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Blake Collection (page 4)

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Background imageBlake Collection: P. 125-1950. pt14 The Little Boy Found: plate 14 from

P. 125-1950. pt14 The Little Boy Found: plate 14 from
FIT83167 P.125-1950.pt14 The Little Boy Found: plate 14 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake

Background imageBlake Collection: P. 125-1950. pt9 The Little Black Boy: plate 9 from Songs of Innocence

P. 125-1950. pt9 The Little Black Boy: plate 9 from Songs of Innocence
FIT83162 P.125-1950.pt9 The Little Black Boy: plate 9 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 125-1950. pt8 The Lamb: plate 8 from Songs of Innocence and of Experience

P. 125-1950. pt8 The Lamb: plate 8 from Songs of Innocence and of Experience
FIT83161 P.125-1950.pt8 The Lamb: plate 8 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 125. 1950. pt5 The Shepherd: plate 5 from Songs of Innocence and of Experience

P. 125. 1950. pt5 The Shepherd: plate 5 from Songs of Innocence and of Experience
FIT83158 P.125.1950.pt5 The Shepherd: plate 5 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 125-1950. pt3 Title page: plate 3 from Songs of Innocence and of Experience

P. 125-1950. pt3 Title page: plate 3 from Songs of Innocence and of Experience
FIT83156 P.125-1950.pt3 Title page: plate 3 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 124-1950. pt49 Infant Sorrow: plate 49 from Songs of Innocence

P. 124-1950. pt49 Infant Sorrow: plate 49 from Songs of Innocence
FIT83149 P.124-1950.pt49 Infant Sorrow: plate 49 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 124-1950. pt45 The Garden of Love: plate 45 from Songs of Innocence

P. 124-1950. pt45 The Garden of Love: plate 45 from Songs of Innocence
FIT83145 P.124-1950.pt45 The Garden of Love: plate 45 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 124-1950. pt32 Earths Answer: plate 32 from Songs of Innocence and of Experience

P. 124-1950. pt32 Earths Answer: plate 32 from Songs of Innocence and of Experience
FIT83132 P.124-1950.pt32 Earths Answer: plate 32 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: P. 124-1950. pt28 On Anothers Sorrow: plate 28 from Songs of Innocence

P. 124-1950. pt28 On Anothers Sorrow: plate 28 from Songs of Innocence
FIT83128 P.124-1950.pt28 On Anothers Sorrow: plate 28 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Background imageBlake Collection: The Little Black Boy, plate 29 from Songs of Innocence

The Little Black Boy, plate 29 from Songs of Innocence
XYC220886 The Little Black Boy, plate 29 from Songs of Innocence, 1789 (relief etching with w/c) by Blake, William (1757-1827); 11.1x6.7 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBlake Collection: Elegy written in a Country Church-Yard, design 111 from

Elegy written in a Country Church-Yard, design 111 from
XYC222555 Elegy written in a Country Church-Yard, design 111 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake

Background imageBlake Collection: Visionary head, 1820 (pencil on paper)

Visionary head, 1820 (pencil on paper)
HMP244351 Visionary head, 1820 (pencil on paper) by Blake, William (1757-1827); Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English, out of copyright

Background imageBlake Collection: Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen

Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen
XYC256357 Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: A Poison Tree, plate 40 from Songs of Experience

A Poison Tree, plate 40 from Songs of Experience
XYC225895 A Poison Tree, plate 40 from Songs of Experience, 1794 (colour printed relief etching with watercolour) by Blake, William (1757-1827); 11.4x7 cm; Yale Center for British Art, New Haven

Background imageBlake Collection: The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink

The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink
STC247595 The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink, w/c and bodycolour on paper) by Blake

Background imageBlake Collection: Experience, Title Page, form Songs of Experience

Experience, Title Page, form Songs of Experience
XYC225891 Experience, Title Page, form Songs of Experience, 1794 (relief etching with watercolour) by Blake, William (1757-1827); 12.1x7.3 cm; Yale Center for British Art, New Haven

Background imageBlake Collection: Night, plate 16 from Songs of Innocence

Night, plate 16 from Songs of Innocence
XYC218335 Night, plate 16 from Songs of Innocence, 1789 (relief etching with w/c on paper) by Blake, William (1757-1827); 11.1x6.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBlake Collection: Thenot Remonstrates with Colinet, illustration from Dr. Thorntons

Thenot Remonstrates with Colinet, illustration from Dr. Thorntons
SOU273293 Thenot Remonstrates with Colinet, illustration from Dr. Thorntons The Pastorals of Virgil (woodcut) by Blake, William (1757-1827); Southampton City Art Gallery, Hampshire

Background imageBlake Collection: Stretch d for a work of eternity... plate 22 from

Stretch d for a work of eternity... plate 22 from
XYC256908 Stretch d for a work of eternity... plate 22 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

Background imageBlake Collection: Chap: IV, Ages on ages roll d over him

Chap: IV, Ages on ages roll d over him
XYC256364 Chap: IV, Ages on ages roll d over him... plate 13 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: Los smitten with astonishment... plate 12 from

Los smitten with astonishment... plate 12 from
XYC256363 Los smitten with astonishment... plate 12 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: Four naked men emerging from their elements: flames, sky, sea and green earth

Four naked men emerging from their elements: flames, sky, sea and green earth
XYC309884 Four naked men emerging from their elements: flames, sky, sea and green earth, plate 22 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

Background imageBlake Collection: A naked man with a long white beard is seated on the ground with his knees up

A naked man with a long white beard is seated on the ground with his knees up
XYC309883 A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

Background imageBlake Collection: The First Book of Urizen, plate 19, Stretch d for a work of eternity

