection; (add.info)

Background imageLondon Up To 19th Century Collection: Bank of England, Threadneedle Street, engraving by Bowles and Carver, 1797

Bank of England, Threadneedle Street, engraving by Bowles and Carver, 1797
GHL10445 Bank of England, Threadneedle Street, engraving by Bowles and Carver, 1797 by Carrington Bowles (1763 - c1830) & Samuel Carver; London Metropolitan Archives

Background imageLondon Up To 19th Century Collection: Old Horse Guards and the Banqueting Hall, Whitehall from St Jamess Park

Old Horse Guards and the Banqueting Hall, Whitehall from St Jamess Park
CH4986 Old Horse Guards and the Banqueting Hall, Whitehall from St Jamess Park, 1749 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

Background imageLondon Up To 19th Century Collection: A view of the Horse Guards from St. Jamess Park

A view of the Horse Guards from St. Jamess Park
CH18716 A view of the Horse Guards from St. Jamess Park by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info)

Background imageLondon Up To 19th Century Collection: View of St. Paul s, Covent Garden, 1762 (oil on canvas)

View of St. Paul s, Covent Garden, 1762 (oil on canvas)
CH133709 View of St. Paul s, Covent Garden, 1762 (oil on canvas) by Richards, John Inigo (1731-1810); 72.3x124.5 cm; Private Collection; Photo © Christies Images

Background imageLondon Up To 19th Century Collection: Northumberland House and Charing Cross

Northumberland House and Charing Cross
CH19771 Northumberland House and Charing Cross by Scott, Samuel (c.1702-72); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLondon Up To 19th Century Collection: A South View of the Cities of London and Westminster from Denmark Hill

A South View of the Cities of London and Westminster from Denmark Hill
619549 A South View of the Cities of London and Westminster from Denmark Hill, in Camberwell (engraving) by Robinson, George (18th-19th century); Private Collection; (add.info)

Background imageLondon Up To 19th Century Collection: Rutland House (w / c on paper)

Rutland House (w / c on paper)
465986 Rutland House (w/c on paper) by English School, (18th century); Belvoir Castle, Leicestershire, UK; (add.info.: Rutland House occupied a six acre site in Knightsbridge)

Background imageLondon Up To 19th Century Collection: The Royal Palace of St. Jamess next the Park (engraving)

The Royal Palace of St. Jamess next the Park (engraving)
746866 The Royal Palace of St. Jamess next the Park (engraving) by English School, (18th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageLondon Up To 19th Century Collection: View of Merlins Cave, Kew Gardens, illustration from Lysons

View of Merlins Cave, Kew Gardens, illustration from Lysons
3031352 View of Merlins Cave, Kew Gardens, illustration from Lysons Environs of London, c.1750 (engraving) by Benoist, Antoine (1721-70); length: 10 cm; London Metropolitan Archives

Background imageLondon Up To 19th Century Collection: Changing the Guard at St Jamess Palace, 1792 (coloured engraving)

Changing the Guard at St Jamess Palace, 1792 (coloured engraving)
2975502 Changing the Guard at St Jamess Palace, 1792 (coloured engraving) by English School, (18th century); National Army Museum

Background imageLondon Up To 19th Century Collection: View of the tomb of Henry VII and Queen Elizabeth in the king

View of the tomb of Henry VII and Queen Elizabeth in the king
2641324 View of the tomb of Henry VII and Queen Elizabeth in the kings chapel in Westminster Abbey by Cole, Benjamin (1697-1783); length: 34 cm; London Metropolitan Archives

Background imageLondon Up To 19th Century Collection: Hampton Court Palace from the North (pen and brown ink and watercolour over faint

Hampton Court Palace from the North (pen and brown ink and watercolour over faint
1217987 Hampton Court Palace from the North (pen and brown ink and watercolour over faint indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); 30x200 cm; Ashmolean Museum

Background imageLondon Up To 19th Century Collection: Greenwich Palace and London from Greenwich Hill (pen and brown ink

Greenwich Palace and London from Greenwich Hill (pen and brown ink
1217985 Greenwich Palace and London from Greenwich Hill (pen and brown ink and watercolour over indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum

