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The French landed in Africa, 1830, in "Algerie ancienne et moderne"

The French landed in Africa, 1830, in 'Algerie ancienne et moderne'


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The French landed in Africa, 1830, in "Algerie ancienne et moderne"

XEE4405729 The French landed in Africa, 1830, in " Algerie ancienne et moderne" by Leon Galibert, 1844. by Unknown Artist, (19th century); Private Collection; (add.info.: The French landed in Africa, 1830, in " Algerie ancienne et moderne" by Leon Galibert, 1844.); Stefano Bianchetti; out of copyright

Media ID 23724052

© Stefano Bianchetti / Bridgeman Images

Algeria Algeria Algerian Algerian Algerians Algerie Invasion Maghreb Maghrebi Maghrebian Maghrebin Maghrebine Arab Civilization Collection Lemage Sudan


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EDITORS COMMENTS
This print titled "The French landed in Africa, 1830" takes us back to a significant moment in history. The image is taken from the book "Algerie ancienne et moderne" by Leon Galibert, published in 1844. It showcases an engraving created by an unknown artist during the 19th century. In this scene, we witness the arrival of the French forces on African soil, marking the beginning of their colonial presence in Algeria. The composition portrays a powerful display of military might as French navy ships anchor near the coast while cavalry troops stand ready for action. This depiction symbolizes not only France's invasion but also represents a pivotal moment that shaped Arab civilization and North African history. The print captures both the tension and curiosity surrounding this historical event. It offers viewers a glimpse into a time when European powers sought to expand their influence across continents, often at great cost to indigenous populations. As we reflect upon this artwork, it serves as a reminder of how art can document crucial moments in our collective past. Through its intricate details and skilled craftsmanship, this engraving allows us to delve deeper into understanding the complexities of colonialism and its impact on Africa and its people. This particular print is part of Stefano Bianchetti's private collection and continues to be appreciated for its historical significance today.

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