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San Diego of Alcala, c. 1665-70 (polychromed wood)
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San Diego of Alcala, c. 1665-70 (polychromed wood)
874963 San Diego of Alcala, c.1665-70 (polychromed wood) by Mena, Pedro de (1628-88); 61.5 x24 x27 cm; San Diego Museum of Art, USA; (add.info.: San Diego of Alcala, also called Didacus of AlcalAa or Diego de San NicolAas (c.1400-63), Spanish lay brother of the Order of Friars Minor who was among the first missionaries to the Canary Islands. ); eSan Diego Museum of Art; Museum Purchase with Funds from the Estate of Donald Shira and from Anne Otterson; Spanish, out of copyright
Media ID 22737262
© San Diego Museum of Art Museum Purchase with Funds from the Estate of Donald Shira and from Anne Otterson / Bridgeman Images
Didacus Of Alcal And Xe1 Didacus Of Alcala Diego De San Nicol And Xe1 Diego De San Nicolas Drapery Franciscan Franciscans Friars Minor Habit Habits Missionaries Missionary San Diego Of Alcala
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EDITORS COMMENTS
This print showcases the exquisite artwork of "San Diego of Alcala" by Pedro de Mena, a renowned Spanish sculptor from the 17th century. Crafted from polychromed wood, this sculpture stands at an impressive height of 61.5 centimeters and emanates a sense of spiritual devotion. San Diego of Alcala, also known as Didacus of Alcalá or Diego de San Nicolás, was a Spanish lay brother belonging to the Order of Friars Minor. He played a significant role as one of the first missionaries in the Canary Islands during his lifetime in the early 15th century. The sculpture depicts San Diego with meticulous attention to detail, capturing his humble yet determined demeanor. The flowing drapery adds depth and movement to the piece while emphasizing its religious significance. Displayed at the esteemed San Diego Museum of Art in USA, this masterpiece is an embodiment of faith and devotion within Christianity. It serves as a reminder not only of San Diego's missionary work but also represents the dedication and sacrifices made by countless others who have devoted their lives to spreading their beliefs. With its rich historical context and remarkable craftsmanship, this sculpture continues to inspire awe and reverence among visitors at the museum. Its presence invites contemplation on spirituality and serves as a testament to art's ability to transcend time and connect us with our shared human experiences.
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