Background imageLondon Up To 19th Century Collection: View of the new villa, old house and stables from across Burlington Lane

View of the new villa, old house and stables from across Burlington Lane
CTS336414 View of the new villa, old house and stables from across Burlington Lane, Chiswick Villa (oil on canvas) by Rysbrack

Background imageLondon Up To 19th Century Collection: Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812

Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812
STC95224 Hanover Square, engraved by Robert Pollard (1755-1838) and Francis Jukes (1747-1812) 1787 (engraving) (see also 20864) by Dayes

Background imageLondon Up To 19th Century Collection: A Perspective View of the Magnificent Structure erected in the Green Park for the Royal

A Perspective View of the Magnificent Structure erected in the Green Park for the Royal
DEC84576 A Perspective View of the Magnificent Structure erected in the Green Park for the Royal Fireworks, pub. by Robert Wilkinson, 1749 (coloured engraving) by English School

Background imageLondon Up To 19th Century Collection: The Tower and St. Catherine s, for Stows Survey of London, pub

The Tower and St. Catherine s, for Stows Survey of London, pub
STC94439 The Tower and St. Catherine s, for Stows Survey of London, pub. 1754 (engraving) (see 94440 for detail) by English School

Background imageLondon Up To 19th Century Collection: Greenwich Palace and London from Greenwich Hill, c. 1544 (pen, ink

Greenwich Palace and London from Greenwich Hill, c. 1544 (pen, ink
AMO150844 Greenwich Palace and London from Greenwich Hill, c.1544 (pen, ink, chalk and w/c on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

Background imageLondon Up To 19th Century Collection: Greenwich, from The Panorama of London, c. 1544 (pen and ink and chalk on paper)

Greenwich, from The Panorama of London, c. 1544 (pen and ink and chalk on paper)
AMO150831 Greenwich, from The Panorama of London, c.1544 (pen and ink and chalk on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

Background imageLondon Up To 19th Century Collection: View of Hampton Court from the North, from The Panorama of London, c

View of Hampton Court from the North, from The Panorama of London, c
AMO150829 View of Hampton Court from the North, from The Panorama of London, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

Background imageLondon Up To 19th Century Collection: View of the Mall and St. Jamess Park (oil on canvas)

View of the Mall and St. Jamess Park (oil on canvas)
FTB165456 View of the Mall and St. Jamess Park (oil on canvas) by Ricci, Marco (1676-1730); Castle Howard, North Yorkshire, UK; Italian, out of copyright

Background imageLondon Up To 19th Century Collection: Beer Street, 1751 (engraving)

Beer Street, 1751 (engraving)
GHL195985 Beer Street, 1751 (engraving) by Hogarth, William (1697-1764); 56x45 cm; London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English, out of copyright

Background imageLondon Up To 19th Century Collection: Encampment in Hyde Park during the Gordon Riots, 1780 (w / c on paper)

Encampment in Hyde Park during the Gordon Riots, 1780 (w / c on paper)
BIR189276 Encampment in Hyde Park during the Gordon Riots, 1780 (w/c on paper) by Sandby, Paul (1725-1809); 29.2x47.2 cm; Birmingham Museums and Art Gallery; (add.info)

Background imageLondon Up To 19th Century Collection: The Royal Hospital, Chelsea, 1717 (oil on canvas)

The Royal Hospital, Chelsea, 1717 (oil on canvas)
HSP185020 The Royal Hospital, Chelsea, 1717 (oil on canvas) by Maes, Dirk (1659-1717); Royal Hospital Chelsea, London, UK; (add.info.: built in 1682-92 by Sir Christopher Wren; ); Dutch

Background imageLondon Up To 19th Century Collection: The Inside View of the Royal Exchange, London (colour engraving)

The Inside View of the Royal Exchange, London (colour engraving)
CHT169633 The Inside View of the Royal Exchange, London (colour engraving) by Bowles, Thomas (c.1712-53); Bibliotheque Nationale, Paris, France; eArchives Charmet; English, out of copyright

