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The Model; La Modele, 1928 (oil and pencil on canvas)

The Model; La Modele, 1928 (oil and pencil on canvas)


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The Model; La Modele, 1928 (oil and pencil on canvas)

825444 The Model; La Modele, 1928 (oil and pencil on canvas) by Pascin, Jules (1885-1930); 81.3x66 cm; Private Collection; (add.info.: The Model; La Modele. Jules Pascin (1885-1930). Oil and pencil on canvas. Painted in 1928. 81.3 x 66cm.); Photo eChristies Images; Bulgarian, out of copyright

Media ID 23304296

© Christie's Images / Bridgeman Images

1928 Arm Resting Artists Model Aversion Bare Bare Feet Bare Foot Barefoot Brown Hair Brunette Bulgarian Artist Dark Hair Elevated Elevated View Expression Expressionism Expressionist Facial Expression Feet Foot Half Dressed Human Role Jules Pascin Julius Mordecai Pincas Leaning On Elbow Long Hair Looking Away Looking Down Model Modern Art Mounted On Canvas On Canvas Partly Dressed Pascin Pencil Pencil Drawing Semi Clad Semi Dress Sheet Skin Turning Away Vest White Color Woman Alone Ethnic Origin Portrait Style Portraiture Semi Nude Young Woman


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> Arts > Art Movements > Expressionism

> Arts > Artists > B > William-Adolphe Bouguereau

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> Arts > Contemporary art > Modern art > Portraits

> Arts > Contemporary art > Portraits > Modern art

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> Arts > Still life artwork > Oil paintings > Expressionist art

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Modern art pieces

> Fine Art Finder > Artists > Jules Pascin

> Fine Art Finder > Artists > William-Adolphe Bouguereau

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The Model; La Modele, 1928

EDITORS COMMENTS
by Jules Pascin is a captivating piece of art that captures the essence and beauty of a female model. Painted in oil and pencil on canvas, this artwork showcases the artist's mastery in capturing intricate details. In this portrait-style painting, we see a close-up view of the model's bare feet. The artist has skillfully depicted every curve and contour with precision, highlighting the elegance and gracefulness of her posture. With her brown hair cascading down her shoulders, she looks away from the viewer with an air of aversion. The composition is elevated, allowing us to observe the model leaning on her elbow while resting her arm. She appears half-dressed, wearing only a white vest that adds contrast to the overall composition. The use of color is minimal yet impactful as it emphasizes the model's fair skin against dark hair. Pascin's attention to detail extends beyond his brushstrokes as he incorporates pencil drawing into his work. This combination creates depth and texture within the painting. As we delve into "The Model; La Modele" we are transported back to early 20th-century Bulgaria where Pascin was known for his modern art style. This particular piece exemplifies his talent for portraiture and showcases why he remains an influential figure in fine art history. This print allows us to appreciate Pascin's artistic vision up close, providing insight into both his technical skills and ability to capture human expression through paintbrush strokes.

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