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Love of gold. Painting by Thomas Couture (1815-1879), 1844. hs / t. Sun: 1, 54 X 1, 88m

Love of gold. Painting by Thomas Couture (1815-1879), 1844. hs  /  t. Sun: 1, 54 X 1, 88m


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Love of gold. Painting by Thomas Couture (1815-1879), 1844. hs / t. Sun: 1, 54 X 1, 88m

JLJ4687169 Love of gold. Painting by Thomas Couture (1815-1879), 1844. h s/t. Sun: 1, 54 X 1, 88m. Toulouse, Musee Des Augustins by Couture, Thomas (1815-79); Musee des Augustins, Toulouse, France; (add.info.: Love of gold. Painting by Thomas Couture (1815-1879), 1844. h s/t. Sun: 1, 54 X 1, 88m. Toulouse, Musee Des Augustins); Photo ePhoto Josse; French, out of copyright

Media ID 22874892

© Josse / Bridgeman Images

Avarice Beggar Capital Sins Coin Envy Harlot Harlotry Light Woman Pearl Jewel


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Love of Gold - A Captivating Portrait of Wealth and Temptation

EDITORS COMMENTS
. This mesmerizing print captures the essence of Thomas Couture's renowned painting, "Love of Gold" created in 1844. The artwork, measuring an impressive 1.54 x 1.88 meters, resides within the Musee Des Augustins in Toulouse, France. Couture masterfully depicts a scene that delves into the depths of human desire and greed. At its center stands a captivating young woman adorned with opulent jewels, symbolizing wealth and materialism. Her allure is undeniable as she gazes directly at the viewer, her eyes filled with both innocence and mischief. Surrounded by coins and pearls scattered on a table before her, this femme fatale embodies the vices associated with capitalism - avarice and envy. Yet behind her beguiling facade lies a sense of vulnerability; perhaps she too is trapped within this cycle of desire. The artist skillfully contrasts light against dark to accentuate the contrasting elements within society - from poverty represented by a destitute beggar lurking in shadows to opulence embodied by this alluring figure bathed in radiant light. Couture's masterpiece serves as an allegory for our eternal struggle between temptation and virtue, reminding us that even amidst great riches, one can be ensnared by their own desires. As we gaze upon this remarkable print captured by Photo Josse, we are transported back to an era where art sought not

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