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Ah, thats the way the Peoples money is sqand red

Ah, thats the way the Peoples money is sqand red


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Ah, thats the way the Peoples money is sqand red

5926144 A AhA, thatAs the way the PeopleAs money is sqandA redA, 1820 circa (etching) by Cruikshank, George (1792-1878); National Army Museum, London; (add.info.: A AhA, thatAs the way the PeopleAs money is sqandA redA, 1820 circa.
Coloured sepia etching, 1820 circa.
A street scene in which a civilian scowls at a fashionably dressed cavalry officer. The officer wears a plumed shako, pelisse and an extravagant pair of pantaloons.); eNational Army Museum; English, out of copyright

Media ID 23264768

© National Army Museum / Bridgeman Images

Civilian Finance Hussar


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> Arts > Artists > C > George Cruikshank

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Fine Art Finder > Artists > George Cruikshank

> Fine Art Finder > Artists > Unknown Artist

> Popular Themes > Money


EDITORS COMMENTS
The captivating etching titled "Ah, that's the way the People's money is squandered" by George Cruikshank takes us back to 1820, offering a glimpse into society and finance during that era. This coloured sepia print showcases a bustling street scene where a civilian gazes disapprovingly at a dashing cavalry officer. The officer stands out with his fashionable attire, donning an elaborate plumed shako, pelisse, and extravagant pantaloons. Through this artwork, Cruikshank skillfully captures the stark contrast between the opulence of those in power and the struggles faced by ordinary citizens. The title itself suggests that public funds are being recklessly wasted on lavish military uniforms rather than being utilized for the benefit of society as a whole. This satirical piece serves as both social commentary and political caricature. It sheds light on issues such as class disparity and government spending while highlighting the disparities between civilians and those in positions of authority within the armed forces. Displayed at London's National Army Museum, this etching offers viewers an opportunity to reflect upon historical contexts surrounding fashion trends, societal norms, and financial management during early 19th-century England. As we observe this thought-provoking image today, it prompts us to consider how similar themes may still resonate in our modern world.

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