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Joris Hoefnagel Collection

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76 items

Background imageJoris Hoefnagel Collection: Genealogical tree of the Richard and Abigail Lippincott family in America

Genealogical tree of the Richard and Abigail Lippincott family in America
8712027 Genealogical tree of the Richard and Abigail Lippincott family in America, constructed and published by Charles Lippincott, 1880 (print) by American School, (19th century); Newberry Library

Background imageJoris Hoefnagel Collection: Arrangement of Flowers in a Vase, with Insects, 1594 (Watercolour with gold on vellum)

Arrangement of Flowers in a Vase, with Insects, 1594 (Watercolour with gold on vellum)
1217633 Arrangement of Flowers in a Vase, with Insects, 1594 (Watercolour with gold on vellum) by Hoefnagel, Joris (1542-1600); 16.1x12 cm; Ashmolean Museum, University of Oxford

Background imageJoris Hoefnagel Collection: Two Lawyers shaking Hands, c. 1840 (pen and wash on paper)

Two Lawyers shaking Hands, c. 1840 (pen and wash on paper)
5916308 Two Lawyers shaking Hands, c.1840 (pen and wash on paper) by Daumier, Honore (1808-79); 13.1x19 cm; Rijksmuseum, Amsterdam, The Netherlands; French, out of copyright

Background imageJoris Hoefnagel Collection: Plate 60: Flies and Other Insects, c.1575/80 (w/c, gouache & gold on vellum)

Plate 60: Flies and Other Insects, c.1575/80 (w/c, gouache & gold on vellum)
8703313 Plate 60: Flies and Other Insects, c.1575/80 (w/c, gouache & gold on vellum) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: The Walls of Jericho Fall Down, 1860 (engraving)

The Walls of Jericho Fall Down, 1860 (engraving)
1936315 The Walls of Jericho Fall Down, 1860 (engraving) by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: The Israelites process round Jericho)

Background imageJoris Hoefnagel Collection: View of Sevilla, c.1550 (engraving)

View of Sevilla, c.1550 (engraving)
1936217 View of Sevilla, c.1550 (engraving) by Hoefnagel, Joris (1542-1600); Bibliotheque Nationale, Paris, France; (add.info.: View of Sevilla, Spain)

Background imageJoris Hoefnagel Collection: Satirical illustration of the Spanish Inquisition (engraving)

Satirical illustration of the Spanish Inquisition (engraving)
IND388207 Satirical illustration of the Spanish Inquisition (engraving) by Dutch School, (16th century); Archivo General de Simancas, Valladolid

Background imageJoris Hoefnagel Collection: View of Santander, 1576 (engraving)

View of Santander, 1576 (engraving)
IND388202 View of Santander, 1576 (engraving) by Hoefnagel, Joris (1542-1600); Biblioteca Universidad, Salamanca, Spain; (add.info)

Background imageJoris Hoefnagel Collection: View of Alhama, 1576 (coloured engraving)

View of Alhama, 1576 (coloured engraving)
IND388204 View of Alhama, 1576 (coloured engraving) by Hoefnagel, Joris (1542-1600); Biblioteca Universidad, Salamanca, Spain; (add.info)

Background imageJoris Hoefnagel Collection: View of Bilbao, 1576 (engraving)

View of Bilbao, 1576 (engraving)
IND388203 View of Bilbao, 1576 (engraving) by Hoefnagel, Joris (1542-1600); Biblioteca Universidad, Salamanca, Spain; (add.info)

Background imageJoris Hoefnagel Collection: Shooting from the Place Vendome, after the dispersal of the demonstration in rue de la Paix, Paris

Shooting from the Place Vendome, after the dispersal of the demonstration in rue de la Paix, Paris
XIR382949 Shooting from the Place Vendome, after the dispersal of the demonstration in rue de la Paix, Paris, engraved by Burn Smeeton (fl.1840-60) 23rd March 1871 (engraving) (b/w photo) by Fichot

Background imageJoris Hoefnagel Collection: The Hungarian Fort of Papa at the time of the Ottoman sieges

The Hungarian Fort of Papa at the time of the Ottoman sieges, from Le Theatre du Monde by Georg Braun (1541-1622)
BMR285202 The Hungarian Fort of Papa at the time of the Ottoman sieges, from Le Theatre du Monde by Georg Braun (1541-1622) published in Cologne 1572-1618, 1617 (coloured engraving) by Hoefnagel

Background imageJoris Hoefnagel Collection: Snail, c. 1575-80 (watercolour and gouache)

Snail, c. 1575-80 (watercolour and gouache)
5916140 Snail, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Dragonfly, c. 1575-80 (watercolour and gouache)

Dragonfly, c. 1575-80 (watercolour and gouache)
5916138 Dragonfly, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Insect, c. 1575-80 (watercolour and gouache)

Insect, c. 1575-80 (watercolour and gouache)
5916135 Insect, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Landscape with a ruined Castle, and Cattle by a Pool (black chalk and watercolour

