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Untitled [Kneeling figure and two angels] (pencil)
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Untitled [Kneeling figure and two angels] (pencil)
6200416 Untitled [Kneeling figure and two angels] (pencil) by Duncan, John (1866-1945); 20.3x12.7 cm; The McManus, Dundee, UK; (add.info.: Sketch book with the number 13 written on the front cover, containing 60 sketches and illustrations; writings on tempera paint and artists including Botticelli, by John Duncan (1866-1945)
Purchased 1981 with support from the National Fund for Acquisitions); Dundee Art Galleries and Museums; Scottish, out of copyright
Media ID 23289638
© Dundee Art Galleries and Museums / Bridgeman Images
19 19th Xix Xixth Nineteenth Century Blessed Blessings Doves Halos Oceans Peace Pencil Seas Sketchbook
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This print titled "Untitled [Kneeling figure and two angels]" by John Duncan takes us on a journey into the realm of spirituality and artistry. The image showcases a beautifully detailed pencil sketch, measuring 20.3x12.7 cm, depicting a kneeling figure surrounded by two ethereal angels. The artwork is part of Duncan's sketchbook, marked with the number 13 on its front cover, which contains an impressive collection of 60 sketches and illustrations. This particular piece stands out for its intricate details and delicate lines that bring life to the figures portrayed. Set against a coastal backdrop, this Scottish masterpiece evokes a sense of tranquility as it explores themes of faith and devotion. The artist's mastery in capturing the essence of prayer is evident through the halos adorning both the central figure and celestial beings. With doves symbolizing peace hovering above them, these blessed characters seem to be immersed in their own spiritual connection with higher realms. Through his skillful use of pencil strokes, Duncan manages to convey not only religious symbolism but also evoke emotions within viewers. Acquired by The McManus museum in Dundee in 1981 with support from the National Fund for Acquisitions, this work continues to inspire awe among art enthusiasts worldwide. It serves as a testament to Duncan's talent as well as his deep understanding of British artistic traditions while leaving room for personal interpretation and reflection on one's own spiritual journey.
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