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The Annunciation, c. 1860 (stained glass)

The Annunciation, c. 1860 (stained glass)


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The Annunciation, c. 1860 (stained glass)

3474717 The Annunciation, c.1860 (stained glass) by Burne-Jones, Edward Coley (1833-98); St.Columbas Church, Topcliffe, North Yorkshire, UK; (add.info.: Manufactured by Lavers & Barraud
adapted from William Burges, Butterfield); eAlastair Carew-Cox; English, out of copyright

Media ID 22726796

© Alastair Carew-Cox / Bridgeman Images

Annunciation Bright Church Window Dove Gothic Revival Gothick Neo Gothic Roses Stained Glass Window Victorian Gothic Ecclesiastical Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Fishes > C > Coley

> Arts > Art Movements > Related Images

> Arts > Artists > B > Edward Coley Burne-Jones

> Europe > United Kingdom > England > North Yorkshire > Related Images

> Europe > United Kingdom > England > Yorkshire > Topcliffe

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > John Thomas Grylls

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This print showcases "The Annunciation, c. 1860" a stunning stained glass window created by the renowned artist Edward Coley Burne-Jones. Located in St. Columbas Church, Topcliffe, North Yorkshire, UK, this masterpiece is a true testament to the beauty of religious art. Manufactured by Lavers & Barraud and adapted from William Burges' design with elements by Butterfield, this neo-gothic creation is a harmonious blend of intricate details and vibrant colors. The image captures a momentous scene as depicted in Christian tradition - the angel Gabriel announcing to the Virgin Mary that she will conceive and give birth to Jesus. In this mesmerizing composition, we see Mary kneeling gracefully amidst an enchanting garden filled with blooming flowers and roses. A dove hovers above her head symbolizing purity while adding an ethereal touch to the artwork. The pre-Raphaelite influence is evident through its meticulous attention to botanical accuracy and naturalistic depiction of flora. With its Victorian gothic revival style, this stained glass window exemplifies British art at its finest. Its bright hues and exquisite craftsmanship make it a visual delight for both art enthusiasts and devotees alike. Through Alastair Carew-Cox's lens, we are able to appreciate every intricate detail of this remarkable piece without losing any essence or charm. This print serves as a timeless reminder of the profound impact that religious art can have on our souls.

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