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The figures of Francesca da Rimini and Paolo da Verrucchio appear to Dante and Virgil
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The figures of Francesca da Rimini and Paolo da Verrucchio appear to Dante and Virgil
PWI82301 The figures of Francesca da Rimini and Paolo da Verrucchio appear to Dante and Virgil, illustration of Dantes Inferno, canto V, 1855 by Scheffer, Ary (1795-1858); 171x239 cm; Louvre, Paris, France; (add.info.: Virgil (70-19 BC): with Dante Alighieri (1265-1321) in Hell; Virgil wears laurel wreath, Dante in red; ); ePeter Willi; Dutch, out of copyright
Media ID 22684440
© Peter Willi / Bridgeman Images
Adultery Tragedy Lovers Polenta
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EDITORS COMMENTS
In this photo print, we are transported into the depths of Dante's Inferno as the figures of Francesca da Rimini and Paolo da Verrucchio materialize before our eyes. Illustrated by Ary Scheffer in 1855, this mesmerizing artwork depicts a pivotal moment in Canto V of Dante's epic poem. Francesca and Paolo, infamous lovers bound by their tragic fate, emerge from the shadows to confront Dante and his guide Virgil. The anguish on their faces is palpable as they bear witness to their eternal damnation in the second circle of Hell for committing adultery. Scheffer masterfully captures the essence of this heart-wrenching tale with his attention to detail. The nakedness of Francesca and Paolo symbolizes not only their vulnerability but also serves as a reminder of the consequences that arise from succumbing to forbidden desires. As we gaze upon this profound painting, we cannot help but be drawn into its narrative power. The intensity emanating from Virgil's laurel wreath-clad figure contrasts starkly with Dante's vibrant red attire, emphasizing both their roles as observer and participant in this haunting scene. This remarkable piece now resides within the hallowed halls of Louvre Museum in Paris, France; a testament to its enduring significance within art history. Peter Willi expertly captures every nuance through his lens, allowing us to appreciate Scheffer's artistic genius even more deeply. Through this evocative photo print, we are reminded once again that
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