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The last judgment (The devil eats the souls of the damned) - Detail of the mosaics, c
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The last judgment (The devil eats the souls of the damned) - Detail of the mosaics, c
LRI4583114 The last judgment (The devil eats the souls of the damned) - Detail of the mosaics, c.1270 by Coppo di Marcovaldo (fl.1225/30-after 1274); Baptistery, Florence, Italy; (add.info.: The last judgment Satan devore the souls of the damns (The devil eats the souls of the damned) - Detail of the mosaics of Coppo di Marcovaldo (1225-1280) and entourage, 1270 approximately (Last judgment, Mosaics of the dome) Florence, baptistere of Saint John the Baptist (Baptistry of St John Baptist or Battistere di San Giovanni Battista) Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 22538430
© Luisa Ricciarini / Bridgeman Images
Baptism Devil Dome Hell Last Judgment Life After Death Mosaic Torment
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This print captures a mesmerizing detail of the mosaics from "The Last Judgment" by Coppo di Marcovaldo, located in the Baptistery of Florence, Italy. The focal point of this image is the chilling scene where Satan voraciously devours the souls of the damned. Coppo di Marcovaldo and his entourage created these intricate mosaics around 1270, depicting various aspects of the Last Judgment. This particular detail showcases their exceptional skill in capturing both torment and despair through art. The composition transports viewers to a realm beyond life, exploring themes of hell and life after death. The intense colors and meticulous craftsmanship draw attention to every agonized expression on the faces of those being consumed by evil. Luisa Ricciarini's photography brilliantly captures this haunting moment within Coppo di Marcovaldo's masterpiece. Through her lens, we are able to appreciate not only the artistic mastery but also experience an eerie sense of being present at this pivotal moment in history. This photograph serves as a reminder that art has always been a powerful medium for expressing complex emotions and beliefs. It invites us to contemplate our own mortality while marveling at human creativity throughout time.
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