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Then the Divine Hand... plate 35 from Jerusalem (Bentley Copy E) 1804-20
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Then the Divine Hand... plate 35 from Jerusalem (Bentley Copy E) 1804-20
XYC144694 Then the Divine Hand... plate 35 from Jerusalem (Bentley Copy E) 1804-20 (etching with pen and w/c on paper) by Blake, William (1757-1827); 22.5x16.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12725374
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Albion Creation Damnation Humanity Prophetic Romanticist Visionary Allegorical Flames
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EDITORS COMMENTS
The captivating print titled "Then the Divine Hand. . . plate 35 from Jerusalem" by William Blake is a mesmerizing depiction of profound symbolism and poetic imagination. In this artwork, Blake skillfully combines elements of mythological allegory with visionary storytelling. At the center of the composition stands Albion, a fallen giant personifying Britain or England. His body is engulfed in flames, representing damnation and destruction. The divine hand reaches out towards him, suggesting both judgment and redemption. Blake's mastery lies in his ability to convey complex ideas through visual imagery. Through this print, he explores themes of humanity's creation and its subsequent fall from grace. The artist's prophetic vision shines through as he delves into the depths of human existence and spirituality. This romanticist piece evokes a sense of awe and wonderment as viewers are drawn into its mystical narrative. It serves as a testament to Blake's genius as both an artist and poet, blurring the boundaries between visual art and written verse. Displayed at Yale Center for British Art in their esteemed Paul Mellon Collection, this print continues to captivate audiences with its timeless beauty and thought-provoking subject matter. As we gaze upon it, we are reminded that art has the power to transcend time, offering us glimpses into worlds beyond our own reality.
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