Blake Collection (page 8)

500 items

Blake Collection: Tom and Jerry Masquerading It Among the Cadgers in the Back Slums

Tom and Jerry Masquerading It Among the Cadgers in the Back Slums
CHT218551 Tom and Jerry Masquerading It Among the Cadgers in the Back Slums in the Holy Land, from Life in London by Pierce Egan (1772-1849), 1821 (coloured aquatint) by Cruikshank

Blake Collection: Interior (oil on canvas)

Interior (oil on canvas)
LEF219952 Interior (oil on canvas) by Cadell, Francis Campbell Boileau (1883-1937); 50x59 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; Scottish, out of copyright

Blake Collection: Ms 274 (Y-6) fol. 81v The Ascension of Christ, from the Missal of Robert of Jumieges, c

Ms 274 (Y-6) fol. 81v The Ascension of Christ, from the Missal of Robert of Jumieges, c
XIR215107 Ms 274 (Y-6) fol.81v The Ascension of Christ, from the Missal of Robert of Jumieges, c.1016 (vellum) by English School, (11th century); Bibliotheque Municipale, Rouen, France; English

Blake Collection: 'To reconcile them seeks to destroy existence... '

"To reconcile them seeks to destroy existence... "
FIT113956 " To reconcile them seeks to destroy existence...", text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and w/c) by Blake

Blake Collection: Proverbs of Hell, text from The Marriage of Heaven and Hell, c

Proverbs of Hell, text from The Marriage of Heaven and Hell, c
FIT113947 Proverbs of Hell, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and w/c) by Blake, William (1757-1827); 30.5x23.2 cm; Fitzwilliam Museum

Blake Collection: Morning Chasing away the Phantoms, illustration from Paradise Regained

Morning Chasing away the Phantoms, illustration from Paradise Regained
FIT113935 Morning Chasing away the Phantoms, illustration from Paradise Regained by John Milton, c.1816-18 (pen & ink, grey wash and w/c on paper) by Blake, William (1757-1827); Fitzwilliam Museum

Blake Collection: The Deity from Whom Proceed the nine Spheres, 18th century (w / c, pencil

The Deity from Whom Proceed the nine Spheres, 18th century (w / c, pencil
AMO110221 The Deity from Whom Proceed the nine Spheres, 18th century (w/c, pencil, pen & ink on paper) by Blake, William (1757-1827); 51.1x36.8 cm; Ashmolean Museum, University of Oxford

Blake Collection: Visions of the Daughters of Albion: The Argument, plate 3, designed in 1793

Visions of the Daughters of Albion: The Argument, plate 3, designed in 1793
FIT111250 Visions of the Daughters of Albion: The Argument, plate 3, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper) by Blake

Blake Collection: Preludium, plate 3 from Europe. A Prophecy, 1823 (lithograph)

Preludium, plate 3 from Europe. A Prophecy, 1823 (lithograph)
NBY259420 Preludium, plate 3 from Europe. A Prophecy, 1823 (lithograph) by Blake, William (1757-1827); Newberry Library, Chicago, Illinois, USA; eNewberry Library; English, out of copyright

Blake Collection: Of life forsaken mountains... plate 24 from The First Book of Urizen

Of life forsaken mountains... plate 24 from The First Book of Urizen
XYC256910 Of life forsaken mountains... plate 24 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

Blake Collection: They call d her Pity and fled... plate 19 from

They call d her Pity and fled... plate 19 from
XYC256905 They call d her Pity and fled... plate 19 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

Blake Collection: Nude woman looking down at a boy and to the right, a bearded man leaning on a

Nude woman looking down at a boy and to the right, a bearded man leaning on a
XYC256904 Nude woman looking down at a boy and to the right, a bearded man leaning on a hammer, plate 18 from The First Book of Urizen

Blake Collection: The globe of life blood trembled... plate 17 from

The globe of life blood trembled... plate 17 from
XYC256903 The globe of life blood trembled... plate 17 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

Blake Collection: The Divine Image, plate 12 from Songs of Innocence

The Divine Image, plate 12 from Songs of Innocence
XYC218331 The Divine Image, plate 12 from Songs of Innocence, 1789 (relief etching with w/c on paper) by Blake, William (1757-1827); 11.2x7 cm; Yale Center for British Art, Paul Mellon Collection

Blake Collection: The Alliance of Jacob and Laban (oil on canvas)

The Alliance of Jacob and Laban (oil on canvas)
HLK243197 The Alliance of Jacob and Laban (oil on canvas) by Cortona, Pietro da (Berrettini) (1596-1669); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; Italian

