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George III reviewing the fleet at Spithead, 22 June 1773, depicting HMS 'Royal Oak', 1773 (watercolour)
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George III reviewing the fleet at Spithead, 22 June 1773, depicting HMS 'Royal Oak', 1773 (watercolour)
7339140 George III reviewing the fleet at Spithead, 22 June 1773, depicting HMS 'Royal Oak', 1773 (watercolour) by Cleveley, John the Younger (1747-86); 40.4x60.9 cm; National Maritime Museum, London, UK; (add.info.: Creator: John Cleveley, the Younger
John Cleveley was the son of the marine painter John Cleveley, and twin brother of the Robert Cleveley who was also a marine artist. This is one of a set of three watercolours of the review which took place at Spithead in June 1773 and at which Cleveley was almost certainly present. George III took great interest in the event, staying at Portsmouth for several days. During this time he held a levee, visited and dined on the 'Barfleur', conferred knighthoods, and visited the dockyard buildings. He reviewed the fleet of twenty-five ships in the royal barge, which can be seen in the centre foreground beyond which is the stern of the 'Royal Oak'. The king also sailed in the 'Princess Augusta' yacht.); © National Maritime Museum, Greenwich, London
Media ID 38176896
© © National Maritime Museum, Greenwich, London / Bridgeman Images
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EDITORS COMMENTS
This stunning watercolour print captures a momentous event in British naval history - George III reviewing the fleet at Spithead on 22 June 1773. The artist, John Cleveley the Younger, skillfully depicts the scene with intricate detail and vibrant colors.
In the center of the composition, we see HMS 'Royal Oak', a majestic ship that was part of the fleet being reviewed by King George III. The king himself can be seen in the royal barge, surrounded by his entourage as he takes great interest in inspecting each vessel.
The atmosphere is filled with excitement and anticipation as sailors line up on deck to catch a glimpse of their monarch. The clear blue skies and calm waters of Spithead provide a picturesque backdrop for this historic occasion.
George III's visit to Portsmouth for this review was met with great fanfare, as he held levees, dined on board ships, conferred knighthoods, and visited dockyard buildings. His presence added an air of prestige to the proceedings and highlighted Britain's naval power during this era.
Overall, this artwork serves as a reminder of Britain's maritime heritage and its strong connection to royalty. It is a testament to both artistic talent and historical significance captured in one captivating image.
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