Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Thomas Creswick

Thomas Creswick Collection

Choose a picture from our Thomas Creswick Collection for your Wall Art and Photo Gifts

47 items

Background imageThomas Creswick Collection: On the Terrace at Haddon Hall, Derbyshire, 1840 (oil on panel)

On the Terrace at Haddon Hall, Derbyshire, 1840 (oil on panel)
XYC201216 On the Terrace at Haddon Hall, Derbyshire, 1840 (oil on panel) by Creswick, Thomas (1811-69); 61x50.8 cm; Yale Center for British Art, New Haven

Background imageThomas Creswick Collection: Two girls standing in church (pencil with w/c on paper)

Two girls standing in church (pencil with w/c on paper)
NGW385983 Two girls standing in church (pencil with w/c on paper) by John, Gwen (1876-1939); 13.6x11.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Creswick Collection: Moorland Landscape, 1840 (oil on canvas)

Moorland Landscape, 1840 (oil on canvas)
NGW342636 Moorland Landscape, 1840 (oil on canvas) by Creswick, Thomas (1811-69); 41x56.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Creswick Collection: The River Tees at Rokeby, Yorkshire, c. 1860 (oil on canvas)

The River Tees at Rokeby, Yorkshire, c. 1860 (oil on canvas)
MAN277423 The River Tees at Rokeby, Yorkshire, c.1860 (oil on canvas) by Creswick, Thomas (1811-69); 48.2x66.3 cm; Manchester Art Gallery

Background imageThomas Creswick Collection: Interior with a Gentleman and Two Ladies Conversing, c. 1668-70 (oil on canvas)

Interior with a Gentleman and Two Ladies Conversing, c. 1668-70 (oil on canvas)
MAN278063 Interior with a Gentleman and Two Ladies Conversing, c.1668-70 (oil on canvas) by Hooch, Pieter de (1629-84); 70x61.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageThomas Creswick Collection: West view of Aston Hall, in front of which the new line of the Grand Junction Railway is proposed

West view of Aston Hall, in front of which the new line of the Grand Junction Railway is proposed to be carried, c
7394188 West view of Aston Hall, in front of which the new line of the Grand Junction Railway is proposed to be carried, c.1833 (lithograph on paper) by Bridgens, Richard H

Background imageThomas Creswick Collection: Dutton Viaduct on the Grand Junction Railway, over the Valley of the Weaver, from designs by G

Dutton Viaduct on the Grand Junction Railway, over the Valley of the Weaver, from designs by G
7394187 Dutton Viaduct on the Grand Junction Railway, over the Valley of the Weaver, from designs by G.Stephenson Esquire and erected under the direction of J.Locke Esquire

Background imageThomas Creswick Collection: An Autumn Evening After Rain (oil on canvas)

An Autumn Evening After Rain (oil on canvas)
7064115 An Autumn Evening After Rain (oil on canvas) by Leader, Benjamin Williams (1831-1923); Private Collection; English, out of copyright

Background imageThomas Creswick Collection: Fishermens Tales, 1853 (oil on canvas)

Fishermens Tales, 1853 (oil on canvas)
7064099 Fishermens Tales, 1853 (oil on canvas) by Creswick, Thomas (1811-69); 76.2x63.2 cm; Private Collection; English, out of copyright

Background imageThomas Creswick Collection: Landscape with Stream, Bridge and Cottage (oil on panel)

Landscape with Stream, Bridge and Cottage (oil on panel)
2829589 Landscape with Stream, Bridge and Cottage (oil on panel) by Creswick, Thomas (1811-69); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageThomas Creswick Collection: Cows and Sheep in Snowscape, 1864 (oil on canvas)

Cows and Sheep in Snowscape, 1864 (oil on canvas)
WAG292575 Cows and Sheep in Snowscape, 1864 (oil on canvas) by Cooper, Thomas Sidney (1803-1902); 35.6 x 30.8 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

Background imageThomas Creswick Collection: Landscape with Figures (oil on panel)

Landscape with Figures (oil on panel)
WAG292563 Landscape with Figures (oil on panel) by Creswick, Thomas (1811-69); 28.6x14.6 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Background imageThomas Creswick Collection: Alice Gray, 1859 (oil)

Alice Gray, 1859 (oil)
AGN356194 Alice Gray, 1859 (oil) by Millais, John Everett (1829-96); 24.1x19.1 cm; Private Collection; (add.info.: the artists sister-in-law; sister of his wife Effie; ); Photo eAgnew s

Background imageThomas Creswick Collection: View in Painshill Park, Surrey (oil on board)

View in Painshill Park, Surrey (oil on board)
AGN356173 View in Painshill Park, Surrey (oil on board) by Creswick, Thomas (1811-69); Private Collection; (add.info.: one of a pair; ); Photo eAgnew s, London; English, out of copyright

Background imageThomas Creswick Collection: His Only Friend, 1875 (oil on canvas)