Blake Collection: Ms 261 fol. 1r Page from a Collection of Plague Tracts in Latin and English, c

Ms 261 fol. 1r Page from a Collection of Plague Tracts in Latin and English, c
FIT243182 Ms 261 fol.1r Page from a Collection of Plague Tracts in Latin and English, c.1500 (vellum) by English School, (16th century); 19.5x14.5 cm; Fitzwilliam Museum, University of Cambridge

Blake Collection: The First Book of Urizen, pl. 7 (A naked man with a floating white beard who seems to be

The First Book of Urizen, pl. 7 (A naked man with a floating white beard who seems to be
XYC228385 The First Book of Urizen, pl.7 (A naked man with a floating white beard who seems to be rising in deep water) 1794 (colour printed relief etching with w/c) by Blake

Blake Collection: The Clod & the Pebble, plate 36 from Songs of Experience

The Clod & the Pebble, plate 36 from Songs of Experience
XYC225894 The Clod & the Pebble, plate 36 from Songs of Experience, 1794 (relief etching with watercolour) by Blake, William (1757-1827); 11.4x6.7 cm; Yale Center for British Art, New Haven

Blake Collection: The Ox in the slaughter house moans plate 23 from

The Ox in the slaughter house moans plate 23 from
XYC309885 The Ox in the slaughter house moans.. plate 23 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Blake Collection: The First Book of Urizen, plate 24, A boy in a long dress

The First Book of Urizen, plate 24, A boy in a long dress
XYC309861 The First Book of Urizen, plate 24, A boy in a long dress, standing with clasped hands to the right of a dog, 1794 (relief etching with w/c) by Blake

Blake Collection: Or blasting winds o er blossom d hedge-rows pass, 1821 (wood engraving)

Or blasting winds o er blossom d hedge-rows pass, 1821 (wood engraving)
XYC309869 Or blasting winds o er blossom d hedge-rows pass, 1821 (wood engraving) by Blake, William (1757-1827); 12.1x15.2 cm; Yale Center for British Art, Paul Mellon Collection

Blake Collection: Holy Thursday, plate 38 from Songs of Experience

Holy Thursday, plate 38 from Songs of Experience
XYC309862 Holy Thursday, plate 38 from Songs of Experience, 1794 (relief etching with w/c) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art, Paul Mellon Collection

Blake Collection: The First Book of Urizen, plate 17, They call d her Pity and Fled

The First Book of Urizen, plate 17, They call d her Pity and Fled
XYC309859 The First Book of Urizen, plate 17, They call d her Pity and Fled.. 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Blake Collection: Football Match at Chelsea (oil on canvas)

Football Match at Chelsea (oil on canvas)
NFM315003 Football Match at Chelsea (oil on canvas) by English School, (20th century); National Football Museum, Manchester, UK; eNational Football Museum; English, out of copyright

Blake Collection: Silent as despairing love... plate 4 from America: A Prophecy

Silent as despairing love... plate 4 from America: A Prophecy
XYC285567 Silent as despairing love... plate 4 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake

Blake Collection: Design for the Houses of both sides of the intended Street to extend in a right line

Design for the Houses of both sides of the intended Street to extend in a right line
XYC285524 Design for the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration

Blake Collection: Interior of the Nieuwe Kerk, Amsterdam, 1657 (oil on canvas)

Interior of the Nieuwe Kerk, Amsterdam, 1657 (oil on canvas)
TMK283894 Interior of the Nieuwe Kerk, Amsterdam, 1657 (oil on canvas) by Witte, Emanuel de (c.1617-92); 87.6x102.9 cm; The Putnam Foundation, Timken Museum of Art, San Diego

Blake Collection: Jerusalem, plate 4 from Jerusalem, 1804-20

Jerusalem, plate 4 from Jerusalem, 1804-20
XYC285559 Jerusalem, plate 4 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

Blake Collection: Queen Katherines Dream, 1807 (pen with wash over graphite on paper)

Queen Katherines Dream, 1807 (pen with wash over graphite on paper)
FIT282895 Queen Katherines Dream, 1807 (pen with wash over graphite on paper) by Blake, William (1757-1827); 39.9x31.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Act IV)

Blake Collection: The Three Marys at the Sepulchre, c. 1800 (pen & ink with wash and w / c on paper)

The Three Marys at the Sepulchre, c. 1800 (pen & ink with wash and w / c on paper)
FIT282894 The Three Marys at the Sepulchre, c.1800 (pen & ink with wash and w/c on paper) by Blake, William (1757-1827); 37.3x40.5 cm; Fitzwilliam Museum, University of Cambridge

