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William Bell Scott Collection

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84 items

Background imageWilliam Bell Scott Collection: Fair Rosamond Alone in her Bower (oil on canvas)

Fair Rosamond Alone in her Bower (oil on canvas)
3551005 Fair Rosamond Alone in her Bower (oil on canvas) by Scott, William Bell (1811-90); 68x51.4 cm; Glasgow Museums, UK; (add.info.: unframed dimensions: 680 x 514 mm; framed)

Background imageWilliam Bell Scott Collection: Josephine Butler, Early Feminist Campaigner, 1856 (graphite on paper)

Josephine Butler, Early Feminist Campaigner, 1856 (graphite on paper)
7394150 Josephine Butler, Early Feminist Campaigner, 1856 (graphite on paper) by Scott, William Bell (1811-90); 35.1x23.5 cm; Ashmolean Museum, University of Oxford

Background imageWilliam Bell Scott Collection: A View of Ailsa Craig and the Isle of Arran, 1860 (oil on canvas)

A View of Ailsa Craig and the Isle of Arran, 1860 (oil on canvas)
XYC118510 A View of Ailsa Craig and the Isle of Arran, 1860 (oil on canvas) by Scott, William Bell (1811-90); 32.5x48.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish

Background imageWilliam Bell Scott Collection: Six-fold screen depicting a roaring tiger, 1749-1838 (ink, light colour, and gold on paper)

Six-fold screen depicting a roaring tiger, 1749-1838 (ink, light colour, and gold on paper)
7394153 Six-fold screen depicting a roaring tiger, 1749-1838 (ink, light colour, and gold on paper) by Ganku, Kishi (c.1749-1838); 170.1x376.6x1.7 cm; Ashmolean Museum, University of Oxford

Background imageWilliam Bell Scott Collection: William McInnes (oil on canvas)

William McInnes (oil on canvas)
3551008 William McInnes (oil on canvas) by Hunter, George Leslie (1877-1931); 45.7x38.1 cm; Glasgow Museums, UK; (add.info.: William McInnes (1868-1944)); © CSG CIC Glasgow Museums Collection

Background imageWilliam Bell Scott Collection: Friendly gossips

Friendly gossips
CH21123 Friendly gossips by Shayer, William Snr. (1788-1879); Private Collection; Photo eChristies Images; English, out of copyright

Background imageWilliam Bell Scott Collection: A four leaf screen with portraits of Shakespeare, Milton

A four leaf screen with portraits of Shakespeare, Milton
CH21107 A four leaf screen with portraits of Shakespeare, Milton, Chaucer and Spenser (painted wood) by Scott, William Bell (1811-90); Private Collection; (add.info.: Willam Shakespeare (1564-1616)

Background imageWilliam Bell Scott Collection: St Nicholas Cathedral, Newcastle upon Tyne (pencil & w / c on paper)

St Nicholas Cathedral, Newcastle upon Tyne (pencil & w / c on paper)
1214404 St Nicholas Cathedral, Newcastle upon Tyne (pencil & w/c on paper) by Buckler, John (1770-1851); 37.2x45.0 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: The Spire of St Nicholas, Newcastle upon Tyne (bodycolour)

The Spire of St Nicholas, Newcastle upon Tyne (bodycolour)
1214403 The Spire of St Nicholas, Newcastle upon Tyne (bodycolour) by Scott, William Bell (1811-90); 67.1x97.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Waterloo Bridge (pencil & w / c on paper)

Waterloo Bridge (pencil & w / c on paper)
1214263 Waterloo Bridge (pencil & w/c on paper) by Ellis, Edwin (1842-95); 69.3x46.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Background imageWilliam Bell Scott Collection: Sketch for Mural at Wallington Hall (pen & ink with pencil on paper)

Sketch for Mural at Wallington Hall (pen & ink with pencil on paper)
1214231 Sketch for Mural at Wallington Hall (pen & ink with pencil on paper) by Scott, William Bell (1811-90); 21.6x11.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Tynemouth Priory and Lighthouse from the Collingwood Memorial

