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The Lottery (engraving)

The Lottery (engraving)


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The Lottery (engraving)

2905821 The Lottery (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Lottery. Engraving by William Hogarth. Here he criticizes the government for raising money by lottery, 1721. The London Printing and Publishing company.); GSinclair Archive/UIG; English, out of copyright

Media ID 23005728

© GSinclair Archive/UIG / Bridgeman Images

1720s Lottery William Hogarth


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The Lottery (engraving) by William Hogarth - A Bold Critique of Government's Money-Raising Tactics in the 18th Century

EDITORS COMMENTS
. In this thought-provoking engraving, master artist William Hogarth fearlessly challenges the government's controversial method of raising funds through lotteries during the 1720s. The captivating print, now part of a private collection, showcases Hogarth's exceptional talent for storytelling and social commentary. With meticulous detail and profound symbolism, Hogarth exposes the flaws and moral implications behind this governmental practice. Through his artistry, he sheds light on the darker side of society where individuals are enticed to gamble their hard-earned money in hopes of striking it rich. The composition skillfully captures both the excitement and desperation that surround such lotteries. Hogarth's sharp criticism is evident as he questions whether it is ethical for a government to exploit its citizens' dreams while simultaneously profiting from their losses. By presenting this issue with unflinching honesty, he encourages viewers to reflect upon societal values and question those in power. As one delves into this powerful artwork, they become immersed in an era marked by political corruption and economic inequality. It serves as a reminder that even centuries ago, artists like Hogarth were not afraid to use their craft as a platform for social change. This extraordinary piece continues to resonate today as we confront similar debates surrounding wealth distribution and governmental practices. It stands testament to the enduring power of art in challenging authority and prov

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