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Thomas Holroyd reads in his palanquin, c. 1835 (opaque w / c on paper)
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Thomas Holroyd reads in his palanquin, c. 1835 (opaque w / c on paper)
6040529 Thomas Holroyd reads in his palanquin, c.1835 (opaque w/c on paper) by Shaik Muhammad Amir of Karraya (fl.1830-50); 16x24 cm; San Diego Museum of Art, USA; (add.info.: The artist Muhammad Amir of Karraya (a part of Calcutta) was known for his almost photo-realistic paintings of subjects including houses, horses, servants, carriages and grooms of British households in India. One of his patrons is the European businessman Thomas Holroyd, whose presence inside the palanquin is mostly shielded from view. Muhammad Amir is one of the few known artists of the Company school, as most artists names were not recorded and so remained anonymous.); eSan Diego Museum of Art; Edwin Binney 3rd Collection; Indian, out of copyright
Media ID 23594500
© San Diego Museum of Art Edwin Binney 3rd Collection / Bridgeman Images
19 19th Xix Xixth Nineteenth Century Bear Bearers Bears Carry Company School Inequality Litter Palanquin Read Recline Reclining Service South Asian Lungi
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EDITORS COMMENTS
In this photo print, we are transported back to the colonial era in India, as we witness Thomas Holroyd immersed in a world of literature within his luxurious palanquin. Painted by the talented artist Shaik Muhammad Amir of Karraya around 1835, this opaque watercolor on paper piece showcases Amir's remarkable ability to create almost photo-realistic paintings. Amir was renowned for his depictions of various aspects of British households in India, including houses, horses, servants, carriages, and grooms. One such patron was Thomas Holroyd himself - a European businessman whose presence inside the palanquin is partially concealed from view. This artwork offers us a rare glimpse into the opulent lifestyle enjoyed by some during that time. As part of the Company school tradition in Indian artistry, Muhammad Amir stands out among other artists who remained anonymous due to their names not being recorded. His attention to detail and skillful execution make him an exceptional figure within this artistic movement. The painting also raises questions about traditional roles and inequalities prevalent during colonial times. The bearers carrying Holroyd's palanquin wear lungis (traditional garments), highlighting their servitude while he reclines comfortably engrossed in reading. This contrast serves as a reminder of the power dynamics inherent in colonialism. Preserved at the San Diego Museum of Art as part of Edwin Binney 3rd Collection, this exquisite portrait captures both historical significance and artistic brilliance. It invites viewers to reflect upon themes like privilege and cultural exchange while appreciating the mastery behind its creation.
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