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Pantheon of Japanese deities, traditional representation of some typical figures
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Pantheon of Japanese deities, traditional representation of some typical figures
LSE4326017 Pantheon of Japanese deities, traditional representation of some typical figures: the queen of heaven flanked by two guards; the Maki Tats, dragon of typhoon and the boss of arms. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in " Le tour du monde, nouveau journal des voyages", published under the direction of Edouard Charton, 1866, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: Pantheon of Japanese deities, traditional representation of some typical figures: the queen of heaven flanked by two guards; the Maki Tats, dragon of typhoon and the boss of arms. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in " Le tour du monde, nouveau journal des voyages", published under the direction of Edouard Charton, 1866, Paris. Selva Collection.); Photo eLeonard de Selva; out of copyright
Media ID 22470770
© Leonard de Selva / Bridgeman Images
Folklore Imaginary Character Mecene Pious Image Asian Asian
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This print showcases a remarkable representation of the Pantheon of Japanese deities, offering a glimpse into traditional Japanese culture and mythology. The artwork, created by an unknown artist in the 19th century, features several typical figures that hold significant meaning in Japanese folklore. At the center of the composition stands the queen of heaven, flanked by two guards who exude strength and protection. Her regal presence radiates power and grace as she oversees her divine realm. To her side are two prominent figures: Maki Tats, known as the dragon of typhoon, symbolizing natural forces and their unpredictable nature; and the boss of arms, representing martial prowess and military might. The intricate engravings beautifully illustrate this pantheon while also serving as a visual documentation of Aime Humbert's voyage to Japan between 1863-1864. As Minister of the Swiss Confederation, Humbert embarked on this journey to explore new horizons and share his experiences with readers through "Le tour du monde" a renowned travel journal directed by Edouard Charton. Preserved within private collections today, this particular print from Leonard de Selva offers us an opportunity to appreciate both historical artistry and cultural heritage. It invites us to delve into Japan's rich mythological tapestry while marveling at its artistic expression through engraving techniques.
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