Background imageLondon Up To 19th Century Collection: Londoners fleeing to the country to avoid the Plague, 1630 (woodcut) (see also 267599)

Londoners fleeing to the country to avoid the Plague, 1630 (woodcut) (see also 267599)
STC87203 Londoners fleeing to the country to avoid the Plague, 1630 (woodcut) (see also 267599) by English School, (17th century); Private Collection; The Stapleton Collection; English

Background imageLondon Up To 19th Century Collection: A View of the Bank of England, Threadneedle Street, London, printed for Bowles and Carver

A View of the Bank of England, Threadneedle Street, London, printed for Bowles and Carver
STC70173 A View of the Bank of England, Threadneedle Street, London, printed for Bowles and Carver, pub. 1797 (engraving) by English School

Background imageLondon Up To 19th Century Collection: View of Northumberland House, c. 1770

View of Northumberland House, c. 1770
GG72212 View of Northumberland House, c.1770 by James, William (1730-80); 36.8x62.9 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Background imageLondon Up To 19th Century Collection: Christs Hospital, 1748 (oil on canvas)

Christs Hospital, 1748 (oil on canvas)
CF3617 Christs Hospital, 1748 (oil on canvas) by Wale, Samuel (1721-86); 53.3 diam. cm; The Foundling Museum, London; eFoundling Museum; English, out of copyright

Background imageLondon Up To 19th Century Collection: Chelsea Hospital, c. 1746

Chelsea Hospital, c. 1746
CF3603 Chelsea Hospital, c.1746 by Haytley, Edward (fl.1746-61); 56 diam. cm; Coram in the care of the Foundling Museum, London; eCoram in the care of the Foundling Museum; English, out of copyright

Background imageLondon Up To 19th Century Collection: Buckingham House, St. Jamess Park, 1790

Buckingham House, St. Jamess Park, 1790
SC14902 Buckingham House, St.Jamess Park, 1790 by Dayes, Edward (1763-1804); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageLondon Up To 19th Century Collection: The first Opera House in the Haymarket, burnt down in 1789 (w / c on paper)

The first Opera House in the Haymarket, burnt down in 1789 (w / c on paper)
GHL22954 The first Opera House in the Haymarket, burnt down in 1789 (w/c on paper) by Capon, William (1757-1827); London Metropolitan Archives

Background imageLondon Up To 19th Century Collection: View of St. Jamess Park with Westminster Abbey Beyond (oil on canvas)

View of St. Jamess Park with Westminster Abbey Beyond (oil on canvas)
CH402178 View of St. Jamess Park with Westminster Abbey Beyond (oil on canvas) by Richards, John Inigo (1731-1810); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLondon Up To 19th Century Collection: Kings Theatre, Haymarket, 1783 (w / c on paper)

Kings Theatre, Haymarket, 1783 (w / c on paper)
CWA124853 Kings Theatre, Haymarket, 1783 (w/c on paper) by Capon, William (1757-1827); City of Westminster Archive Centre, London

Background imageLondon Up To 19th Century Collection: Rising of the London Apprentices on behalf of Charles, illustration from Cassell

Rising of the London Apprentices on behalf of Charles, illustration from Cassell
STC393228 Rising of the London Apprentices on behalf of Charles, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

Background imageLondon Up To 19th Century Collection: Seven Dials, Covent Garden (oil on canvas)

Seven Dials, Covent Garden (oil on canvas)
PNH353744 Seven Dials, Covent Garden (oil on canvas) by Hodges, William (1744-97); 99.5x125 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageLondon Up To 19th Century Collection: The Tower of London, c. 1544 (pen and ink on paper)

The Tower of London, c. 1544 (pen and ink on paper)
AMO150830 The Tower of London, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Netherlandish, out of copyright

Background imageLondon Up To 19th Century Collection: Studies of Palace of Oatlands and Hampton Court, c. 1544 (pen and ink on paper)

Studies of Palace of Oatlands and Hampton Court, c. 1544 (pen and ink on paper)
AMO150840 Studies of Palace of Oatlands and Hampton Court, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site