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The Relief of Ekowe, the Battle of Ginghilova, the Zulus attacking Lord Chelmsfords Camp, 2 April (engraving)
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The Relief of Ekowe, the Battle of Ginghilova, the Zulus attacking Lord Chelmsfords Camp, 2 April (engraving)
1059031 The Relief of Ekowe, the Battle of Ginghilova, the Zulus attacking Lord Chelmsfords Camp, 2 April (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: The Relief of Ekowe, the Battle of Ginghilova, the Zulus attacking Lord Chelmsfords Camp, 2 April. Illustration for The Graphic, 17 May 1879.); Look and Learn / Illustrated Papers Collection
Media ID 25146460
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
2 April Durand Godefroy 1832 1896 Godefroy Durand Military Camps Relief Of Ekowe Zulus
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The Relief of Ekowe, the Battle of Ginghilova, the Zulus attacking Lord Chelmsfords Camp, 2 April
EDITORS COMMENTS
is a captivating engraving by French artist Durand Godefroy. This artwork depicts a pivotal moment in history during the late 19th century when tensions were high between British forces and the Zulu warriors in South Africa. The scene showcases the intensity and chaos of battle as Zulu fighters launch a fierce attack on Lord Chelmsford's camp. The artist skillfully captures the energy and movement of this conflict, with soldiers engaged in hand-to-hand combat while others desperately defend their positions. The title refers to two significant events that occurred on April 2nd: The Relief of Ekowe and the Battle of Ginghilova. These historical moments marked important turning points in the larger conflict between British colonial forces and indigenous tribes. Durand Godefroy's attention to detail brings this dramatic scene to life, allowing viewers to immerse themselves in this tumultuous period. Through his artistry, he not only portrays an intense battle but also highlights themes such as military strategy, cultural clashes, and imperialism. This engraving was originally published in "The Graphic" on May 17th, 1879. It serves as both a historical record and a testament to Godefroy's artistic talent. Today, it remains an important piece within private collections worldwide for its depiction of one chapter in South African history that continues to resonate with audiences today.
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