His Only Friend, 1875 (oil on canvas)
3822288 His Only Friend, 1875 (oil on canvas) by Dollman, John Charles (1851-1934); 60.4x84.4 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Background imageThomas Creswick Collection: Path Through The Wood, 1857 (oil on canvas)

Path Through The Wood, 1857 (oil on canvas)
3822278 Path Through The Wood, 1857 (oil on canvas) by Creswick, Thomas (1811-69); 59x39 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Background imageThomas Creswick Collection: The Throne of Napolean, Palace of Fontainebleau, 1888 (oil on canvas)

The Throne of Napolean, Palace of Fontainebleau, 1888 (oil on canvas)
3601790 The Throne of Napolean, Palace of Fontainebleau, 1888 (oil on canvas) by Haynes-Williams, John (1836-1908); 51.7x76.9 cm; Worcester City Art Gallery & Museum, Worcestershire, UK; English

Background imageThomas Creswick Collection: Near Battle, Kent (oil on canvas)

Near Battle, Kent (oil on canvas)
3601728 Near Battle, Kent (oil on canvas) by Creswick, Thomas (1811-69); 26x21.2 cm; Worcester City Art Gallery & Museum, Worcestershire, UK; English, out of copyright

Background imageThomas Creswick Collection: HMS 'Excellent, 'Gunnery Ship at Portsmouth, shortly to be broken up (engraving)

HMS "Excellent, "Gunnery Ship at Portsmouth, shortly to be broken up (engraving)
1052835 HMS " Excellent, " Gunnery Ship at Portsmouth, shortly to be broken up (engraving) by English School, (19th century); Private Collection; (add.info.: HMS " Excellent)

Background imageThomas Creswick Collection: The Avenue (engraving)

The Avenue (engraving)
1052831 The Avenue (engraving) by Creswick, Thomas (1811-69); Private Collection; (add.info.: The Avenue. Illustration for The Graphic, 3 May 1873.); Look and Learn / Illustrated Papers Collection

Background imageThomas Creswick Collection: The Poachers Return (oil on panel)

The Poachers Return (oil on panel)
WAG292645 The Poachers Return (oil on panel) by Bird, Edward (1772-1819); 36.9x43.5 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Background imageThomas Creswick Collection: On the Tees (oil on canvas)

On the Tees (oil on canvas)
WAG292625 On the Tees (oil on canvas) by Creswick, Thomas (1811-69); 26.7x36.2 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Background imageThomas Creswick Collection: San Giorgio Maggiore, Venice, 1908 (oil on canvas)

San Giorgio Maggiore, Venice, 1908 (oil on canvas)
PNY111825 San Giorgio Maggiore, Venice, 1908 (oil on canvas) by Monet, Claude (1840-1926); 60x73 cm; Private Collection; Phillips, Fine Art Auctioneers, New York, USA; French, out of copyright

Background imageThomas Creswick Collection: A Distant View of Birmingham, 1825-1830 (oil on panel)

A Distant View of Birmingham, 1825-1830 (oil on panel)
BIR111824 A Distant View of Birmingham, 1825-1830 (oil on panel) by Creswick, Thomas (1811-69); 20.4x29.9 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageThomas Creswick Collection: Cagliari, Sardinia (colour litho)

Cagliari, Sardinia (colour litho)
6004774 Cagliari, Sardinia (colour litho) by Westall, William (1781-1850) (after); Private Collection; (add.info.: Cagliari, Sardinia)

Background imageThomas Creswick Collection: Ruins between Futtipur, Sikri and Biana (colour litho)

Ruins between Futtipur, Sikri and Biana (colour litho)
6004756 Ruins between Futtipur, Sikri and Biana (colour litho) by Creswick, Thomas (1811-69); Private Collection; (add.info.: Ruins between Futtipur, Sikri and Biana)

Background imageThomas Creswick Collection: Dancer with a Garland

Dancer with a Garland
AGN49572 Dancer with a Garland by Schall, Jean-Frederic (1752-1825); Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageThomas Creswick Collection: Carrickfergus, Ireland

Carrickfergus, Ireland
AGN47526 Carrickfergus, Ireland by Creswick, Thomas (1811-69); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Creswick Collection: Landscape, 1805-21 (oil on canvas)

Landscape, 1805-21 (oil on canvas)
3822279 Landscape, 1805-21 (oil on canvas) by Crome, John (1768-1821) (attr.to); 23.5x33.3 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; out of copyright

Background imageThomas Creswick Collection: Part of the Ruins of Tintern Abbey (oil on panel)

Part of the Ruins of Tintern Abbey (oil on panel)
3822277 Part of the Ruins of Tintern Abbey (oil on panel) by Creswick, Thomas (1811-69); 45.5x34.6 cm; Calderdale Museums Service, West Yorkshire

Background imageThomas Creswick Collection: The Deep Sea Rain, 1907 (oil on canvas)

The Deep Sea Rain, 1907 (oil on canvas)
5889079 The Deep Sea Rain, 1907 (oil on canvas) by Hemy, Charles Napier (1841-1917); 120.7x184.2 cm; Private Collection; (add.info.: Initialled and dated c.n.h. 1907)

