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South side of the Gateway at Arnos Vale, showing figures
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South side of the Gateway at Arnos Vale, showing figures
2832557 South side of the Gateway at Arnos Vale, showing figures, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright
Media ID 23473836
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Archway Bristol Cemetery Churchyard Gate Gateway Gothic Revival Gothick Graveyard Neo Gothic Regency Victorian Gothic
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EDITORS COMMENTS
This print captures the enchanting South side of the Gateway at Arnos Vale, showcasing a mesmerizing blend of figures and architectural beauty. Created by Thomas Leeson Rowbotham in 1826, this masterpiece perfectly embodies the essence of neo-gothic art movement. The image transports us to a serene graveyard in England, where the gate stands tall as an emblematic symbol of British heritage. The intricate details and delicate brushstrokes bring life to this gothic revival structure, evoking a sense of awe and admiration for its craftsmanship. As we delve into the composition, our eyes are drawn to the figures that adorn this magnificent gateway. Each figure tells a story, their presence adding depth and intrigue to an already captivating scene. It is as if they have been frozen in time, forever guarding this sacred space with their stoic yet mysterious expressions. Arnos Vale emerges as more than just a cemetery; it becomes an embodiment of history and culture. The Georgian architecture seamlessly blends with Victorian gothic elements, creating a harmonious fusion that epitomizes English elegance. Through this remarkable artwork captured by Bridgeman Images, we are reminded of the rich artistic legacy left behind by Thomas Leeson Rowbotham. This print serves as both a testament to his talent and an invitation for viewers to immerse themselves in the beauty found within every stroke on paper.
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