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The monks of Christchurch expelled, 14 July 1207, from A Chronicle of England BC 55 to AD

The monks of Christchurch expelled, 14 July 1207, from A Chronicle of England BC 55 to AD


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The monks of Christchurch expelled, 14 July 1207, from A Chronicle of England BC 55 to AD

984748 The monks of Christchurch expelled, 14 July 1207, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho) by Doyle, James William Edmund (1822-92); Private Collection; (add.info.: Fulk de Cantelupe (d.1217) and Henry de Cornhill (1120-70) expel the monks of Christchurch with drawn swords on orders of King John (1167-1216) in anger at the consecration of Cardinal Stephen Langton (1150-1228).); The Stapleton Collection; British, out of copyright

Media ID 22307352

© The Stapleton Collection / Bridgeman Images

Chain Mail Christchurch Cowl Crook Crooks Expelled Expulsion Fleur De Lys Guard Guards Intolerance Monasteries Monastery Persecution Swords Cowls Monks


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The Monks of Christchurch Expelled - A Moment of Religious Intolerance in Medieval England

EDITORS COMMENTS
. This print captures a pivotal moment in English history, depicting the dramatic expulsion of the monks of Christchurch on 14 July 1207. The scene unfolds with Fulk de Cantelupe and Henry de Cornhill, armed with drawn swords, forcefully evicting the monks from their sanctuary. This act was carried out under the orders of King John, who was infuriated by the consecration of Cardinal Stephen Langton. The image showcases the clash between religious power and political authority during this tumultuous period. The monks, dressed in their traditional cowls and chain mail armor, stand defiantly against their oppressors. In contrast, guards armed with swords protectively surround them. Symbolism abounds within this artwork; notice how a fleur-de-lys emblem adorns one monk's robe—a poignant reminder of loyalty to both church and state. The tension is palpable as Christianity itself becomes entangled in acts of persecution. Through this vivid portrayal, artist James William Edmund Doyle transports us back to an era marked by religious strife and intolerance. It serves as a stark reminder that even within sacred spaces like monasteries, no institution or individual was immune to political manipulation or retribution. This historical photograph offers viewers a glimpse into a defining moment where faith clashed with power—an enduring testament to human resilience amidst adversity.

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