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Un train de plaisir un peu trop gai, in serie Les chemins de fer
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Un train de plaisir un peu trop gai, in serie Les chemins de fer
LSE4403324 Un train de plaisir un peu trop gai, in serie Les chemins de fer, illustration by Honore Daumier (1808-1879), published in " Charivari", dated 20 August 1852. by Daumier, Honore (1808-79); Private Collection; (add.info.: Un train de plaisir un peu trop gai, in serie Les chemins de fer, illustration by Honore Daumier (1808-1879), published in " Charivari", dated 20 August 1852.); Photo eLeonard de Selva; French, out of copyright
Media ID 22757142
© Leonard de Selva / Bridgeman Images
Alcoholism Bottle Daumier Disease Gear Honore 1808 1879 Pace Roof Vomiting Public Transport
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This print titled "Un train de plaisir un peu trop gai" takes us back to the year 1852, capturing a moment of French history through the eyes of Honore Daumier. The renowned illustrator's work was published in "Charivari" on 20 August 1852, showcasing his talent for caricature and social commentary. In this particular illustration, Daumier depicts a scene from a joyous train journey that seems to have taken an unexpected turn. The passengers aboard this pleasure train are depicted in various states of disarray, with some experiencing the effects of excessive alcohol consumption. As they cling onto their hats and gear for dear life, it becomes evident that their merriment has turned into chaos. Daumier's keen eye for detail is evident as he captures the expressions of both amusement and discomfort on the faces of these individuals. This artwork serves as a satirical reflection on societal issues such as alcoholism and excess during that era. The composition beautifully portrays human behavior amidst public transport, highlighting how even moments meant for enjoyment can quickly spiral out of control. Through his masterful engraving technique, Daumier brings forth not only laughter but also contemplation about the consequences of indulgence. As we gaze upon this remarkable piece by Leonard de Selva, we are transported back in time to witness a snapshot of French society in all its complexity - reminding us that art has always been an avenue for introspection and critique.
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