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A Dirty Trick, bespattering Decent People (engraving)

A Dirty Trick, bespattering Decent People (engraving)


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A Dirty Trick, bespattering Decent People (engraving)

2777157 A Dirty Trick, bespattering Decent People (engraving) by English School, (19th century); Private Collection; (add.info.: A Dirty Trick, bespattering Decent People. Cartoon, 5 March 1853. Illustration for Benjamin Disraeli, Earl of Beaconsfield from the Collection of Mr Punch (Punch, 1878).); Look and Learn / George Collection

Media ID 22990936

© Look and Learn / George Collection / Bridgeman Images

1853 Benjamin Disraeli Loss Office


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> Arts > Artists > Related Images

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Politics

> Europe > United Kingdom > England > London > Politics > Benjamin Disraeli

> Europe > United Kingdom > England > Politics

> Europe > United Kingdom > Scotland > Aberdeenshire > Aberdeen

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> Humour > Cartoon

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A Dirty Trick, bespattering Decent People

EDITORS COMMENTS
is a captivating engraving from the 19th century that offers a satirical commentary on the political landscape of England. This humorous and amusing cartoon, created in 1853, depicts Benjamin Disraeli, Earl of Beaconsfield, as he cunningly plays dirty tricks on his opponents. The artwork showcases the unsparing nature of British politics during this time period. With clever wit and scathing satire, it highlights the loss of decency and integrity within the office. The artist's skillful use of caricature captures both the essence of Disraeli's character and the absurdity of his actions. Set against a backdrop representing Germany and Europe, this satirical drawing also reflects broader political tensions between nations. It exposes not only Disraeli's manipulative tactics but also criticizes Lord Aberdeen's coalition ministry. Through its clever composition and attention to detail, this print provides an insightful glimpse into English society during a significant era in history. Its portrayal of "decent people" being bespattered by dirty tricks serves as a reminder that even those in positions of power are not immune to criticism or mockery. This artwork is part of Look and Learn / George Collection held privately. It stands as a testament to British culture at that time – witty, irreverent yet deeply rooted in political discourse.

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