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Triptych of Saint Giovenale, 1422 (tempera on wood)
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Triptych of Saint Giovenale, 1422 (tempera on wood)
BEN5471222 Triptych of Saint Giovenale, 1422 (tempera on wood) by Masaccio, Tommaso (1401-28); 108 x 65 cm; Chiesa di San Pietro, Cascia di Reggello, Firenze, Italy; (add.info.: Saint Giovenale triptych. Among the characters represented: the Virgin Mary, Jesus Christ, Saint Bartholomew, Saint Anthony the Great (or Saint Anthony the Hermit or Saint Anthony the Abbot), Saint Blaise. Painting by Casai Tommaso dit Masaccio (1401-1428), 1422. Tempera on wood. 108 x 65 cm. Church of Saint Peter, Cascia di Reggello, Florence.); Photo © Raffaello Bencini
Media ID 26407650
© Raffaello Bencini / Bridgeman Images
15eme Siecle Aile Ange Animal Wing Anthony Of Lisbon Anthony Of Padua Apostle Apostles Apotre Aureoles Bartholomew The Apostle Bible Personnage Blessed Virgin Blessed Virgin Mary Cathloic Cathoic Catholic Faith Catholicisme Catholisism Chretiente Couleur Enfant Fond D Or Gold Background Halos Holy Virgin Italie Jesus Chirst Jesus King Jesus Of Nazareth Jeunesse Lord Jesus Mater Dei Roman Catholicism S Bartholomew S Barthylmew Saint Anthony Of Padua Saint Antoine Saint Barthelemy Saint Bartholomew Saint Bartholomew Martyr Saint Blaise St Bartholomew St Bartholomew The Apostle St Bartholomews St Mary The Virgin Trone Vierge Marie Virgin Mry Virgo Immaculata Wing Winged Wingspan 15th 15 Xv Xvth Fifteenth Century Aureole Catholic Religion Catholics Christ Jesus Halo Peinture Quattrocento Reinassance Renaissance Time St Blaise
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EDITORS COMMENTS
This print showcases the "Triptych of Saint Giovenale" painted by Masaccio in 1422. The triptych, measuring 108 x 65 cm, is a stunning example of tempera on wood and can be found at the Church of Saint Peter in Cascia di Reggello, Florence. The artwork depicts various significant figures from Christian history, including the Virgin Mary, Jesus Christ, Saint Bartholomew, Saint Anthony the Great (also known as Saint Anthony the Hermit or Saint Anthony the Abbot), and Saint Blaise. Each character is beautifully rendered with intricate details that bring them to life. Masaccio's masterful use of color and composition creates a harmonious balance within this religious scene. The golden background adds an ethereal quality to the painting while highlighting each figure's divine presence. This piece belongs to the Quattrocento period of art during the Italian Renaissance. Its rich symbolism and meticulous execution exemplify Masaccio's talent as one of Italy's most influential painters. Captured by Raffaello Bencini, this print allows viewers to appreciate every brushstroke and detail up close. It serves as a reminder of both the artistic brilliance behind this masterpiece and its historical significance within Catholicism.
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