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Caricature ridiculing Napoleon at the time of Proclamation of Napoleon as Emperor on 18th

Caricature ridiculing Napoleon at the time of Proclamation of Napoleon as Emperor on 18th


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Caricature ridiculing Napoleon at the time of Proclamation of Napoleon as Emperor on 18th

CHT277810 Caricature ridiculing Napoleon at the time of Proclamation of Napoleon as Emperor on 18th May 1804, 9th July 1804 (colour litho) by English School, (19th century); Private Collection; (add.info.: Allusion to the Knights of Malta; Malta was captured by Napoleon Bonaparte in 1798 and became a British Dominion in 1800; ); eArchives Charmet; English, out of copyright

Media ID 22941750

© Archives Charmet / Bridgeman Images

Bone John Bull Propaganda Ridicule


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EDITORS COMMENTS
This colorful lithograph from the 19th century captures a moment of political satire and ridicule aimed at Napoleon Bonaparte during his proclamation as Emperor on May 18,1804. The caricature, part of a private collection, cleverly alludes to the Knights of Malta, symbolizing Napoleon's capture of Malta in 1798 and its subsequent transformation into a British Dominion in 1800. In this satirical scene, we see various elements that poke fun at Napoleon's rise to power. A prominent figure resembling John Bull, representing England or the English people, walks alongside Napoleon with a mischievous grin on his face. He holds a walking stick adorned with symbols of power and authority while playfully teasing the French Emperor. The cartoonish depiction shows Napoleon as an exaggerated character with comically oversized features. His dog-like appearance adds another layer of mockery to the image. Meanwhile, he clutches onto a bone labeled "power" highlighting his hunger for control and dominance. This artwork serves as an example of political propaganda prevalent during that time period. It reflects public sentiment towards Napoleon's reign and provides insight into how he was perceived by both his supporters and detractors. Overall, this print offers viewers an amusing glimpse into history through its use of humor and symbolism to critique one of Europe's most influential figures – Napoleon Bonaparte.

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