Blake Collection: Desk and bookcase, from Boston, 1765-75 (mahogany & white pine)

Desk and bookcase, from Boston, 1765-75 (mahogany & white pine)
HNE273703 Desk and bookcase, from Boston, 1765-75 (mahogany & white pine) by American School, (18th century); Historic New England, Boston, Massachusetts, USA; eHistoric New England; Gift of Mrs

Blake Collection: Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil

Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil
SOU80694 Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil, coloured chalk) by Blake, William (1757-1827); 34.2x31.4 cm; Southampton City Art Gallery, Hampshire

Blake Collection: P. 125-1950. pt48 Infant Sorrow: plate 48 from Songs of Innocence and of Experience

P. 125-1950. pt48 Infant Sorrow: plate 48 from Songs of Innocence and of Experience
FIT83201 P.125-1950.pt48 Infant Sorrow: plate 48 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 125-1950. pt46 London: plate 46 from Songs of Innocence and of Experience (copy a) c

P. 125-1950. pt46 London: plate 46 from Songs of Innocence and of Experience (copy a) c
FIT83199 P.125-1950.pt46 London: plate 46 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 125-1950. pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience

P. 125-1950. pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience
FIT83197 P.125-1950.pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 125-1950. pt37 The Chimney Sweeper: plate 37 from Songs of Innocence and of Experience

P. 125-1950. pt37 The Chimney Sweeper: plate 37 from Songs of Innocence and of Experience
FIT83190 P.125-1950.pt37 The Chimney Sweeper: plate 37 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake

Blake Collection: P. 125-1950. pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence

P. 125-1950. pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence
FIT83181 P.125-1950.pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake

Blake Collection: P. 124-1950. pt42 The Angel: plate 42 from Songs of Innocence and of Experience

P. 124-1950. pt42 The Angel: plate 42 from Songs of Innocence and of Experience
FIT83142 P.124-1950.pt42 The Angel: plate 42 from Songs of Innocence and of Experience (copy R), c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 124-1950. pt35 The Little Girl Lost: plate 35 from from Songs of Innocence

P. 124-1950. pt35 The Little Girl Lost: plate 35 from from Songs of Innocence
FIT83135 P.124-1950.pt35 The Little Girl Lost: plate 35 from from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake

Blake Collection: P. 124-1950. pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R)

P. 124-1950. pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R)
FIT83134 P.124-1950.pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 124-1950. pt27 A Dream: plate 27 from Songs of Innocence and of Experience (copy R) c

P. 124-1950. pt27 A Dream: plate 27 from Songs of Innocence and of Experience (copy R) c
FIT83127 P.124-1950.pt27 A Dream: plate 27 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 124-1950. pt20 Night (cont. ): plate 20 from Songs of Innocence and of Experience (copy R)

P. 124-1950. pt20 Night (cont. ): plate 20 from Songs of Innocence and of Experience (copy R)
FIT83120 P.124-1950.pt20 Night (cont.): plate 20 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 124-1950. pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience

P. 124-1950. pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience
FIT83117 P.124-1950.pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: P. 124-1950. pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence

P. 124-1950. pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence
FIT83102 P.124-1950.pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake

Blake Collection: P. 124-1950. tp Title page from Songs of Innocence and of Experience (copy R) c

P. 124-1950. tp Title page from Songs of Innocence and of Experience (copy R) c
FIT83100 P.124-1950.tp Title page from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Blake Collection: Vanitas still life seen through a trompe l oeil window (oil on canvas)

Vanitas still life seen through a trompe l oeil window (oil on canvas)
KSG153835 Vanitas still life seen through a trompe l oeil window (oil on canvas) by Gysbrechts, Cornelis Norbertus (fl.1659-72); 115.5x81 cm; Private Collection; Flemish, out of copyright

Blake Collection: Portrait of Nicholas Philip Trist (1800-74), 1852 (oil on canvas)

Portrait of Nicholas Philip Trist (1800-74), 1852 (oil on canvas)
NYH154225 Portrait of Nicholas Philip Trist (1800-74), 1852 (oil on canvas) by Pratt, Robert M. (1811-88); 76.8x64.1 cm; Collection of the New-York Historical Society

Blake Collection: PD. 61-1950 Miniature of William Blake (1757-1827) 1821 (w / c on ivory)

PD. 61-1950 Miniature of William Blake (1757-1827) 1821 (w / c on ivory)
FIT89118 PD.61-1950 Miniature of William Blake (1757-1827) 1821 (w/c on ivory) by Linnell, John (1792-1882); 13.3x10.6 cm; Fitzwilliam Museum, University of Cambridge

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