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Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to
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Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to
STC181183 Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (w/c on paper) by Fabris, Pietro (fl.1768-78); Private Collection; (add.info.: drawn by Fabris at Paulilipo; Hamilton was British Ambassador to the Court of Naples 91764-1800); ); The Stapleton Collection; Italian, out of copyright
Media ID 23355664
© The Stapleton Collection / Bridgeman Images
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EDITORS COMMENTS
This print captures the dramatic eruption of Mount Vesuvius on Monday, 9th August 1779. Plate 3 from Sir William Hamilton's renowned publication "Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies" this image was published in 1776 and drawn by Pietro Fabris at Paulilipo. The scene depicts a landscape filled with billowing clouds of smoke, as Vesuvius unleashes its fury upon the Bay of Naples. The volcano's immense power is evident in the explosive eruption, sending lava bombs soaring through the air. The bay itself appears calm yet ominous, contrasting with the chaotic forces unleashed by nature. Sir William Hamilton, who served as British Ambassador to the Court of Naples during his illustrious career, witnessed several volcanic eruptions firsthand. His observations and experiences were meticulously documented in his book, making it an invaluable resource for understanding these natural phenomena. This print not only serves as a historical record but also showcases Fabris' artistic talent in capturing both the grandeur and terror associated with volcanic activity. It transports viewers back to a time when scientific exploration and discovery were intertwined with awe-inspiring natural events like this eruption. As part of The Stapleton Collection housed in a private collection today, this Italian masterpiece continues to inspire wonder and fascination among art enthusiasts worldwide. Its timeless appeal lies not only in its aesthetic beauty but also in its ability to evoke emotions tied to mankind's relationship with nature's raw power
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