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He dottore Baloardo, 1653. From "Masques et bouffons"

He dottore Baloardo, 1653. From 'Masques et bouffons'


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He dottore Baloardo, 1653. From "Masques et bouffons"

LSE4090617 He dottore Baloardo, 1653. From " Masques et bouffons" (Italian comedy), text and drawings by Maurice Sand, etchings by A. Manceau, preface by Georges Sand, Paris, Michel Levy Freres, 1860. by Sand, Maurice (1823-1889); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: He dottore Baloardo, 1653. From " Masques et bouffons" (Italian comedy), text and drawings by Maurice Sand, etchings by A. Manceau, preface by Georges Sand, Paris, Michel Levy Freres, 1860.); Photo eLeonard de Selva; French, out of copyright

Media ID 23695320

© Leonard de Selva / Bridgeman Images

Commedia Dell Arte Commedia Dellarte


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EDITORS COMMENTS
This print captures the essence of "He dottore Baloardo" a character from the Italian comedy "Masques et bouffons". Created in 1653, this image is part of a larger collection by Maurice Sand, featuring text and drawings accompanied by etchings from A. Manceau. The preface for this remarkable piece was written by Georges Sand. The subject of the photograph is dressed in an elaborate costume that reflects the theatrical nature of commedia dell'arte. With its vibrant colors and intricate details, it transports us to a world filled with laughter and entertainment. The character's expression exudes confidence and wit, suggesting his role as a comedic figure within the play. The composition skillfully combines elements of artistry and storytelling. The engraving technique used adds depth to every line, accentuating each contour of the character's face and attire. This attention to detail showcases both Sand's artistic talent and Manceau's mastery in etching. Preserved by Bibliotheque des Arts Decoratifs in Paris, France, this print offers us a glimpse into history while celebrating the rich tradition of Italian theater. It serves as a reminder that even centuries later, these timeless works continue to captivate audiences worldwide. Photographed by Leonard de Selva, this image reminds us why fine art has such enduring appeal - it allows us to appreciate cultural heritage through visual storytelling.

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