Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Simon Bening

Simon Bening Collection

Choose a picture from our Simon Bening Collection for your Wall Art and Photo Gifts

68 items

Background imageSimon Bening Collection: Life of the Virgin, from the Stein Quadriptych (vellum)

Life of the Virgin, from the Stein Quadriptych (vellum)
WLT275944 Life of the Virgin, from the Stein Quadriptych (vellum) by Bening, Simon (c.1483-1561); Walters Art Museum, Baltimore, USA; Flemish, out of copyright

Background imageSimon Bening Collection: The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c

The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c
3545813 The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c.1530-40 (tempera, gold leaf and ink on parchment) by Bening, Simon (c.1483-1561); 36.4x26.2 cm; J

Background imageSimon Bening Collection: The Meersstraat in Ghent, 1862 (oil on canvas)

The Meersstraat in Ghent, 1862 (oil on canvas)
LAF470806 The Meersstraat in Ghent, 1862 (oil on canvas) by Cock, Xavier de (1818-96); 148.5x228.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSimon Bening Collection: Rebecca at the Well (oil on canvas)

Rebecca at the Well (oil on canvas)
497412 Rebecca at the Well (oil on canvas) by Girolamo da Treviso II (Girolamo Pennacchi) (1497-1544); 80.5x111.1 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageSimon Bening Collection: The Virgin and Child (oil on parchment)

The Virgin and Child (oil on parchment)
LAF470800 The Virgin and Child (oil on parchment) by Bening, Simon (c.1483-1561); 8.5x6.1 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageSimon Bening Collection: Navajo rug, c. 1906 (wool)

Navajo rug, c. 1906 (wool)
HNE273739 Navajo rug, c.1906 (wool) by American School, (20th century); Historic New England, Boston, Massachusetts, USA; Gift of Miss Jane S. Tucker

Background imageSimon Bening Collection: The Rest on the Flight into Egypt, miniature from the Norfolk Book of Hours (vellum)

The Rest on the Flight into Egypt, miniature from the Norfolk Book of Hours (vellum)
DON279101 The Rest on the Flight into Egypt, miniature from the Norfolk Book of Hours (vellum) by Bening, Simon (c.1483-1561); His Grace The Duke of Norfolk, Arundel Castle

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum)

Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81)
492863 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: The Entombment and the swoon of the Virgin, detail: Joseph of Arimathae lifting up Jesus (stone)

The Entombment and the swoon of the Virgin, detail: Joseph of Arimathae lifting up Jesus (stone)
CLG279645 The Entombment and the swoon of the Virgin, detail: Joseph of Arimathae lifting up Jesus (stone) by Richier, Ligier (c.1500-67); St

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492864 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W

Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W
985759 Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W. Sherman (General), c.1869 (photographic plate) by Brady

Background imageSimon Bening Collection: Last Judgement, 1520s (illuminated manuscript on vellum)

Last Judgement, 1520s (illuminated manuscript on vellum)
985752 Last Judgement, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Last Judgement)

Background imageSimon Bening Collection: Adoration of the Magi, 1520s (illuminated manuscript on vellum)

Adoration of the Magi, 1520s (illuminated manuscript on vellum)
985749 Adoration of the Magi, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Adoration of the Magi)

Background imageSimon Bening Collection: A Village Maiden, 1886 (oil on canvas)

A Village Maiden, 1886 (oil on canvas)
497785 A Village Maiden, 1886 (oil on canvas) by Clausen, George (1852-1944); 25.5x20.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492879 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488339 and 433458)

The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488339 and 433458)
488328 The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488339 and 433458) by Bening, Simon (c.1483-1561); 9x6.2 cm; Private Collection; (add.info.: The converted St)

Background imageSimon Bening Collection: Roman fresco fragment (plaster and pigment)

Roman fresco fragment (plaster and pigment)
5242312 Roman fresco fragment (plaster and pigment) by Roman, (1st century AD); 5.1 A-- 6.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Second Style of Roman wall painting)

Background imageSimon Bening Collection: The Nativity, c. 1525-30 (tempera, gold paint and leaf on parchment)