Tynemouth Priory and Lighthouse from the Collingwood Memorial
1214225 Tynemouth Priory and Lighthouse from the Collingwood Memorial, 1845 (pencil & w/c on paper) by English School, (19th century); 34.1 x24.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Rage or Anger (charcoal on paper)

Rage or Anger (charcoal on paper)
1214199 Rage or Anger (charcoal on paper) by Scott, William Bell (1811-90); 32.1x50.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageWilliam Bell Scott Collection: Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w / c on paper)

Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w / c on paper)
1214023 Removing Worn and Rusted Buoys, Floats and Sinkers for Repair in Britain (w/c on paper) by Hennell, Thomas Barclay (1903-45); 47.8x31.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: The Bigg Market, Newcastle upon Tyne (bodycolour on paper)

The Bigg Market, Newcastle upon Tyne (bodycolour on paper)
1214004 The Bigg Market, Newcastle upon Tyne (bodycolour on paper) by Scott, William Bell (1811-90); 22.6x14.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Egfrith offering the Bishopric of Hexham to Cuthbert, 678

Egfrith offering the Bishopric of Hexham to Cuthbert, 678
IL388156 Egfrith offering the Bishopric of Hexham to Cuthbert, 678, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Scott

Background imageWilliam Bell Scott Collection: 'One of Jixs Toy Bobbies', c. 1920 (w / c on paper)

"One of Jixs Toy Bobbies", c. 1920 (w / c on paper)
701203 A" One of Jixs Toy BobbiesA", c.1920 (w/c on paper) by Sime, Sidney Herbert (1867-1941); 25x20 cm; Private Collection; (add.info)

Background imageWilliam Bell Scott Collection: Comin Through the Rye, 1870 (pen and ink on paper)

Comin Through the Rye, 1870 (pen and ink on paper)
701199 Comin A Through the Rye, 1870 (pen and ink on paper) by Scott, William Bell (1811-90); 10x15.5 cm; Private Collection; Photo eSarah Colegrave Fine Art; Scottish, out of copyright

Background imageWilliam Bell Scott Collection: View on the Nile, 1855 (oil on canvas)

View on the Nile, 1855 (oil on canvas)
AMO100611 View on the Nile, 1855 (oil on canvas) by Seddon, Thomas (1821-56); 20x31 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWilliam Bell Scott Collection: Shelleys Grave in the New Protestant Cemetery in Rome, 1873

Shelleys Grave in the New Protestant Cemetery in Rome, 1873
AMO100609 Shelleys Grave in the New Protestant Cemetery in Rome, 1873 by Scott, William Bell (1811-90); 48x33 cm; Ashmolean Museum, University of Oxford

Background imageWilliam Bell Scott Collection: Design for the decor of the Fouquet jewellers, 6 rue Royale, Paris (pen & ink on paper)

Design for the decor of the Fouquet jewellers, 6 rue Royale, Paris (pen & ink on paper)
XIR230328 Design for the decor of the Fouquet jewellers, 6 rue Royale, Paris (pen & ink on paper) by Mucha, Alphonse Marie (1860-1939); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageWilliam Bell Scott Collection: Upper portion of the facade of St. Marks Church, 1862 (w / c on paper)

Upper portion of the facade of St. Marks Church, 1862 (w / c on paper)
STC230279 Upper portion of the facade of St. Marks Church, 1862 (w/c on paper) by Scott, William Bell (1811-90); Victoria & Albert Museum, London, UK; The Stapleton Collection; Scottish

Background imageWilliam Bell Scott Collection: Water Meadow, 1865

Water Meadow, 1865
MAI46520 Water Meadow, 1865 by Scott, William Bell (1811-90); Maidstone Museum and Art Gallery, Kent, UK; eMaidstone Museum and Bentlif Art Gallery; eMaidstone Museum and Art Gallery; Scottish