The First Book of Urizen, plate 19, Stretch d for a work of eternity
XYC309860 The First Book of Urizen, plate 19, Stretch d for a work of eternity.. 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Background imageBlake Collection: The Chimney Sweeper, plate 45 from Songs of Experience

The Chimney Sweeper, plate 45 from Songs of Experience
XYC309864 The Chimney Sweeper, plate 45 from Songs of Experience, 1794 (relief etching with w/c) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art, Paul Mellon Collection

Background imageBlake Collection: Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w / c on paper)

Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w / c on paper)
715570 Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w/c on paper) by Blake, William (1757-1827); 37.5x27 cm; Glasgow University Library

Background imageBlake Collection: The Angel with the Sword marking Dante with the Sevenfold

The Angel with the Sword marking Dante with the Sevenfold
1066271 The Angel with the Sword marking Dante with the Sevenfold, illustration from Purgatorio, Dantes Divine Comedy, c.1825-27 (pen & ink with w/c on paper) by Blake

Background imageBlake Collection: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995615 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827-38 (engraving) by Blake

Background imageBlake Collection: The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995611 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

Background imageBlake Collection: The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995600 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Background imageBlake Collection: The Death of the Good Old Man, illustration from The Grave by Robert Blair

The Death of the Good Old Man, illustration from The Grave by Robert Blair
1785951 The Death of the Good Old Man, illustration from The Grave by Robert Blair, engraved by Louis Schiavonetti (hand-coloured etching) (see also 1785949-52) by Blake

Background imageBlake Collection: Songs of Innocence and of Experience: The Tyger, c. 1825

Songs of Innocence and of Experience: The Tyger, c. 1825
3493165 Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour) by Blake, William (1757-1827); 15.7x14.1 cm; Metropolitan Museum of Art, New York

Background imageBlake Collection: Preludium to the Book of Urizen, plate 2 from The First Book of Urizen

Preludium to the Book of Urizen, plate 2 from The First Book of Urizen
XYC309882 Preludium to the Book of Urizen, plate 2 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Background imageBlake Collection: A Long Story, design 23r from The Poems of Thomas Gray

A Long Story, design 23r from The Poems of Thomas Gray
XYC309870 A Long Story, design 23r from The Poems of Thomas Gray, 1797-1798 (w/c with pen and black ink) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageBlake Collection: Now thou maist marry, plate 4v from Visions of the Daughters of Albion

Now thou maist marry, plate 4v from Visions of the Daughters of Albion
XYC309866 Now thou maist marry, plate 4v from Visions of the Daughters of Albion, 1793 (relief etching printed in green with w/c) by Blake

Background imageBlake Collection: The First Book of Urizen, plate 7, As the stars are apart from the earth

The First Book of Urizen, plate 7, As the stars are apart from the earth
XYC309858 The First Book of Urizen, plate 7, As the stars are apart from the earth.. 1794 (relief etching with w/c) by Blake, William (1757-1827); 30.2x24.4 cm; Yale Center for British Art

Background imageBlake Collection: The Last Trumpet (pen & ink with wash on paper)

The Last Trumpet (pen & ink with wash on paper)
AGN265321 The Last Trumpet (pen & ink with wash on paper) by Blake, William (1757-1827); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageBlake Collection: Was living: panting... plate 7 from Jerusalem

Was living: panting... plate 7 from Jerusalem
XYC285555 Was living: panting... plate 7 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

Background imageBlake Collection: The Terror answered... plate 10 from America: A Prophecy

The Terror answered... plate 10 from America: A Prophecy
XYC285550 The Terror answered... plate 10 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

Background imageBlake Collection: Fiery Angels rose... plate 13 from America: A Prophecy

Fiery Angels rose... plate 13 from America: A Prophecy
XYC285548 Fiery Angels rose... plate 13 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake

Background imageBlake Collection: Ode on a Distant Prospect of Eton College, design 21 for

Ode on a Distant Prospect of Eton College, design 21 for
XYC285541 Ode on a Distant Prospect of Eton College, design 21 for The Poems of Thomas Gray, 1797-98 (w/c with pen & black ink) (see 285542 for verso) by Blake

Background imageBlake Collection: The Blossom, plate 28 from Songs of Innocence

The Blossom, plate 28 from Songs of Innocence
XYC257427 The Blossom, plate 28 from Songs of Innocence, 1789 (hand-coloured relief etching with w/c on paper) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art

Background imageBlake Collection: A muscular, naked man, who seems to have floated down to rest on his hands

A muscular, naked man, who seems to have floated down to rest on his hands
XYC256901 A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds, plate 14 from The First Book of Urizen

Background imageBlake Collection: As the stars are apart from the earth... plate 9 from

As the stars are apart from the earth... plate 9 from
XYC256360 As the stars are apart from the earth... plate 9 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: Muster around the bleak desarts... plate 6 from

Muster around the bleak desarts... plate 6 from
XYC256358 Muster around the bleak desarts... plate 6 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: Preludium to the Book of Urizen, plate 2 from The First Book of Urizen

Preludium to the Book of Urizen, plate 2 from The First Book of Urizen
XYC256354 Preludium to the Book of Urizen, plate 2 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Background imageBlake Collection: Christ in the House of Mary and Martha (colour litho)

Christ in the House of Mary and Martha (colour litho)
STC255463 Christ in the House of Mary and Martha (colour litho) by Blake, William (1757-1827); Private Collection; The Stapleton Collection; English, out of copyright

Background imageBlake Collection: In thunders ends the voice... plate 9 from America: A Prophecy

In thunders ends the voice... plate 9 from America: A Prophecy
XYC285565 In thunders ends the voice... plate 9 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake



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