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Ancient Roman tripods and cup. 1802 (engraving)
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Ancient Roman tripods and cup. 1802 (engraving)
7237077 Ancient Roman tripods and cup. 1802 (engraving) by Roccheggiani, Lorenzo (active 1804-1817); Private Collection; (add.info.: Tripod found in Pantanello, Tivoli, by Sir William Hamilton 1, tripod with goat heads and feet found in Ostia, owned by Mr. Dire 2, and tazza or cup taken from a painting in Herculaneum 3. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.); © Florilegius
Media ID 25254032
© Florilegius / Bridgeman Images
Ancientness Anitquity Antic Rome Interior Design Roman Culture Room Decoration Antiquit Items Thing
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EDITORS COMMENTS
This engraving showcases a collection of ancient Roman tripods and a tazza or cup, dating back to 1802. The print features three remarkable artifacts: the first tripod was discovered in Pantanello, Tivoli, by Sir William Hamilton; the second tripod with goat heads and feet was found in Ostia and owned by Mr. Dire; and the third item is a tazza or cup taken from a painting in Herculaneum. The intricate engravings beautifully capture the ornate details of these ancient objects, highlighting their exquisite craftsmanship. Each piece tells its own story, offering glimpses into the rich history of Roman culture. Displayed against a simple background, these antiquities take center stage as they are meticulously rendered with precision and care. The contrast between light and shadow adds depth to each element, enhancing their allure. This engraving not only serves as an artistic representation but also provides valuable insight into interior design trends of the 19th century. Its timeless beauty makes it an ideal addition to any space seeking to evoke an atmosphere of sophistication and historical significance. With its meticulous attention to detail and striking composition, this print offers viewers an opportunity to appreciate both the artistry of Lorenzo Roccheggiani's original illustration as well as the cultural heritage embodied within these ancient Roman artifacts.
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