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After the Bath (large version), 1891-92 (lithograph, transfer, and crayon in black on ivory wove paper)
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After the Bath (large version), 1891-92 (lithograph, transfer, and crayon in black on ivory wove paper)
5859589 After the Bath (large version), 1891-92 (lithograph, transfer, and crayon in black on ivory wove paper) by Degas, Edgar (1834-1917); 30.3 -- 31.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Edgar Degas)
Media ID 32114872
© Bridgeman Images
Edgar Degas Impressionssm Lithographic Lithos Litography Towel Towels Art Style Only One Person Semi Nude
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After the Bath (large version), 1891-92
EDITORS COMMENTS
is a captivating lithograph by Edgar Degas that showcases his mastery of capturing intimate moments. The artwork, created using transfer and crayon in black on ivory wove paper, measures 30.3 x 31.4 cm and is housed at The Art Institute of Chicago. Degas, known for his impressionist style, portrays a solitary woman in this piece. Her semi-nude figure stands out against the black and white background, emphasizing her vulnerability and natural beauty. The artist's attention to detail is evident in the delicate lines and shading that bring depth to the composition. The subject's post-bath state is conveyed through the presence of towels draped around her body. Degas skillfully captures a sense of tranquility as she appears lost in thought or perhaps enjoying a moment of solitude after cleansing herself. This artwork exemplifies Degas' ability to depict everyday scenes with an artistic flair that transcends reality. His exploration of light and shadow adds dimensionality to the figure while maintaining an air of mystery surrounding her identity. As one gazes upon "After the Bath" they are transported back to late 19th-century France, where Degas was at the forefront of art movements during that time period. This lithograph serves as a testament to his enduring legacy as both painter and printmaker, showcasing his technical prowess alongside his unique vision for capturing human emotion through art.
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