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Pig-Sticking in India, a Subalterns First Experiences (engraving)

Pig-Sticking in India, a Subalterns First Experiences (engraving)


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Pig-Sticking in India, a Subalterns First Experiences (engraving)

1045143 Pig-Sticking in India, a Subalterns First Experiences (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info.: Pig-Sticking in India, a Subalterns First Experiences. Illustration for The Graphic, 3 January 1880.); Look and Learn / Illustrated Papers Collection

Media ID 23541112

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Capturing Days Sport Difficulties Early Morning Ending Experiences Guide Pig Sticking Start Subaltern Wild Boars Inida


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> Animals > Mammals > Horse > Related Images

> Animals > Mammals > Suidae > Wild Boar

> Arts > Artists > D > Alfred > Related Images

> Asia > India > Related Images

> Fine Art Finder > Artists > Alfred Chantrey Corbould

> Fine Art Finder > Artists > Sydney Prior (after) Hall

> Fine Art Finder > Temp Classification


EDITORS COMMENTS
This engraving titled "Pig-Sticking in India, a Subaltern's First Experiences" by Alfred Chantrey Corbould takes us back to the vibrant and adventurous days of hunting in colonial India. The print captures the essence of an early morning start as a group of subalterns, accompanied by their trusty guide, prepare for a thrilling day of pig sticking. The scene is filled with anticipation as horses are being saddled up and wild boars can be seen lurking in the distance. The subalterns gather around, discussing strategies and sharing stories from previous hunts. In the foreground, one exhausted subaltern finds solace in sleep after what must have been an eventful night. As the sun rises higher into the sky, challenges await these brave hunters. Pig sticking was no easy feat; it required skill, agility, and nerves of steel to capture these formidable creatures. Yet amidst all difficulties faced during this exhilarating sport, camaraderie blossomed among these young men who were far away from home. This engraving not only depicts a moment frozen in time but also offers us a glimpse into Indian culture and its rich history intertwined with British colonialism. It serves as a testament to the shared experiences between Indians and their foreign counterparts during those days spent together at camp. "Bridgeman Images" has once again brought forth an exquisite piece that transports us back to another era – reminding us of both our differences and our commonalities across cultures through artistry that transc

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