Background imageWilliam Bell Scott Collection: Apple design (textile)

Apple design (textile)
SC27865 Apple design (textile) by Morris, William (1834-96); Private Collection; English, out of copyright

Background imageWilliam Bell Scott Collection: Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w / c)

Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w / c)
SC27833 Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w/c) by Scott, William Bell (1811-90); Victoria & Albert Museum, London, UK; Scottish, out of copyright

Background imageWilliam Bell Scott Collection: Castle Square, Belfast, c. 1902 (b / w photo)

Castle Square, Belfast, c. 1902 (b / w photo)
XJF365364 Castle Square, Belfast, c.1902 (b/w photo) by Irish Photographer (20th century); Private Collection; Irish, out of copyright

Background imageWilliam Bell Scott Collection: Egfrith offering the Bishopric of Hexham to Cuthbert, 678

Egfrith offering the Bishopric of Hexham to Cuthbert, 678
STC363605 Egfrith offering the Bishopric of Hexham to Cuthbert, 678, illustration from Hutchinsons Story of the British Nation, c.1920 (colour litho) by Scott

Background imageWilliam Bell Scott Collection: Proboscis Flower (coloured engraving)

Proboscis Flower (coloured engraving)
619477 Proboscis Flower (coloured engraving) by Buchoz, Pierre-Joseph (1731-1807); Private Collection; (add.info.: Proboscis Flower (Proboscidia Louisianica)

Background imageWilliam Bell Scott Collection: Grace Darling and her father saving the Shipwrecked Crew, Sept 7, 1838 (w / c on paper)

Grace Darling and her father saving the Shipwrecked Crew, Sept 7, 1838 (w / c on paper)
619444 Grace Darling and her father saving the Shipwrecked Crew, Sept 7, 1838 (w/c on paper) by Scott, William Bell (1811-90); Private Collection; (add.info)

Background imageWilliam Bell Scott Collection: Miss Nightingale in the Hospital at Scutari, engraved by George Greatbach (engraving)

Miss Nightingale in the Hospital at Scutari, engraved by George Greatbach (engraving)
STC104097 Miss Nightingale in the Hospital at Scutari, engraved by George Greatbach (engraving) by Hind, Robert Neal (1817-79) (after); Private Collection; The Stapleton Collection; English

Background imageWilliam Bell Scott Collection: The Emperor Charlemagne in his Tomb (proof etching)

The Emperor Charlemagne in his Tomb (proof etching)
aH101914 The Emperor Charlemagne in his Tomb (proof etching) by Scott, William Bell (1811-90); Private Collection; (add.info.: (747-814) King of the Franks; ); Abbott and Holder, London

Background imageWilliam Bell Scott Collection: Fish Market (charcoal & w / c on paper pasted on card)

Fish Market (charcoal & w / c on paper pasted on card)
1214236 Fish Market (charcoal & w/c on paper pasted on card) by Rainbird, Victor Noble (1889-1936); 37.7 x55.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: In this picture)

Background imageWilliam Bell Scott Collection: Sketch for Mural at Wallington Hall (pen & ink on paper)

Sketch for Mural at Wallington Hall (pen & ink on paper)
1214229 Sketch for Mural at Wallington Hall (pen & ink on paper) by Scott, William Bell (1811-90); 15.3x11.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish

Background imageWilliam Bell Scott Collection: Portrait of Robert Jameson, Ironmonger (bodycolour on paper)

Portrait of Robert Jameson, Ironmonger (bodycolour on paper)
1214204 Portrait of Robert Jameson, Ironmonger (bodycolour on paper) by Carrick, Thomas Heathfield (1802-74); 16.2x18.6 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Sketch for Mural at Wallington Hall (pen & ink on paper)

Sketch for Mural at Wallington Hall (pen & ink on paper)
1214202 Sketch for Mural at Wallington Hall (pen & ink on paper) by Scott, William Bell (1811-90); 15.4x12.0 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish

