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The Very Latest Craze; or, Overdoing it, 1883 (engraving)

The Very Latest Craze; or, Overdoing it, 1883 (engraving)


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The Very Latest Craze; or, Overdoing it, 1883 (engraving)

XJF3037905 The Very Latest Craze; or, Overdoing it, 1883 (engraving) by Du Maurier, George (1834-96); Private Collection; (add.info.: Lord Archibald is going to take us to a dear little slum hes found near the Minories - such a fearful place! Fourteen poor Things sleeping in One Bed, and no Window! - And the Mackintoshes are to keep out infection, you know, and hide ones Diamonds, and all that!
Punch 22nd December 1883); English, out of copyright

Media ID 12800461

© www.bridgemanimages.com

Charitable Charity Class Curiosity Disguise Incognito Mackintosh Philanthropic Philanthropy Punch Raincoat Rich Slum Slums Snobbery Snobbish Rainwear Slumming


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The Very Latest Craze; or, Overdoing it, 1883

EDITORS COMMENTS
is a captivating engraving by George Du Maurier that captures the essence of Victorian snobbery and philanthropy. The image depicts Lord Archibald leading a group of wealthy individuals on a slum visit in London's impoverished Minories neighborhood. The upper-class visitors are seen donning mackintoshes, not only to protect themselves from the rain but also as a disguise to hide their valuable diamonds. The caption showcases the naivety and condescension of these well-to-do individuals who view slumming as an exciting new trend. Lord Archibald proudly boasts about his discovery of this "dear little slum" emphasizing its fearful conditions with fourteen people crammed into one bed and no windows. However, their intentions seem more focused on satisfying their curiosity rather than genuinely helping those in need. This engraving highlights the stark contrast between social classes during this era while shedding light on issues such as poverty and inequality. It exposes how some members of high society engaged in acts of charity for personal amusement rather than genuine compassion. Du Maurier's artwork serves as both a critique and commentary on Victorian society's fascination with class distinctions and snobbish behavior. It reminds us that true philanthropy goes beyond mere appearances or trends; it requires empathy, understanding, and sincere efforts to uplift those less fortunate instead of exploiting them for entertainment purposes.

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