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Corner of St Jamess Back and Broadmead (pencil & w / c on paper)

Corner of St Jamess Back and Broadmead (pencil & w  /  c on paper)


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Corner of St Jamess Back and Broadmead (pencil & w / c on paper)

2832294 Corner of St Jamess Back and Broadmead (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 23474004

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Derelict Dilapidated Rundown Broadmead


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> Arts > Fine Art

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> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Thomas Leeson the Elder Rowbotham

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EDITORS COMMENTS
This print titled "Corner of St Jamess Back and Broadmead" by Thomas Leeson the Elder showcases a picturesque street scene in Bristol, England. The pencil and watercolor on paper technique used by the artist adds depth and texture to the image, capturing every intricate detail of this urban landscape. The composition transports us back in time as we witness a dilapidated corner filled with charming old houses. Each building tells its own story, revealing years of history etched into their weathered facades. The worn-out appearance evokes a sense of nostalgia, reminding us of the passage of time and the ever-changing nature of cities. Despite its rundown state, there is an undeniable beauty in this derelict setting. It serves as a reminder that even amidst decay and neglect, there is still artistry to be found. The skillful brushstrokes bring life to these forgotten streets, allowing us to appreciate their unique character. As we delve into this painting's details, we are transported into an era long gone but not forgotten. This artwork captures both the essence of British culture and Bristol's rich heritage. It stands as a testament to the enduring power of art in preserving moments from our past. Displayed at Bristol Museum and Art Gallery in the UK, this piece holds great historical significance for those who admire English art or have an affinity for urban landscapes. Its acquisition through William Jerdone Braikenridge's bequest further solidifies its importance within artistic circles worldwide.

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