Background imageWilliam Bell Scott Collection: Ecstatic Admiration (charcoal on paper)

Ecstatic Admiration (charcoal on paper)
1214198 Ecstatic Admiration (charcoal on paper) by Scott, William Bell (1811-90); 33.1x52.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageWilliam Bell Scott Collection: Old Windmill on Windmill Hills, Gateshead (pencil & w / c on paper)

Old Windmill on Windmill Hills, Gateshead (pencil & w / c on paper)
1214044 Old Windmill on Windmill Hills, Gateshead (pencil & w/c on paper) by Foster, Myles Birket (1825-99); 23.9x15.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Entrance to the Black Gate, Newcastle, 1846 (bodycolour on paper)

Entrance to the Black Gate, Newcastle, 1846 (bodycolour on paper)
1214005 Entrance to the Black Gate, Newcastle, 1846 (bodycolour on paper) by Scott, William Bell (1811-90); 22.3x14.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: The Flash (pencil on paper)

The Flash (pencil on paper)
1214632 The Flash (pencil on paper) by Carmichael, John Wilson (1800-68); 37.7x27.3 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Background imageWilliam Bell Scott Collection: Hexham Market Place (w / c on paper)

Hexham Market Place (w / c on paper)
1214628 Hexham Market Place (w/c on paper) by Scott, William Bell (1811-90); 59.1 x48.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageWilliam Bell Scott Collection: Pagliacci, Stage Setting for Court Theatre (bodycolour & charcoal on paper)

Pagliacci, Stage Setting for Court Theatre (bodycolour & charcoal on paper)
1214237 Pagliacci, Stage Setting for Court Theatre (bodycolour & charcoal on paper) by Ricketts, Charles (1866-1931); 39.6x28.0 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Sketch for Mural at Wallington Hall (pen & ink with pencil on paper)

Sketch for Mural at Wallington Hall (pen & ink with pencil on paper)
1214230 Sketch for Mural at Wallington Hall (pen & ink with pencil on paper) by Scott, William Bell (1811-90); 15.1x12.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Henry Richardson, 1902 (oil on canvas)

Henry Richardson, 1902 (oil on canvas)
TW426919 Henry Richardson, 1902 (oil on canvas) by Sargent, John Singer (1856-1925); 147.7x97.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Bell-Ringers and Cavaliers Celebrating the Entrance of Charles II into London

Bell-Ringers and Cavaliers Celebrating the Entrance of Charles II into London
TW426907 Bell-Ringers and Cavaliers Celebrating the Entrance of Charles II into London on Restoration, c.1842 (oil on canvas) by Scott, William Bell (1811-90); 98.6x41.5 cm; Laing Art Gallery

Background imageWilliam Bell Scott Collection: Hunting scene, c. 1920 (oil on board)

Hunting scene, c. 1920 (oil on board)
PNH366427 Hunting scene, c.1920 (oil on board) by Stone, Rudolph (fl.1900); 15x30.5 cm; Private Collection; (add.info.: Set of four with 366425)

Background imageWilliam Bell Scott Collection: The Rending of the Veil, 1869 (w / c on paper)

The Rending of the Veil, 1869 (w / c on paper)
PNH368269 The Rending of the Veil, 1869 (w/c on paper) by Scott, William Bell (1811-90); 61x76 cm; Private Collection; (add.info.: The subject is taken from Matthew 27)

Background imageWilliam Bell Scott Collection: Laus Veneris, c. 1873-75 (oil on canvas)

Laus Veneris, c. 1873-75 (oil on canvas)
TW426910 Laus Veneris, c.1873-75 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 122.5x183.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageWilliam Bell Scott Collection: Study of Flowers and Fruit, 1860 (oil on canvas)

Study of Flowers and Fruit, 1860 (oil on canvas)
TW426908 Study of Flowers and Fruit, 1860 (oil on canvas) by Scott, William Bell (1811-90); 30.7x40.6 cm; Laing Art Gallery, Newcastle-upon-Tyne



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