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The Cradle of the Wills Tobacco Firm, Mary-le-Port Street, Bristol, c
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The Cradle of the Wills Tobacco Firm, Mary-le-Port Street, Bristol, c
2831021 The Cradle of the Wills Tobacco Firm, Mary-le-Port Street, Bristol, c.1902 (oil on canvas) by Titcomb, William Holt Yates (1858-1930); 89.9x68.6 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Imperial Tobacco Ltd, 2002.; English, out of copyright
Media ID 22990348
© Bristol Museums, Galleries & Archives Given by Imperial Tobacco Ltd, 2002. / Bridgeman Images
Baskets Bristol Carts Shops Tobacco Towns
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The Cradle of the Wills Tobacco Firm, Mary-le-Port Street, Bristol
EDITORS COMMENTS
is a captivating snapshot of early 20th-century England. Painted by William Holt Yates Titcomb in 1902, this oil on canvas print captures the essence of bustling street life in Bristol. The scene unfolds with intricate details - figures and carts fill the narrow streets as people go about their daily routines. The tobacco shop stands proudly amidst a row of charming buildings, its sign proudly displaying "Cradle of the Wills". Baskets brimming with tobacco leaves are neatly arranged outside, inviting passersby to indulge in this popular British pastime. Titcomb's skillful brushwork brings every element to life; from the textures of cobblestone streets to the vibrant colors adorning each building facade. This painting serves as a time capsule, transporting viewers back to an era when small towns like Bristol were thriving centers of commerce and community. Preserved at the Bristol Museum and Art Gallery since its acquisition by Imperial Tobacco Ltd in 2002, this artwork showcases not only artistic talent but also historical significance. It reminds us that behind every iconic brand lies a rich heritage rooted in local craftsmanship and entrepreneurial spirit. As we gaze upon "The Cradle of the Wills Tobacco Firm" we are reminded that art has the power to capture moments frozen in time - allowing us to appreciate both beauty and history simultaneously.
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