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Leo Belgicus, showing the Low Countries in the shape of a lion
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Leo Belgicus, showing the Low Countries in the shape of a lion
985836 Leo Belgicus, showing the Low Countries in the shape of a lion, 1586 (hand-coloured engraving) by Austrian School, (16th century); 36.8x44.4 cm; Private Collection; (add.info.: Leo Belgicus, showing the Low Countries in the shape of a lion. An engraved map from De Leone Belgico. After Michael Eytzinger (born c.1530-1598). Hand-coloured engraving. Made in Cologne in 1586. 36.8 x 44.4cm.); Photo eChristies Images; Austrian, out of copyright
Media ID 22491644
© Christie's Images / Bridgeman Images
Animal Likeness Big Cat Date Engraved Feline Form Geographic Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Language Low Countries Navigational Equipment Northern Numeral Prints Representation Shape Shaped 1586 Handcoloured
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EDITORS COMMENTS
This print showcases the iconic "Leo Belgicus" a map depicting the Low Countries in the shape of a majestic lion. Created by the Austrian School in the 16th century, this hand-coloured engraving measures 36.8x44.4 cm and is part of a private collection. The Leo Belgicus map was inspired by Michael Eytzinger's work and was made in Cologne in 1586. Its intricate details and vibrant colours make it a true masterpiece. The close-up view allows us to appreciate every stroke of hand tinting that brings this historic representation to life. The significance of this map lies not only in its artistic value but also its navigational importance during that time period. It served as a tool for sailors and explorers, guiding them through the Northern European region known as the Low Countries. As we examine this piece closely, we can observe various elements such as numerals, text, and geographic features meticulously incorporated into its design. The clever use of animal likeness adds an intriguing touch to this cartographic gem. Through its expertly engraved lines and exquisite hand colouring techniques, this print transports us back to an era when maps were both practical tools for navigation and works of art meant to inspire wonderment about our world's vast geography.
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