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Camp of the 3rd Division, 15 July 1855 (w / c over pencil)

Camp of the 3rd Division, 15 July 1855 (w  /  c over pencil)


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Camp of the 3rd Division, 15 July 1855 (w / c over pencil)

5920442 Camp of the 3rd Division, 15 July 1855 (w/c over pencil) by Simpson, William Crimea (1823-99); National Army Museum, London; (add.info.: Camp of the 3rd Division, 15 July 1855.
Watercolour and pencil by William Simpson (1823-1899), Crimean War, 1855.
The figures in the foreground are depicted using cannon balls as bowls. The print after this watercolour was accompanied by a detailed key showing the distribution of the regiments within the camp which, according to the description, was published: A For the satisfaction of those to whom these camps are associated either in the past or in the present with the absent living or the unforgotten deadA.
The dark, stormy sky shown moving in from the right of the picture forced the artist to seek refuge in one of the tents of the 63rd (West Suffolk) Regiment of Foot in order to finish his painting.
Reproduced as Plate 12 in SimpsonAs A Seat of War in the EastA, Second Series, published by Paul and Dominic Colnaghi, London, 1856.); eNational Army Museum; Scottish, out of copyright

Media ID 22764620

© National Army Museum / Bridgeman Images

Accommodation Bowl Bowls Siege Warfare


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EDITORS COMMENTS
This print titled "Camp of the 3rd Division, 15 July 1855" by William Simpson takes us back to the Crimean War era. The watercolour and pencil artwork beautifully captures the scene with intricate details and vibrant colors. In the foreground, we see soldiers from different regiments using cannon balls as bowls, showcasing their resourcefulness in making do with what they have. This small detail gives us a glimpse into the daily life and ingenuity of these brave men during wartime. The artist's attention to detail is evident not only in depicting the soldiers but also in capturing the dark, stormy sky moving in from the right side of the picture. It is said that Simpson had to seek refuge inside one of the tents belonging to the 63rd (West Suffolk) Regiment of Foot to complete his painting due to this approaching storm. Accompanying this print was a detailed key showing how different regiments were distributed within the camp. This publication aimed to provide satisfaction for those who had personal connections with these camps either through loved ones serving or fallen heroes. Reproduced as Plate 12 in Simpson's book "A Seat of War in East" published by Paul and Dominic Colnaghi, London, in 1856, this artwork stands as a testament to both historical significance and artistic excellence.

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