The Nativity, c. 1525-30 (tempera, gold paint and leaf on parchment)
5242306 The Nativity, c.1525-30 (tempera, gold paint and leaf on parchment) by Bening, Simon (c.1483-1561); 16.8x11.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Ms. Ludwig IX 19, fol)

Background imageSimon Bening Collection: The Battle of Tamai on 13th March 1884, 1884 (litho)

The Battle of Tamai on 13th March 1884, 1884 (litho)
ILN225099 The Battle of Tamai on 13th March 1884, 1884 (litho) by Prior, Melton (1845-1910) (after); The Illustrated London News Picture Library, London, UK; English, out of copyright

Background imageSimon Bening Collection: Sunset (Coucher de Soleil) 1881 (oil on panel)

Sunset (Coucher de Soleil) 1881 (oil on panel)
BAG12141 Sunset (Coucher de Soleil) 1881 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.3x24.8 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageSimon Bening Collection: Add 18855 October: ploughing and sowing, from a Book of Hours, c. 1540 (vellum)

Add 18855 October: ploughing and sowing, from a Book of Hours, c. 1540 (vellum)
SC12053 Add 18855 October: ploughing and sowing, from a Book of Hours, c.1540 (vellum) by Bening, Simon (c.1483-1561); Victoria & Albert Museum, London, UK; Flemish, out of copyright

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492875 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)

Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)
985755 Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Okee-Makee-Quid, a Chippeway chief)

Background imageSimon Bening Collection: Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum)

Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum)
985751 Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info)

Background imageSimon Bening Collection: Folios from the Rothschild Book of Hours, Ghent or Bruges, c

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494961 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492881 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492872 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: Self Portrait with a Velvet Beret (etching)

Self Portrait with a Velvet Beret (etching)
498418 Self Portrait with a Velvet Beret (etching) by Rembrandt Harmensz. van Rijn (1606-69) (after); Private Collection; (add.info.: Etching made after Self Portrait with a Velvet Beret)

Background imageSimon Bening Collection: The Duchess of Norfolks Coronet (silver gilt, velvet and ermine)

The Duchess of Norfolks Coronet (silver gilt, velvet and ermine)
DON279115 The Duchess of Norfolks Coronet (silver gilt, velvet and ermine) by English School; His Grace The Duke of Norfolk, Arundel Castle; English, out of copyright

Background imageSimon Bening Collection: The Annunciation, miniature from the Norfolk Book of Hours (vellum)

The Annunciation, miniature from the Norfolk Book of Hours (vellum)
DON279100 The Annunciation, miniature from the Norfolk Book of Hours (vellum) by Bening, Simon (c.1483-1561); His Grace The Duke of Norfolk, Arundel Castle; Flemish, out of copyright

Background imageSimon Bening Collection: The Dining Room at the Hameau of Marie-Antoinette, illustration from Versailles

The Dining Room at the Hameau of Marie-Antoinette, illustration from Versailles
CHT225110 The Dining Room at the Hameau of Marie-Antoinette, illustration from Versailles, Paris and Saint Denis, published in London 1809 (colour engraving) by Nattes

Background imageSimon Bening Collection: Aurora Taking Leave of Tithonus, 1704 (oil on canvas)

Aurora Taking Leave of Tithonus, 1704 (oil on canvas)
3545823 Aurora Taking Leave of Tithonus, 1704 (oil on canvas) by Solimena, Francesco (1657-1747); 201.9x151.8 cm; J. Paul Getty Museum, Los Angeles

Background imageSimon Bening Collection: Jacques de Lalaing, c. 1530-40 (tempera, gold leaf and ink on parchment)

Jacques de Lalaing, c. 1530-40 (tempera, gold leaf and ink on parchment)
3545811 Jacques de Lalaing, c.1530-40 (tempera, gold leaf and ink on parchment) by Bening, Simon (c.1483-1561); J. Paul Getty Museum, Los Angeles

Background imageSimon Bening Collection: The Eucharist Vanquishes the Heathen Sacrifices, Brussels

The Eucharist Vanquishes the Heathen Sacrifices, Brussels
494361 The Eucharist Vanquishes the Heathen Sacrifices, Brussels, second half of the 17th century (wool & silk) by Rubens

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492867 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Background imageSimon Bening Collection: The Edward Green Overmantle, c. 1875 (wood, lacquer, porcelain & marble)

