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Allegorie to the revocation of the Edit de Nantes in October 1685 The central character
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Allegorie to the revocation of the Edit de Nantes in October 1685 The central character
JLJ4587265 Allegorie to the revocation of the Edit de Nantes in October 1685 The central character represents Basville (dragon man), intendant of Languedoc, taking away their last clothes from the Huguenots. He facilitated the establishment of dragonnades aimed at converting Protestants. They leave France under the protection of Mercury. Louis XIV in Midas. Madame de Maintenon holds the torch. Francoise d Aubigne, Marquise de Maintenon, converted to Catholicism and enlightened the way. Painting by Louis Cheron (1660-1715) 17th century Paris, Musee du Protestantisme by Cheron, Louis (1660-1725); Bibliotheque de la Societe de l Histoire du Protestantisme Francais, Paris, France; (add.info.: Allegorie to the revocation of the Edit de Nantes in October 1685 The central character represents Basville (dragon man), intendant of Languedoc, taking away their last clothes from the Huguenots. He facilitated the establishment of dragonnades aimed at converting Protestants. They leave France under the protection of Mercury. Louis XIV in Midas. Madame de Maintenon holds the torch. Francoise d Aubigne, Marquise de Maintenon, converted to Catholicism and enlightened the way. Painting by Louis Cheron (1660-1715) 17th century Paris, Musee du Protestantisme); Photo ePhoto Josse; French, out of copyright
Media ID 22540142
© Josse / Bridgeman Images
Chain Christendom Defeat Marquise Of 1635 1719 Protestant Protestantism Religious Conversion War Of Religions Catholic Religion Prisoner
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This print showcases the allegory of the revocation of the Edit de Nantes in October 1685, a significant event in French history. The central character depicted is Basville, the intendant of Languedoc, known as the "dragon man" for his role in enforcing religious conversion among Protestants. In this powerful image, Basville is seen taking away the last clothes from Huguenots, symbolizing their loss of freedom and identity. The painting by Louis Cheron beautifully captures this dark period with intricate details and symbolism. As the Huguenots are stripped of their belongings, they are guided out of France under the protection of Mercury, representing their search for refuge and freedom elsewhere. Meanwhile, King Louis XIV appears as Midas, highlighting his absolute power and control over religious matters. Madame de Maintenon holds a torch illuminating the scene; she was instrumental in promoting Catholicism and played a key role in influencing Louis XIV's decision to revoke religious tolerance. Francoise d'Aubigne, Marquise de Maintenon herself converted to Catholicism and became an influential figure during this time. Displayed at Musee du Protestantisme in Paris today, this artwork serves as a poignant reminder of religious persecution faced by Huguenots during that era. It offers viewers an opportunity to reflect on historical events while appreciating Cheron's artistic talent and attention to detail captured within this 17th-century masterpiece.
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