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Candide... recula trois pas saisi d horreur, et avanca ensuite par bon procede
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Candide... recula trois pas saisi d horreur, et avanca ensuite par bon procede
XIR172453 Candide... recula trois pas saisi d horreur, et avanca ensuite par bon procede, illustration from chapter 29 of Candide by Francois Voltaire (1694-1778) engraved by Jean Louis Delignon (1755-1804) 1787 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Bibliotheque Nationale, Paris, France; (add.info.: Candide... started back with horror, but, not withstanding, recovering himself, he advanced towards her out of good manners ; What Manner Candide Found Miss Cunegund and the Old Woman Again; ); French, out of copyright
Media ID 12740157
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Aged Astonishment Cunegonde Enlightenment Laundry Lover Old Woman Philosophical Tale Recoil Recoiling Shock Surprise Ugly Washing Hanging Out
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EDITORS COMMENTS
The captivating print titled "Candide. . . recula trois pas saisi d'horreur, et avanca ensuite par bon procédé" transports us into the world of Francois Voltaire's renowned novel, Candide. Engraved by Jean Louis Delignon in 1787 and captured in black and white by Jean Michel the Younger Moreau, this image captures a pivotal moment from chapter 29. In this scene, Candide is depicted recoiling in horror before mustering up his courage to advance towards Miss Cunegund and the Old Woman. The engraving beautifully portrays Candide's astonishment as he unexpectedly reunites with his lover and her companion while they are engaged in mundane tasks like hanging out laundry. The aged appearance of both women adds depth to the narrative, emphasizing their resilience despite life's hardships. The composition skillfully conveys not only surprise but also a sense of shock that reverberates through every line engraved on paper. It serves as a visual representation of Voltaire's philosophical tale about optimism and human nature during the Enlightenment period. This remarkable piece invites viewers to reflect upon themes such as love, perseverance, and societal expectations. As we gaze at this historical artwork housed in Bibliotheque Nationale Paris, we are reminded that even amidst ugliness or unexpected circumstances, there is always room for growth and compassion – just as Candide demonstrates when he advances towards Miss Cunegund out of good manners.
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