Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Pietro Fabris

Pietro Fabris Collection

Choose a picture from our Pietro Fabris Collection for your Wall Art and Photo Gifts

124 items

Background imagePietro Fabris Collection: Le mariage romantique. Peinture de Jose Gutierrez De La Vega (1791-1865). Madrid. Musee romantique

Le mariage romantique. Peinture de Jose Gutierrez De La Vega (1791-1865). Madrid. Musee romantique
AIS5374037 Le mariage romantique. Peinture de Jose Gutierrez De La Vega (1791-1865). Madrid. Musee romantique. by Gutierrez de la Vega, Jose (1791-1865); © Iberfoto

Background imagePietro Fabris Collection: A Shipowner and a Lady detail of a genre painting, 18th (painting)

A Shipowner and a Lady detail of a genre painting, 18th (painting)
LRI4643752 A Shipowner and a Lady detail of a genre painting, 18th (painting) by Fabris, Pietro (fl.1768-78); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imagePietro Fabris Collection: Le depart de Charles III d Espagne (Carlos III) (1716-1788) de la baie de Naples (Italie)

Le depart de Charles III d Espagne (Carlos III) (1716-1788) de la baie de Naples (Italie)
AIS5373441 Le depart de Charles III d Espagne (Carlos III) (1716-1788) de la baie de Naples (Italie). Peinture de Pietro Fabris (1756-1779), huile sur toile, 18eme siecle

Background imagePietro Fabris Collection: Painting depicting the temples of Paestum, current Capaccio

Painting depicting the temples of Paestum, current Capaccio
GIA4815515 Painting depicting the temples of Paestum, current Capaccio. by Unknown Artist, (19th century); Private Collection; (add.info.: Painting depicting the temples of Paestum)

Background imagePietro Fabris Collection: The cripples A crowd of poor and infirm in a city (in Flanders?) (Court of Miracles)

The cripples A crowd of poor and infirm in a city (in Flanders?) (Court of Miracles)
JLJ4643770 The cripples A crowd of poor and infirm in a city (in Flanders?) (Court of Miracles). Painting by Martin van Cleve (1527-1581) 16th century Troyes, Musee des Beaux Arts by Cleve

Background imagePietro Fabris Collection: Banquet scene in Posillipo (Pausilippe) Naples Detail of aristocrats picnicking - Banquet

Banquet scene in Posillipo (Pausilippe) Naples Detail of aristocrats picnicking - Banquet
LRI4643757 Banquet scene in Posillipo (Pausilippe) Naples Detail of aristocrats picnicking - Banquet in Posillipo - Detail of aristocrats - Painting by Pietro Fabris 18th century Museo Nazionale di

Background imagePietro Fabris Collection: The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century)

The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century)
LRI4643724 The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century) by Volaire, Pierre Jacques (1729-c.1802); Museo di Capodimonte, Naples, Campania

Background imagePietro Fabris Collection: Dance scene and popular party in Naples Detail. Tarantella dancers (tarantella

Dance scene and popular party in Naples Detail. Tarantella dancers (tarantella
LRI4643688 Dance scene and popular party in Naples Detail. Tarantella dancers (tarantella, tarantella). Painting by Pietro Fabris (active between 1763 and 1776) 18th century Naples

Background imagePietro Fabris Collection: The Carnival in Naples in 1778, with the Cavalcata turca

The Carnival in Naples in 1778, with the Cavalcata turca
3086229 The Carnival in Naples in 1778, with the Cavalcata turca parading through the Largo di Palazzo, c.1778 (oil on canvas) by Fabris

Background imagePietro Fabris Collection: Dead Confederate Soldier in a Trench, c. 1865 (photogravure)

Dead Confederate Soldier in a Trench, c. 1865 (photogravure)
3328030 Dead Confederate Soldier in a Trench, c.1865 (photogravure) by American Photographer, (19th century); Private Collection; The Stapleton Collection; American, out of copyright

Background imagePietro Fabris Collection: Front cover, 1930s (colour litho)

Front cover, 1930s (colour litho)
2920148 Front cover, 1930s (colour litho) by Rainey, William (1852-1936); Private Collection; (add.info.: The Mill on the Floss published by Thomas Nelson & Sons circa 1930s William Rainey (1852-1936)

Background imagePietro Fabris Collection: Plate XXXVIII from Campi Phlegraei: Observations of the Volcanoes of the two

Plate XXXVIII from Campi Phlegraei: Observations of the Volcanoes of the two
2919848 Plate XXXVIII from Campi Phlegraei: Observations of the Volcanoes of the two Sicilies by William Hamilton, 1776 (w/c on paper) by Fabris

Background imagePietro Fabris Collection: Vitrifications, and other Volcanic productions, Plate LII

Vitrifications, and other Volcanic productions, Plate LII
1275130 Vitrifications, and other Volcanic productions, Plate LII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Lava, Scoria, and Pumice stones of Mount Versuvius, Plate LI

