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Mr Disraeli Criticising Mr Gladstones War Budget c. 1853-54 (engraving) (b&w photo)
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Mr Disraeli Criticising Mr Gladstones War Budget c. 1853-54 (engraving) (b&w photo)
XJF107816 Mr Disraeli Criticising Mr Gladstones War Budget c.1853-54 (engraving) (b&w photo) by English School, (19th century); Private Collection; (add.info.: Benjamin, 1st Earl of Beaconsfield (1804-81); William Ewart (1809-98) Chancellor of the Exchequer; ); English, out of copyright
Media ID 22801534
© Bridgeman Images
Crimean War Gladstone House Of Commons Member Parliament Tory
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EDITORS COMMENTS
This photo print, titled "Mr Disraeli Criticising Mr Gladstone's War Budget c. 1853-54" captures a significant moment in British political history. The engraving, created by the English School in the 19th century, showcases Benjamin Disraeli and William Ewart Gladstone engaged in a heated debate within the walls of the House of Commons. The image portrays Disraeli, later known as Benjamin, 1st Earl of Beaconsfield (1804-81), criticizing Gladstone's war budget during the Crimean War era. As Chancellor of the Exchequer at that time, Gladstone faced intense scrutiny from his fellow politicians for his financial decisions regarding military expenditure. In this powerful snapshot frozen in time, we witness two influential figures locked in an intellectual battle over matters that would shape their nation's future. Both men were members of Parliament and prominent politicians representing opposing parties - Disraeli being a Tory while Gladstone belonged to another faction. This photograph not only offers us a glimpse into one specific event but also serves as a symbol for the broader clash between political ideologies during this period. It reminds us of how parliamentary debates have always been crucial arenas where ideas are challenged and policies scrutinized. Preserved within private collections today, this remarkable piece is an invaluable historical artifact that sheds light on an important chapter in British politics. Its significance lies not only in its artistic merit but also its ability to transport viewers back to a pivotal moment when
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