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The red or russet-coloured Wheat-Ear, 1749-73 (coloured engraving)
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The red or russet-coloured Wheat-Ear, 1749-73 (coloured engraving)
1110265 The red or russet-coloured Wheat-Ear, 1749-73 (coloured engraving) by Edwards, George (1694-1773) (after); Private Collection; (add.info.: Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works A Natural History of Uncommon Birds and Gleanings of Natural History Michael Seligmann re-engraved the plates and combined it with Catesbys work A Natural History of Carolina, Florida and the Bahama Islands translating the names into German and adding some figures and plants not present in the originals.
Die rAothlichbraune GrasmAocke, Tiere, VAogel, Illustration, Naturgeschichte
Oenanthe fulva mas et foemella); ePurix Verlag Volker Christen; English, out of copyright
Media ID 22522194
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This print showcases "The red or russet-coloured Wheat-Ear" by George Edwards, a renowned artist of the 18th century. The coloured engraving, created between 1749 and 1773, is a true masterpiece that captures the beauty of nature in exquisite detail. Originally engraved by George Edwards himself, this particular version was re-engraved by Michael Seligmann, a talented German engraver and art dealer from Nuremberg. Seligmann combined Edwards' work with Mark Catesby's "A Natural History of Carolina, Florida and the Bahama Islands" translating names into German and adding additional figures and plants not found in the original illustrations. "The red or russet-coloured Wheat-Ear" depicts two striking birds known as Oenanthe fulva mas et foemella. Their vibrant plumage stands out against a backdrop of lush vegetation, showcasing their elegance and grace. This artwork is part of an extensive collection held privately. The attention to detail in this coloured engraving is truly remarkable. Every feather seems to come alive on paper, making it difficult to distinguish between reality and artistry. It serves as a testament to both Edwards' skill as an illustrator and Seligmann's talent for reimagining these natural wonders through his engravings. This print offers viewers an opportunity to appreciate the intricate beauty of birds while also delving into the history of scientific illustration during that era. It reminds us how art can bridge gaps between different
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