Background imageThomas Creswick Collection: Roslyn Castle: Picnic (oil on canvas)

Roslyn Castle: Picnic (oil on canvas)
5889070 Roslyn Castle: Picnic (oil on canvas) by Creswick, Thomas (1811-69); 36.8x26.7 cm; Private Collection; (add.info.: Monogrammed and inscribed verso Roslyn Castle)

Background imageThomas Creswick Collection: Kooner Pass, Neilgherri Mountains (colour litho)

Kooner Pass, Neilgherri Mountains (colour litho)
6004722 Kooner Pass, Neilgherri Mountains (colour litho) by Creswick, Thomas (1811-69); Private Collection; (add.info.: Kooner Pass, Neilgherri Mountains)

Background imageThomas Creswick Collection: Carthage, Ruins of the theatre (b / w photo)

Carthage, Ruins of the theatre (b / w photo)
6006780 Carthage, Ruins of the theatre (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Carthage, Ruins of the theatre)

Background imageThomas Creswick Collection: Cow Parsley and Bluebells (colour litho)

Cow Parsley and Bluebells (colour litho)
5304374 Cow Parsley and Bluebells (colour litho) by Allingham, Helen (1848-1926); Private Collection; English, out of copyright

Background imageThomas Creswick Collection: The village smithy (colour litho)

The village smithy (colour litho)
5304356 The village smithy (colour litho) by Creswick, Thomas (1811-69); Private Collection; English, out of copyright

Background imageThomas Creswick Collection: The Washington National Monument, at Washington City (engraving)

The Washington National Monument, at Washington City (engraving)
1096660 The Washington National Monument, at Washington City (engraving) by English School, (19th century); Private Collection; (add.info.: The Washington National Monument, at Washington City)

Background imageThomas Creswick Collection: The Wind on Shore (engraving)

The Wind on Shore (engraving)
1096656 The Wind on Shore (engraving) by Creswick, Thomas (1811-69); Private Collection; (add.info.: The Wind on Shore. Illustration for The Illustrated London News)

Background imageThomas Creswick Collection: Pastoral Concert, after Titian (oil on canvas laid down on panel)

Pastoral Concert, after Titian (oil on canvas laid down on panel)
2956744 Pastoral Concert, after Titian (oil on canvas laid down on panel) by Etty, William (1787-1849); 30.4x21.5 cm; Private Collection; (add.info)

Background imageThomas Creswick Collection: Raphaels studio in the garden of Villa Borghese, Rome, 1849 (oil on board)

Raphaels studio in the garden of Villa Borghese, Rome, 1849 (oil on board)
2956743 Raphaels studio in the garden of Villa Borghese, Rome, 1849 (oil on board) by Creswick, Thomas (1811-69); 24.7x36.2 cm; Private Collection; (add.info.: Creswick, born in Sheffield)

Background imageThomas Creswick Collection: The Char Minar, Hydrabad (colour litho)

The Char Minar, Hydrabad (colour litho)
6004787 The Char Minar, Hydrabad (colour litho) by Warren, Henry (1794-1879) (after); Private Collection; (add.info.: The Char Minar, Hydrabad)

Background imageThomas Creswick Collection: Jumnoutri and the Cone, Himala Mountains (colour litho)

Jumnoutri and the Cone, Himala Mountains (colour litho)
6004785 Jumnoutri and the Cone, Himala Mountains (colour litho) by Creswick, Thomas (1811-69); Private Collection; (add.info.: Jumnoutri and the Cone, Himala Mountains)

Background imageThomas Creswick Collection: Landscape (oil on canvas)

Landscape (oil on canvas)
1212703 Landscape (oil on canvas) by Creswick, Thomas (1811-69); 53.3x63.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Background imageThomas Creswick Collection: Sketches from Ireland (engraving)

Sketches from Ireland (engraving)
1099506 Sketches from Ireland (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches from Ireland)

Background imageThomas Creswick Collection: The Smithy (engraving)

The Smithy (engraving)
1099503 The Smithy (engraving) by Creswick, Thomas (1811-69); Private Collection; (add.info.: The Smithy. Illustration for The Illustrated London News)

Background imageThomas Creswick Collection: View on the Hudson River, c. 1840-45 (oil on panel)

View on the Hudson River, c. 1840-45 (oil on panel)
XYC235941 View on the Hudson River, c.1840-45 (oil on panel) by Creswick, Thomas (1811-69); 20.3x30.5 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Background imageThomas Creswick Collection: Figures on a Balcony, probably at Westpoint, c. 1840-45 (oil on panel)

Figures on a Balcony, probably at Westpoint, c. 1840-45 (oil on panel)
XYC235990 Figures on a Balcony, probably at Westpoint, c.1840-45 (oil on panel) by Creswick, Thomas (1811-69); 20.3x30.5 cm; Yale Center for British Art, Paul Mellon Fund, USA; English


All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site