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The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique
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The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique
5306106 The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique; (add.info.: The Optical Illusion. 1794 (engraving). by Louis Leopold Boilly (1761-1845). L'Optique. Louise Sebastienne Danton (nee Gely). George Danton's second wife and his elder son Antoine. by his first marriage. engraved by Frederic Cazenave. after a painting by Louis-Leopold Boilly. The woman and child watch a stack of "Vue d'Optiques" with a Zograscope optical viewer. 1794); Universal History Archive/UIG
Media ID 38104200
© Universal History Archive/UIG / Bridgeman Images
Antoine Audience Louis Leopold Boilly Optical Optical Illusion Optics Spectating Spectator Viewer Watch
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EDITORS COMMENTS
The Optical Illusion, a captivating engraving by Louis Leopold Boilly, transports us back to 1794 France where we witness Louise Sebastienne Danton and her stepson Antoine engrossed in the wonders of optical entertainment. The intricate details captured in this artwork showcase the artistry of Boilly as well as the technological advancements of the time.
As we observe Louise and Antoine gazing at a stack of "Vue d'Optiques" through a Zograscope optical viewer, we are reminded of the simple pleasures that brought joy to people centuries ago. The expression on their faces reflects a sense of wonder and curiosity, highlighting the power of visual illusions to captivate and engage viewers.
Through Frederic Cazenave's skilled engraving after Boilly's original painting, we are given a glimpse into a moment frozen in time - a moment filled with excitement and intrigue. This print serves as a reminder of how art can transcend time and space, allowing us to connect with individuals from different eras through shared experiences.
The Optical Illusion is not just an artwork; it is a window into history that invites us to explore the intersection between art, technology, and human curiosity.
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