Landscape with a ruined Castle, and Cattle by a Pool (black chalk and watercolour
1217635 Landscape with a ruined Castle, and Cattle by a Pool (black chalk and watercolour, heightend with white, on pale buff paper) by Gainsborough, Thomas (1727-88); 21.8x31.8 cm; Ashmolean Museum

Background imageJoris Hoefnagel Collection: Extract from Christopher Wrens report on the design for the summit of the Monument

Extract from Christopher Wrens report on the design for the summit of the Monument
KDC384183 Extract from Christopher Wrens report on the design for the summit of the Monument to the Great Fire of London of 1666, 28 July 1675 (pen and ink on paper) by Wren

Background imageJoris Hoefnagel Collection: An apprentice fetching water from a fountain, 1598 (hand coloured copper engraving

An apprentice fetching water from a fountain, 1598 (hand coloured copper engraving
KDC384168 An apprentice fetching water from a fountain, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageJoris Hoefnagel Collection: Fishwives selling and gutting pike, 1598 (hand coloured copper engraving

Fishwives selling and gutting pike, 1598 (hand coloured copper engraving
KDC384166 Fishwives selling and gutting pike, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info)

Background imageJoris Hoefnagel Collection: Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs

Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs
KDC384163 Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageJoris Hoefnagel Collection: Votive axe used in playing pelota (stone)

Votive axe used in playing pelota (stone)
XJL379440 Votive axe used in playing pelota (stone) by Aztec; Museo Arqueologico, Mexico City, Mexico; out of copyright

Background imageJoris Hoefnagel Collection: Fete at Horseydown in c. 1590 (engraving)

Fete at Horseydown in c. 1590 (engraving)
CRD379396 Fete at Horseydown in c.1590 (engraving) by Hoefnagel, Joris (1542-1600); 19.5x23.8 cm; Croydon Art Collection, Museum of Croydon, UK; (add.info.: Drawn by Grignon; photographed by Dr)

Background imageJoris Hoefnagel Collection: Riga, Latvia (colour litho)

Riga, Latvia (colour litho)
2901917 Riga, Latvia (colour litho) by German School, (17th century); Private Collection; (add.info.: Inhabited by early Baltic tribes; settled by German merchants in 1158; Bishop Albert - of Livonia)

Background imageJoris Hoefnagel Collection: Elsinore, Denmark, from Civitates Orbis Terrarum

Elsinore, Denmark, from Civitates Orbis Terrarum
2901810 Elsinore, Denmark, from Civitates Orbis Terrarum by Georg Braun (1541-1622) and Frans Hogenburg (1535-90), c.1572 (coloured engraving) by Hoefnagel

Background imageJoris Hoefnagel Collection: Madonna and Child, 1470-80 (oil on panel)

Madonna and Child, 1470-80 (oil on panel)
5916302 Madonna and Child, 1470-80 (oil on panel) by Bellini, Giovanni (c.1431-1516) (attr.to); 55x49 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian, out of copyright

Background imageJoris Hoefnagel Collection: Butterfly, c. 1575-80 (watercolour and gouache)

Butterfly, c. 1575-80 (watercolour and gouache)
5916133 Butterfly, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Foregate, Strand, Entrance to Boswell Court - demolished for the site of the New Law

Foregate, Strand, Entrance to Boswell Court - demolished for the site of the New Law
BON123800 Foregate, Strand, Entrance to Boswell Court - demolished for the site of the New Law Courts, 1868 (oil on canvas) by Landells

Background imageJoris Hoefnagel Collection: View of Nonsuch Palace in Surrey, 1567-8 (w / c on paper)

View of Nonsuch Palace in Surrey, 1567-8 (w / c on paper)
MFN123746 View of Nonsuch Palace in Surrey, 1567-8 (w/c on paper) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info)

Background imageJoris Hoefnagel Collection: The Sappho off Sandy Hook Lightship, 1870 (oil on canvas)

The Sappho off Sandy Hook Lightship, 1870 (oil on canvas)
NUL385948 The Sappho off Sandy Hook Lightship, 1870 (oil on canvas) by Jacobsen, Antonio (1850-1921); 19x29 cm; Private Collection; American, out of copyright

Background imageJoris Hoefnagel Collection: English women of the Elizabethan era, 1598 (hand coloured copper engraving

English women of the Elizabethan era, 1598 (hand coloured copper engraving
KDC384164 English women of the Elizabethan era, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info.: L to R)

Background imageJoris Hoefnagel Collection: The Flower Girl (oil on canvas)

The Flower Girl (oil on canvas)
BON324186 The Flower Girl (oil on canvas) by Zoffany, Johann (1733-1810); Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageJoris Hoefnagel Collection: Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society

Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society
KDC324184 Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society, 1598 (hand coloured copper engraving) by Hoefnagel

Background imageJoris Hoefnagel Collection: Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not

Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not
KDC384181 Handwriting and signature of Alexander Pope from a letter to Lord Halifax asking him not to forget his translation of Homer

Background imageJoris Hoefnagel Collection: Country folk going to market, 1598 (hand coloured copper engraving) (detail of 324184)

Country folk going to market, 1598 (hand coloured copper engraving) (detail of 324184)
KDC384165 Country folk going to market, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info)

Background imageJoris Hoefnagel Collection: English women of the Elizabethan era, 1598 (hand coloured copper engraving)

English women of the Elizabethan era, 1598 (hand coloured copper engraving)
KDC384161 English women of the Elizabethan era, 1598 (hand coloured copper engraving) by Hoefnagel, Joris (1542-1600); Private Collection; (add.info.: L to R:English maiden, wives of merchants)

Background imageJoris Hoefnagel Collection: Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving

Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving
KDC384160 Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageJoris Hoefnagel Collection: Caiazzo (province of Caserta), Italy, 1597 (engraving, 1598)

Caiazzo (province of Caserta), Italy, 1597 (engraving, 1598)
LRI4715761 Caiazzo (province of Caserta), Italy, 1597 (engraving, 1598) by Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90); Private Collection; (add.info.: Caiazzo (province of Caserta)

Background imageJoris Hoefnagel Collection: Venice, Italy: church of St Mark and the fire at the Venetian Doge

Venice, Italy: church of St Mark and the fire at the Venetian Doge
LRI4715673 Venice, Italy: church of St Mark and the fire at the Venetian Doges palace in 1577 (drawing, 1578) (engraving, 1598) by Hoefnagel

Background imageJoris Hoefnagel Collection: Column capitals in the shape of the head of the deity cow Hathor. (photography)

Column capitals in the shape of the head of the deity cow Hathor. (photography)
LRI4682105 Column capitals in the shape of the head of the deity cow Hathor. (photography) by Egyptian 18th Dynasty (c.1567-1320 BC); Deir El-Bahri, Thebes

Background imageJoris Hoefnagel Collection: Wedding party in Berdmondsey Painting by Georges Hoefnagel (1542-1601) (ec. engl

Wedding party in Berdmondsey Painting by Georges Hoefnagel (1542-1601) (ec. engl
JLJ4682088 Wedding party in Berdmondsey Painting by Georges Hoefnagel (1542-1601) (ec.engl.) 1600 Private collection by Hoefnagel

Background imageJoris Hoefnagel Collection: A village festival with elegantly dressed figures in procession

A village festival with elegantly dressed figures in procession
2957404 A village festival with elegantly dressed figures in procession, a river and tower beyond (oil on panel) by Hoefnagel

Background imageJoris Hoefnagel Collection: Page 71. 1, 2. Meliphaga. 3. ? at lower centre in different hand Natural size

Page 71. 1, 2. Meliphaga. 3. ? at lower centre in different hand Natural size
5670711 Page 71. 1, 2. Meliphaga. 3. ? at lower centre in different hand Natural size. Three birds are shown: 1. White, Naped Honeyeater (Melithreptus lunatus); A2

Background imageJoris Hoefnagel Collection: 'Venus disarming Amor'in a medallion surrounded by plants, fruits

"Venus disarming Amor"in a medallion surrounded by plants, fruits
5675863 " Venus disarming Amor" in a medallion surrounded by plants, fruits, insects and shellfish, c. 1595 (w/c and bodycolour) by Hoefnagel

Background imageJoris Hoefnagel Collection: The Whale-oil Refinery near the Village of Smerenburg, 1639 (oil on canvas)

The Whale-oil Refinery near the Village of Smerenburg, 1639 (oil on canvas)
5916307 The Whale-oil Refinery near the Village of Smerenburg, 1639 (oil on canvas) by Man, Cornelis de (1621-1706); 108x205 cm; Rijksmuseum, Amsterdam

Background imageJoris Hoefnagel Collection: Shellfish, c. 1575-80 (watercolour and gouache)

Shellfish, c. 1575-80 (watercolour and gouache)
5916298 Shellfish, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Insects, c. 1575-80 (watercolour and gouache)

Insects, c. 1575-80 (watercolour and gouache)
5916137 Insects, c.1575-80 (watercolour and gouache) by Hoefnagel, Joris (1542-1600); 14.3x18.4 cm; National Gallery of Art, Washington DC

Background imageJoris Hoefnagel Collection: Description of the Palace of Nonesuch, English people, their appearance and customs

Description of the Palace of Nonesuch, English people, their appearance and customs
KDC384169 Description of the Palace of Nonesuch, English people, their appearance and customs, manner of selling fish in England and description of the system of apprenticeship

Background imageJoris Hoefnagel Collection: Country folk going to market, fishwives selling pike and an apprentice fetching water

Country folk going to market, fishwives selling pike and an apprentice fetching water
KDC384162 Country folk going to market, fishwives selling pike and an apprentice fetching water from a fountain, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel



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