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The Sacrifice of Abraham, 1861 (stained glass)

The Sacrifice of Abraham, 1861 (stained glass)


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The Sacrifice of Abraham, 1861 (stained glass)

3474806 The Sacrifice of Abraham, 1861 (stained glass) by Allen, John Millner (1827-1902); Church of St.Andrew, Kimbolton, Cambridgeshire, UK; (add.info.: Manufactured by Lavers & Barraud); eAlastair Carew-Cox; English, out of copyright

Media ID 22443664

© Alastair Carew-Cox / Bridgeman Images

Abraham Bright Church Window Gothic Revival Gothick Neo Gothic Sacrifice Stained Glass Window Victorian Gothic Ecclesiastical Pre Raphaelite


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> Arts > Art Movements > Related Images

> Arts > Artists > Related Images

> Europe > United Kingdom > England > Cambridgeshire > Kimbolton

> Europe > United Kingdom > Scotland > Fife > St Andrews

> Fine Art Finder > Artists > John Millner Allen

> Fine Art Finder > Stained Glass

> Popular Themes > St Andrews


EDITORS COMMENTS
This print showcases "The Sacrifice of Abraham" a stunning stained glass window created in 1861 by John Millner Allen. The artwork is located in the Church of St. Andrew, nestled in the picturesque village of Kimbolton, Cambridgeshire, UK. Crafted by renowned manufacturers Lavers & Barraud, this neo-gothic masterpiece exemplifies the art movement prevalent during the Victorian era. The image captures a moment frozen in time within this ecclesiastical marvel. A vibrant array of colors illuminates the scene as an angel hovers above Abraham and his son Isaac. The intricate details and meticulous craftsmanship transport viewers to a different era. With its pre-Raphaelite influences and gothic revival elements, this stained glass window stands as a testament to British artistry at its finest. It exudes both brightness and solemnity simultaneously, evoking emotions that resonate deeply with those who behold it. "The Sacrifice of Abraham" serves as a visual reminder of faith and sacrifice while embodying the essence of Victorian gothic aesthetics. Its presence within the church adds an ethereal ambiance that captivates visitors from all walks of life. Through Alastair Carew-Cox's lens, we are granted access to appreciate this remarkable piece without any commercial implications but rather purely for its artistic value and historical significance

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