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Baudelaire astonishes in front of a dead horse and on his back
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Baudelaire astonishes in front of a dead horse and on his back
JEB4885653 Baudelaire astonishes in front of a dead horse and on his back. Representation of Charles Baudelaire poet francais (1821-1867), 1901 (drawing on paper) by Nadar (Gaspard Felix Tournachon) (1820-1910); 23.5x31 cm; eJean Bernard; French, out of copyright
Media ID 23719274
© Jean Bernard / Bridgeman Images
Baudelaire Personality Charles 1821 1867 Felix Tournachon Said 1820 1910 Nadar Jeanbernard
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EDITORS COMMENTS
In this print, we see the renowned French poet Charles Baudelaire in a moment of astonishment. Standing before him is a lifeless horse, its majestic form now reduced to stillness. The contrast between the vibrant energy of Baudelaire and the silent presence of death creates a powerful visual narrative. Baudelaire's expression is one of both shock and intrigue as he gazes upon the deceased creature. His eyes seem to penetrate beyond the physicality of the horse, delving into deeper realms of contemplation. This juxtaposition symbolizes his profound exploration of human existence and mortality through his poetic works. The artist behind this striking portrayal is Nadar (Gaspard Felix Tournachon), known for capturing intimate moments with great sensitivity. Through his skillful hand, every detail comes alive on paper - from Baudelaire's expressive face to the intricate lines that define both man and beast. This portrait not only captures Baudelaire's personality but also serves as a testament to his literary legacy. As one of France's most influential writers, he pushed boundaries with his provocative poetry that explored themes such as love, beauty, and decadence. Jean Bernard has expertly preserved this historical moment through their meticulous reproduction process. By bringing together artistry and history in this print, they invite us to delve into the world of Baudelaire - an enigmatic figure who continues to inspire generations with his words even long after his passing.
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