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Triumph of Assyrian Kings (Kouyunjik), from Monuments of Nineveh, pub. 1849 (engraving)
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Triumph of Assyrian Kings (Kouyunjik), from Monuments of Nineveh, pub. 1849 (engraving)
3035718 Triumph of Assyrian Kings (Kouyunjik), from Monuments of Nineveh, pub. 1849 (engraving) by Layard, Austen Henry (1817-94); Private Collection; The Stapleton Collection; British, out of copyright
Media ID 22230222
© The Stapleton Collection / Bridgeman Images
Assyria Assyrian Attendants Chariot Double Flute Flute Player Harpists Nineveh Parasol Umbrella Walled City Injuries Wound Wounded
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This engraving, titled "Triumph of Assyrian Kings (Kouyunjik), from Monuments of Nineveh" takes us back to the ancient world with its intricate details and rich symbolism. Published in 1849 by Austen Henry Layard, this print showcases the grandeur and power of the Assyrian kings. At first glance, we are drawn to a magnificent chariot led by majestic horses along the riverbank. The charioteer skillfully maneuvers through a procession filled with musicians playing their flutes and harps, creating an enchanting melody that echoes across the scene. Attendants carrying parasols provide shade for these regal figures as they make their way towards a walled city in the distance. However, amidst this spectacle of triumph lies a reminder of mortality. Alongside the victorious procession lie wounded soldiers and fallen warriors, symbolizing both victory's cost and humanity's vulnerability in times of conflict. Nearby, fishermen cast their nets into the river while wild animals roam freely on land – representing nature's indifference to human affairs. This engraving not only captures historical events but also delves into deeper themes such as life's transience and our place within nature's vast tapestry. It serves as a testament to Layard's meticulous attention to detail and his ability to transport viewers back in time through his artistry. As we gaze upon this remarkable piece from The Stapleton Collection, we are reminded that even centuries later, art continues to bridge gaps between eras
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