Lava, Scoria, and Pumice stones of Mount Versuvius, Plate LI
1275129 Lava, Scoria, and Pumice stones of Mount Versuvius, Plate LI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Piece of marble composed of fragments of various sorts of marble found in the Fossa

Piece of marble composed of fragments of various sorts of marble found in the Fossa
1275125 Piece of marble composed of fragments of various sorts of marble found in the Fossa Grande, Plate XXXXVII: from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX

View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX
1275111 View of the Lake Avernus from the road between Puzzoli and Cuma, Plate XXIX, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Entrance of the Grotta of Pausilipo, Plate XVI, from Campi Phlegraei

Entrance of the Grotta of Pausilipo, Plate XVI, from Campi Phlegraei
1275099 Entrance of the Grotta of Pausilipo, Plate XVI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: View of the Monte S. Angelo on which there is a Convent of Camaldolefi Monks, Plate XI

View of the Monte S. Angelo on which there is a Convent of Camaldolefi Monks, Plate XI
1275096 View of the Monte S. Angelo on which there is a Convent of Camaldolefi Monks, Plate XI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: The Chinese House, the Rotunda and the Company in Masquerade in Ranelagh Gardens

The Chinese House, the Rotunda and the Company in Masquerade in Ranelagh Gardens
STC181193 The Chinese House, the Rotunda and the Company in Masquerade in Ranelagh Gardens (coloured aquatint) by Bowles, John (1701-79); Private Collection; (add.info)

Background imagePietro Fabris Collection: Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to

Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to
STC181183 Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Art Mesopotamia: Statue of Intendant Ebih-il. Sculpture of albaster, shell

Art Mesopotamia: Statue of Intendant Ebih-il. Sculpture of albaster, shell
JLJ4669093 Art Mesopotamia: Statue of Intendant Ebih-il. Sculpture of albaster, shell, lapis-lazuli and schist, Around 2500 BC (Sumerian period, around 2900-2200 BC). From Mari. Height: 0.525 m

Background imagePietro Fabris Collection: Italian ball game in interior, 18th century (painting)

Italian ball game in interior, 18th century (painting)
LRI4669066 Italian ball game in interior, 18th century (painting) by Fabris, Pietro (fl.1768-78); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imagePietro Fabris Collection: Portrait of Charles VII (1403 - 1461), King of France engraving of 1830

Portrait of Charles VII (1403 - 1461), King of France engraving of 1830
GIA4745202 Portrait of Charles VII (1403 - 1461), King of France engraving of 1830 by Unknown Artist, (19th century); Private Collection; (add.info.: Portrait of Charles VII (1403 - 1461)

Background imagePietro Fabris Collection: A battle of gladiators. 1st century (low relief)

A battle of gladiators. 1st century (low relief)
LRI4641837 A battle of gladiators. 1st century (low relief) by Roman, (1st century AD); Museo della Civilta Romana, Rome, Italy; (add.info.: Roman art: low relief representing a battle of gladiators)

Background imagePietro Fabris Collection: Banquet scene in Posillipo (Pausilippe) Naples Detail of fishermen - Banquet in Posillipo

Banquet scene in Posillipo (Pausilippe) Naples Detail of fishermen - Banquet in Posillipo
LRI4643705 Banquet scene in Posillipo (Pausilippe) Naples Detail of fishermen - Banquet in Posillipo - Detail of fishermen - Painting by Pietro Fabris 18th century Museo Nazionale di San Martino

Background imagePietro Fabris Collection: The Labourer and his Children, 1897 (oil on canvas)

The Labourer and his Children, 1897 (oil on canvas)
XRZ188776 The Labourer and his Children, 1897 (oil on canvas) by David-Nillet, Germain (1861-1932); 180x196 cm; Musee Crozatier, Le Puy-en-Velay

Background imagePietro Fabris Collection: View of the Italian coast from near Puzzoli, plate 26 from Campi Phlegraei

View of the Italian coast from near Puzzoli, plate 26 from Campi Phlegraei
STC188687 View of the Italian coast from near Puzzoli, plate 26 from Campi Phlegraei: Observations of the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: Excavations of a thick stratum of lava which ran into the sea during the eruption of

Excavations of a thick stratum of lava which ran into the sea during the eruption of
STC188684 Excavations of a thick stratum of lava which ran into the sea during the eruption of Mount Vesuvius in 1631, plate 8 from Campi Phlegraei: Observatoins on the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: Hampton House, engraved by Richard Gilson Reeve (1803-89), published 1828 (colour litho)

Hampton House, engraved by Richard Gilson Reeve (1803-89), published 1828 (colour litho)
STC181189 Hampton House, engraved by Richard Gilson Reeve (1803-89), published 1828 (colour litho) by Westall, William (1781-1850) (after); Private Collection; (add.info)