The Edward Green Overmantle, c. 1875 (wood, lacquer, porcelain & marble)
831241 The Edward Green Overmantle, c.1875 (wood, lacquer, porcelain & marble) by Jeckyll, Thomas (1827-81); Leeds Museums and Galleries (Lotherton Hall) U.K.; (add.info)

Background imageSimon Bening Collection: Page from The Imhof Prayerbook, 1511 (tempera on vellum)

Page from The Imhof Prayerbook, 1511 (tempera on vellum)
831229 Page from The Imhof Prayerbook, 1511 (tempera on vellum) by Bening, Simon (c.1483-1561); 9x6.2 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Background imageSimon Bening Collection: Furniture plaque: hawk, c. 18th century BC (hippopotamus ivory)

Furniture plaque: hawk, c. 18th century BC (hippopotamus ivory)
3525780 Furniture plaque: hawk, c.18th century BC (hippopotamus ivory) by Anatolian School; 11.2 wide cm; Metropolitan Museum of Art, New York, USA; (add.info.: Anatolia)

Background imageSimon Bening Collection: Self-portrait, 1558 (tempera and gold leaf on parchment)

Self-portrait, 1558 (tempera and gold leaf on parchment)
3525765 Self-portrait, 1558 (tempera and gold leaf on parchment) by Bening, Simon (c.1483-1561); 8.5x5.7 cm; Metropolitan Museum of Art, New York

Background imageSimon Bening Collection: Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c

Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c
BAL9366 Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c.1250 (painted papyrus) by Egyptian 19th Dynasty (c.1292-1187 BC); British Museum, London

Background imageSimon Bening Collection: Add 18855 September: harvesting, ploughing and sowing, from a Book of Hours, c

Add 18855 September: harvesting, ploughing and sowing, from a Book of Hours, c
SC12052 Add 18855 September: harvesting, ploughing and sowing, from a Book of Hours, c.1540 (vellum) by Bening, Simon (c.1483-1561); Victoria & Albert Museum, London, UK; Flemish, out of copyright

Background imageSimon Bening Collection: Winter Landscape, c. 1611-46 (painting)

Winter Landscape, c. 1611-46 (painting)
BAL14574 Winter Landscape, c.1611-46 (painting) by Breen, Adam van (fl.1611-46); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageSimon Bening Collection: Add 18855 Self portrait of Simon Bening, from a Book of Hours, c. 1540 (vellum)

Add 18855 Self portrait of Simon Bening, from a Book of Hours, c. 1540 (vellum)
SC14570 Add 18855 Self portrait of Simon Bening, from a Book of Hours, c.1540 (vellum) by Bening, Simon (c.1483-1561); 8.1x5.3 cm; Victoria & Albert Museum, London, UK; Flemish, out of copyright

Background imageSimon Bening Collection: Triptych: the Raising of Lazarus on the central compartment with a kneeling male donor

Triptych: the Raising of Lazarus on the central compartment with a kneeling male donor
492332 Triptych: the Raising of Lazarus on the central compartment with a kneeling male donor, presented by St. Jacob and his sons on the left wing, his wife kneeling, presented by St

Background imageSimon Bening Collection: Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges
492871 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening, Simon (c.1483-1561); 5.9x4.2 cm; Private Collection; (add.info.: James)

Background imageSimon Bening Collection: The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488327-8)

The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488327-8)
CH433458 The Imhof Prayerbook, 1511 (tempera on vellum) (see also 488327-8) by Bening, Simon (c.1483-1561); 9x6.2 cm; Private Collection; (add.info)

Background imageSimon Bening Collection: Mental patient going for an early morning walk (oil on canvas)

Mental patient going for an early morning walk (oil on canvas)
CHT225123 Mental patient going for an early morning walk (oil on canvas) by Simon, Dr. Max (1807-89); Musee d Histoire de la Medecine et de la Pharmacie

Background imageSimon Bening Collection: Eva Gonzales, profile turned to the left, 1870 (etching)

Eva Gonzales, profile turned to the left, 1870 (etching)
492437 Eva Gonzales, profile turned to the left, 1870 (etching) by Manet, Edouard (1832-83); 44.5x31.8 cm; Private Collection; (add.info)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site