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The Risen Christ, 1862 (stained glass)
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The Risen Christ, 1862 (stained glass)
3474792 The Risen Christ, 1862 (stained glass) by Clayton, John Richard (1827-1913); Peterborough Cathedral, Cambridgeshire, UK; (add.info.: Manufactured by Clayton & Bell); eAlastair Carew-Cox; British, out of copyright
Media ID 23007200
© Alastair Carew-Cox / Bridgeman Images
Bright Church Window Coffin Crown Of Thorns Drapery Easter Gothic Revival Gothick Guard Neo Gothic Resurrected Resurrection Risen Risen Christ Sarcophagus Sepulchre Stained Glass Window Stigmata Victorian Gothic Wounds Ecclesiastical Pre Raphaelite
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EDITORS COMMENTS
This print showcases "The Risen Christ, 1862" a stunning stained glass artwork created by John Richard Clayton. The piece is located in Peterborough Cathedral, Cambridgeshire, UK and was manufactured by the renowned Clayton & Bell company. The image captures the essence of this neo-gothic masterpiece, with its vibrant colors and intricate details. The central figure of Jesus Christ stands tall and triumphant, his wounds from the crucifixion visible as a testament to his sacrifice. Crowned with thorns, he radiates divine light that illuminates the entire scene. Surrounded by soldiers and flags, this depiction symbolizes the victory of faith over worldly powers. The drapery flowing around Christ's body adds an ethereal touch to the composition while emphasizing his resurrection from death. This pre-Raphaelite-inspired artwork reflects both religious devotion and artistic excellence. It embodies elements of gothic revival architecture prevalent during Victorian times when it was created. "The Risen Christ" serves as a powerful reminder of Easter's significance in Christian tradition – a celebration of hope and new beginnings. Its placement within Peterborough Cathedral further enhances its impact on visitors seeking solace or spiritual enlightenment. Through Alastair Carew-Cox's lens, we are able to appreciate every detail of this magnificent stained glass window: from the knight guarding Jesus' tomb to the colorful portrayal of resurrection itself. This photograph encapsulates not only British art history but also invites us into a moment frozen in time where faith
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