Background imagePietro Fabris Collection: View of the Atrio di Cavallo between Somma and Vesuvius

View of the Atrio di Cavallo between Somma and Vesuvius
STC181186 View of the Atrio di Cavallo between Somma and Vesuvius, plate 33 from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Vesuvius in Snow, plate V from Campi Phlegraei: Observations on the Volcanoes of

Vesuvius in Snow, plate V from Campi Phlegraei: Observations on the Volcanoes of
STC181182 Vesuvius in Snow, plate V from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (w/c on paper) by Fabris

Background imagePietro Fabris Collection: The capture of Teutobochus, a legendary giant and king of the Teutons

The capture of Teutobochus, a legendary giant and king of the Teutons
3672506 The capture of Teutobochus, a legendary giant and king of the Teutons, from Ward and Locks Illustrated History of the World, pub

Background imagePietro Fabris Collection: Dr. Johnson at the Mitre, 1860 (pen & black ink on paper)

Dr. Johnson at the Mitre, 1860 (pen & black ink on paper)
1202911 Dr. Johnson at the Mitre, 1860 (pen & black ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.2x21.7 cm; Fitzwilliam Museum, University of Cambridge

Background imagePietro Fabris Collection: View of Hamilton escorting their Sicilian majesties on 11th May 1771

View of Hamilton escorting their Sicilian majesties on 11th May 1771
1202337 View of Hamilton escorting their Sicilian majesties on 11th May 1771, to observe the lava flow from the great eruption of Vesuvius

Background imagePietro Fabris Collection: Specimens of volcanic matter, from Campi Phlegraei

Specimens of volcanic matter, from Campi Phlegraei
1275135 Specimens of volcanic matter, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (hand coloured engraving) by Fabris

Background imagePietro Fabris Collection: View of a part of the inside of the cone of the mountain of Somma, Plate XXXV

View of a part of the inside of the cone of the mountain of Somma, Plate XXXV
1275116 View of a part of the inside of the cone of the mountain of Somma, Plate XXXV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: View from the sea of the promontory, Capo dell Arco in the island of Ventotiene

View from the sea of the promontory, Capo dell Arco in the island of Ventotiene
1275115 View from the sea of the promontory, Capo dell Arco in the island of Ventotiene, Plate XXXI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: View of the Porto Pavone in the island of Nisida, Plate XXII from Campi Phlegraei

View of the Porto Pavone in the island of Nisida, Plate XXII from Campi Phlegraei
1275105 View of the Porto Pavone in the island of Nisida, Plate XXII from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: View of Mount Veusvius form the sea shore, from Campi Phlegraei

View of Mount Veusvius form the sea shore, from Campi Phlegraei
1275095 View of Mount Veusvius form the sea shore, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Map of Gulf of Gaeta from Campi Phlegraei: Observations on the Volcanoes of the Two

Map of Gulf of Gaeta from Campi Phlegraei: Observations on the Volcanoes of the Two
1275092 Map of Gulf of Gaeta from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (hand coloured engraving) by Fabris

Background imagePietro Fabris Collection: Stones of crystals called Gems of Mount Vesuvius, Plate LIIII

Stones of crystals called Gems of Mount Vesuvius, Plate LIIII
1275131 Stones of crystals called Gems of Mount Vesuvius, Plate LIIII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Specimen of the lavas of Vesuvius polished, Plate XXXXIX

Specimen of the lavas of Vesuvius polished, Plate XXXXIX
1275127 Specimen of the lavas of Vesuvius polished, Plate XXXXIX, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI

Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI
1275124 Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Specimens of Tufa found in and around Herculaneum, Plate XXXXV

Specimens of Tufa found in and around Herculaneum, Plate XXXXV
1275123 Specimens of Tufa found in and around Herculaneum, Plate XXXXV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: Specimens of volcanic matter taken from the inside of the crater of Vesuvius

Specimens of volcanic matter taken from the inside of the crater of Vesuvius
1275122 Specimens of volcanic matter taken from the inside of the crater of Vesuvius, Plate XXXXIV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imagePietro Fabris Collection: Interior view of one of the deepest hollow ways cut by the torrents of the rain water

Interior view of one of the deepest hollow ways cut by the torrents of the rain water
1275118 Interior view of one of the deepest hollow ways cut by the torrents of the rain water on the flanks of Mount Vesuvius, Plate XXXIX

Background imagePietro Fabris Collection: A birds eye view of the territory raised by Volcanic Explosions, Plate XXXI

A birds eye view of the territory raised by Volcanic Explosions, Plate XXXI
1275113 A birds eye view of the territory raised by Volcanic Explosions, Plate XXXI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imagePietro Fabris Collection: View of the Island of Ischia from the sea, Plate XXX, from Campi Phlegraei

View of the Island of Ischia from the sea, Plate XXX, from Campi Phlegraei
1275112 View of the Island of Ischia from the sea, Plate XXX, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site